To make Mickey Mouse (2010), Paul McCarthy altered a found photograph—not of the iconic cartoon, but of a man costumed as Mickey. On his shoulders he supports an enormous false head, Mickey’s familiar face grinning with glossy eyes. The artist has marked out in heavy black the background of Cinderella’s castle. Robbed of his context, the character becomes the sole focus of the image, a subject of unusual scrutiny. Under this close examination, his torso and legs begin to seem strange—too human for his extremities—and his friendly wave starts to look less like that of a childhood hero and more like that of a politician. With McCarthy’s intervention, the famous mouse is upstaged by his own artificiality.
Known for his transgressive performance art pieces that often challenge social conventions, Paul McCarthy is undoubtedly one of the main figures in the West Coast contemporary art scene. Using different forms from pop culture as source material, McCarthy casts a critical look at American society and consumerism. With a particularly poignant sense humor, his works also investigate the intricacies of human psychology.
I Am Cuba— “Soy Cuba” in Spanish; “Ya Kuba” in Russian—is a Soviet/Cuban film produced in 1964 by director Mikhail Kalatozov at Mosfilm...
Continuing Oursler’s broader exploration of the moving image, Absentia is one of three micro-scale installations that incorporate small objects and tiny video projections within a miniature active proscenium...
Blindseye Arranger (Max) (2013) features a greyscale arrangement of rudimentary shapes layered atop one another like a dense cluster of wood block prints, the juxtaposition of sharp lines and acute angles creating an abstracted field of rectangular and triangulated forms composed as if in a cubist landscape...
Priapus Agonistes by Mary Reid Kelley and Patrick Kelley is the first work in The Minotaur Trilogy (2013-2015), a trio of videos that reimagine the Greek myth of the Minotaur...
In borrowing and subverting images from popular culture, Sadie Benning exposes the media’s role in constructing false and oppressive stereotypes of women, with regard to gender and sexual identity...
Lockhart’s film Lunch Break investigates the present state of American labor through a close look at the everyday life of the workers at the Bath Iron Works shipyard—a private sector of the U...
Lynn Hershman Leeson’s genre-bending documentary Strange Culture tells the story of how one man’s personal tragedy turns into persecution by a paranoid, conservative, and overzealous government...
The artist writes about her work Borrando la Frontera, a performance done at Tijuana/San Diego border: “I visually erased the train rails that serve as a divider between the US and Mexico...
Situated in German-occupied Belgium at the end of World War I, Y ou Make Me Iliad by Mary Reid Kelley focuses on the story of two...
Shot in black and white and printed on a glittery carborundum surface, Black Hands, White Cotton both confronts and abstracts the subject of its title...
Kelley’s 2015 portrait of the poet Charles Baudelaire is one of a series of poets, rappers, and other thinkers who have influenced the artist’s ideas about beauty, creativity, and expression...
The Wooden People is a 360º virtual reality film series comprising seven episodes...
First Born by Rachel Rose is part of a series of works titled Borns which expands on the artist’s longstanding interest in the organic shape of eggs...
In the video The Syphilis of Sisyphus (2011), Reid Kelley transported her heroine to the French demimonde...
Monteverdi Ici – Deeply, Feeling Filling the World by Laure Prouvost is a tapestry that references a video by the artist entitled Monteverdi Ici (2018)...
Nuevo Dragon City is a reenactment of a historical event from 1927 in which six Chinese were either trapped or voluntarily hid themselves inside a building in northern Mexico...
Meireles, whose work often involves sound, refers to Sal Sem Carne (Salt Without Meat) as a “sound sculpture.” The printed images and sounds recorded on this vinyl record and it’s lithographed sleeve describe the massacre of the Krahó people of Brazil...
In Dorian, a cinematic perfume, video is used as a community gatherer, a tool to speak about particular subcultures, in this case the trans-gender drag queen New York community, past and present...
Michelle Handelman’s video work Irma Vep, The Last Breath takes its inspiration from Musidora, a famous French silent film actress, and a character she played called Irma Vep, from the film Les Vampires (1915), directed by Louis Feuillade...