Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers. As part of the drop of Augmented Reality sculptures, Ögüt invites the public to participate in populating public space with AR monuments, honoring those who have stood up to corrupt power. Each monument is dedicated to a different individual who stood up to protest systems far larger than themselves.
Ian Cheng’s project 3FACE is based on a model that is derived from both the artist’s extensive readings on psychology and cognition, and his own intuitive understanding of how people function. 3FACE positions the process of minting a generative NFT as a metaphor for personality development. While part of a series, because of the responsive coding, each NFT is unique and is informed by the contents of the owner’s wallet.
Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers. As part of the drop of Augmented Reality sculptures, Ögüt invites the public to participate in populating public space with AR monuments, honoring those who have stood up to corrupt power. Each monument is dedicated to a different individual who stood up to protest systems far larger than themselves.
For his project Book of Veles artist Jonas Bendiksen travelled to the small city of Veles in North Macedonia, inspired by a series of press reports starting in 2016, that revealed Veles as a major source of the fake news stories flooding Facebook and other social media sites celebrating Donald Trump and denigrating Hillary Clinton. Scores of young people in the impoverished city had discovered that they could make a decent living by fabricating and circulating stories online. Originally presented as a book, Bendiksen’s haunting images show the city of Veles and its inhabitants.
The mines at Potosí are both the site and subject of this work, also titled Potosí, by Antonio Vega Macotela. Historically, these mines bankrolled Spanish imperial coinage; the Spanish began excavating the site for silver in 1545 in what is now Bolivia. The mines themselves are situated at great altitude in the Andes, and are inhospitable to animal labor.
The installation Soliloquy by Tromarama features 96 second-hand lamps scattered around the space like islands or entities left in solitude. Each time the hashtag “#kinship” is used on Twitter, the tweet is converted into binary code, which triggers their switches and creates a symphony of lights. The flashing bulbs transcribe layers of human desire and of individual stories that manifest users’ connections forged across physical and digital realms.
Four knives appearing as if thrown at the wall to alleviate frustration and boredom, form rhythmic shadows and markings of time above a translated phrase boldly printed in simplified Chinese and English. While the English reads “But Now I Manufacture Hate, Every Single Day,” the Chinese, resultant from Google Translate in 2011, reads awkwardly to something meaning “now I manufacture black special.” The term “black special” is derived from a transliteration of the word “hate” into the sound “heite”, where the corresponding written characters literally denote “black special”. The rigidity of the machine translation also preserved the syntax of English, forcing the Chinese to crudely abide by English grammar.
In the video work Any Resemblance is Coincidental , CHEN Zhexiang mined portraits of real Asian criminals that were abandoned on the Internet. In order to form a database of the portraits, he saved the files under the original names retrieved from the Internet. CHEN used digital facial recognition technology to build a lexicon of the criminals’ facial characteristics in order to analyze them.
Drawing & Print (Drawing & Print)
Untitled was part of the 2002 exhibition “Drawings for the Austrian School” held at the D’Amelio Terras gallery in New York. For this occasion, Morris created a language of his own by using acrylic, ink, graphite and ballpoint pen on paper. The exhibition title comes from Morris’ interest in the early 20th century Austrian economist Joseph Schumpeter, a one time Austrian Minister of Finance, bank director, and economics professor who taught in Europe and at Harvard University.
The title of the painting refers to the fact that the figure’s behind is raised upwards and the face is found at the bottom of the painting, thus inverting the way in which people are normally seen. Bottom’s up is also a pun, a nod to the English toast. Quarles draws on a number of sources of inspiration, including comic book imagery, the influence of which sits alongside elements of her practice informed by life drawing classes.
– In which a storm breaks out in a computing division and its simulation is turned inside out – Fourth episode of The Unmanned series, “The Uncomputable” is the story of a failure: the building in the northern plains of Scotland of a giant climate prediction factory by meteorologist Lewis Fry Richardson. This enormous inverted terrestrial globe supposed to host 64,000 women-computers and able to forecast the world weather was never built. Partly shot in a wind tunnel (used for aerodynamics simulation), this episode shows the impossible attempt at building the factory and the collapse of its hypothesis of a global computation.
Capture is a photographic series by Paolo Cirio in which the artist sourced 1000 public images of police officers’ faces and processed them with facial recognition technology. The original photographs were taken during protests in France, Cirio collected these images and created an online platform containing a database of the 4000 police faces that the AI program isolated. The artist crowdsourced their identification by name and then publicly exposed the officers by printing their headshots and posting them throughout Paris.
For her telephone sound composition Dial Tone Drone, Aura Satz commissioned a conversation between two old friends, the sound pioneers Pauline Oliveros (1932-2016) and Laurie Spiegel (born 1945). Carried out via iPhone and Skype and prompted by a series of questions from Satz, the pair congenially discuss aspects of drone sounds, which for years have been an important component of their unconventional electronic work, both audio and video. Their interest in drone sounds and use of sustained or repeated sounds, notes, or tone-clusters aligned with Satz’s own interest in alert signals, and the latter’s attempt to forge a new understanding of hypervigilance and emergency through sound as a perceptual trigger of high alert.
Capture is a photographic series by Paolo Cirio in which the artist sourced 1000 public images of police officers’ faces and processed them with facial recognition technology. The original photographs were taken during protests in France, Cirio collected these images and created an online platform containing a database of the 4000 police faces that the AI program isolated. The artist crowdsourced their identification by name and then publicly exposed the officers by printing their headshots and posting them throughout Paris.
Hopf’s works reference the effects that developments in economics and technology have had on our bodily and mental composition. With her series Laptop Men she presents a humorous reading of the way we interact with computers, and the growing tendency to perceive them as part of our bodies. This takes place against a backdrop of an increasing dependence on implants and prostheses among the human species.
– In which defeated he leaves the scene and the stage is left in search of its scale – Second episode of The Unmanned series, “The Brute Force” reconstructs the minutes following Garry Kasparov’s defeat against the IBM Deep Blue computer on 11 May 1997. A camera with computer-programmed movements scrutinises the elements of an empty setting after the chess champion has left the scene, thus abandoning it to the disproportion of a world without its own scale.
Descent into the Fungal is a two-channel video and a sculptural installation. The mushroom / sculptural element is site-specific and is grown from readymade mushroom blocks sold by mushroom farmers. They are given two weeks to mature and follow their natural cycle, bringing the natural element directly into the white cube.
Unfollow is a music video by Yung Jake featuring a man haunted by the shadows of a former relationship. With the omnipresence of social media in our daily lives, breaking up in the physical world no longer suffices: posts by his ex-lover still appear in his newsfeed, reminding him of her presence and thus making it harder from him to let go of his relationship. As the ‘unfollow’ button on social media appears to be the only way to break up completely, Unfollow underlines the barrier between our online and offline identities and the difficulty to separate them.
In the video No Not Nothing Never , a group of 23 domestic fans arranged in a mountainous desert landscape, move in perfect synchrony. Although when placed in this arid geography, the fans become evocative of wind turbines that generate electricity, the fans used by Pascual Sisto consume energy in a futile attempt to alleviate the dry heat. The familiar humming of the fans is eclipsed by the sounds of the strong desert winds that pass by as the fans turn.
-In which predicting its past it lives working and dies fighting- Fifth episode of The Unmanned , “La Mémoire de Masse” unfolds during the second Canuts revolts in Lyon in 1834. These riots now known as the ‘bloody week’ came as a reaction to the automation of work in the silk industry by the Jacquard Loom and its implementation of the punched card – first historical ‘mass storage’ system allowing the inscription and replication of complex weaving patterns. This inaugurating event in the history of workers emancipation movements of the 19th century is actually the first revolt against modern computation.
Itch explores the relationship between technology and daily human experience with a motorized arm that extends from within the gallery’s wall, moving up and down while holding a projector that shows a desperately scratching pair of hands.
In the 2013 video work, Sitting Feeding Sleeping , Rose combines footage taken of zoo animals living in captivity with screen images that flicker and flash before us. In the narration, Rose talks about forms of life that are suspended and simulated—artificial intelligence and cryogenically frozen bodies, zoo animals and counterfeit ecologies. Through this montage of different types of footage and text, Rose poses us between the natural and the artificial, and speaks to the very strange moment of life in a world that is seemingly caught between the two, existing in a hybrid (though not necessarily symbiotic) moment of radical change.
Drawing & Print (Drawing & Print)
The title Untitled Passport II was first used by Felix Gonzalez-Torres in an unlimited edition of small booklets, each containing sequenced photographs of a soaring bird against an open sky. Stacked in the shape of a cube and available for visitors to take away, the passports did not offer citizenship, but rather invited participation in a sense of borderless “being.” Colter Jacobsen’s Untitled (Untitled Passport II) is a diptych showing two-page spreads from Gonzalez-Torres’s booklet. The perfect graphite renderings freeze the book with its pages splayed, wings perpetually open.
Advanced Technology (Advanced Technology)
RE-ANIMATED by Jakob Kudsk Steensen revolves around the haunting sound of the Kauai’O’o, a bird that became extinct in the year of Steensen’s birth. Its mating call, recorded and circulated on YouTube, where it has attracted hundreds of thousands of views and thousands of comments from viewers who felt the need to share their own emotional connection with this creature. For Steensen, the video exemplifies the way in which digital media experiences can serve as a memorial for a disappearing natural world, and how they can activate deeply felt connections with nonhuman creatures.
For Sentimentite Agnieszka Kurant collaborated with Justin Lane, CEO and Co-Founder of CulturePulse, to gather global sentiment data that has been harvested from millions of Twitter and Reddit posts related to 100 seismic events in recent history. Kurant’s fictional mineral-currency is at once data visualization, a sly commentary on global markets, and a speculative narrative about the connection between technology and geology (for example ‘conflict minerals’ used in smartphones). Inspired by the way natural forces shape rocks, landscape, and planets over time, Sentimentite ’s evolving forms are shaped by dynamic social and political ruptures in the 21st century.
Victory at Sea is a simple mechanism made from cardboard and found materials that mimics the Phenakistoscope, an early cinematic apparatus. The piece requires the viewer to turn a wheel and look through a small hole in order to see a briefly animated succession of small drawings of sailors.
Extrastellar Evaluations is a multimedia installation produced during Yin-Ju Chen’s residency at Kadist San Francisco in the spring of 2016. Chen’s project departs from a 19th century theory popular within Western biogeography that posited the existence of a “lost land” or ancient continent called Lemuria that had sunk beneath the Indian and Pacific Ocean due to cataclysmic geological change. As a result, its inhabitants, the Lemurians, found refuge in Mount Shasta, California.
Peasant Sensation Passing Through Flesh – 3 consists of a massage chair fixed to a wall. With its cushions removed to reveal its internal mechanisms, the chair’s programmed rubbing, kneading, patting, and vibrating motions create a strange sight and soundscape. The work explores the relationship between flesh and machine as they come together through technologically simulated social behaviors, challenging normative ideas about human interaction.
Half Dome Hough Transform by Trevor Paglen merges traditional American landscape photography (sometimes referred as ‘frontier photography’ for sites located in the American West) with artificial intelligence and other technological advances such as computer vision. This photograph was taken at Half Dome, a frequently visited granite rock formation in Yosemite National Park, California. For this work, Paglen created a digital file of the 8 x 10 inch photographic negative so that the artificial intelligence program can apply computer vision to evaluate the content of the image.
Jonas Bendiksen is a Norwegian-American artist and photographer whose work addresses enclaves, people on the fringes of society, and those living in isolated communities...
The collaborative work of Fabien Giraud and Raphael Siboni is part of a reflection on the history of cinema, science, and technology...
The work of Ian Cheng explores evolutionary processes, including mutation and adaptation in response to changing conditions...
Artist Paolo Cirio engages with legal, economic, and cultural systems of information...
Artist and filmmaker Pascual Sisto is known for creating works that reimagine the mundane as captivating alternate realities...
Since 2003, Colter Jacobsen has gained in visibility and importance in the Bay Area art scene...
Trevor Paglen’s work combines the knowledge-base of artist, geographer and activist...
Subash Thebe Limbu considers his works to be science fiction through an Indigenous lens, rooted in the language, script, songs, and symbols of the Yakthung (Limbu) peoples...
Yung Jake is a visual artist and YouTube rapper based in Los Angeles whose work fuses new media, music, and art...
Venzha Christ produces New Media works that expand boundaries of traditional creative practices...
Jeamin Cha’s questions exist in the gyre between individual and social environment, stepping over conspicuous strands of relation between the two in favor of cultivating characters that dwell in the night, under-noticed or otherwise surplus figures outside of mainstream societal representation...
Kim Heecheon’s complex video installations are deeply rooted in his experiences, opening possibilities for a dual visual discourse that combines personal feelings, informed by his immediate surroundings, in a digitized global environment...
Bahar Noorizadeh is filmmaker, writer, and platform designer...
Producing hybrid artworks at the intersection of drawing and painting, Natan Lawson’s work exists in between hand-made and computer-processed...
John Morris practices what critic Allan Weiss calls “ poetics of the ad infinitum” an ecstatic but precise doodling in which handmade marks stand for unrepresentable holism...
The work of writer, visual artist and filmmaker Isadora Neves Marques focuses on the politics of nature, in specific relation to ecology; economics; cultural production; and social and ontological segregation...
The artist collective Tromarama is a Bandung based artist collective founded in 2006 by Febie Babyrose, Herbert Hans and Ruddy Hatumena...
Andrew Norman Wilson is an artist, curator, and filmmaker whose practice is mostly based in research and documentary...
Yuyan Wang is a filmmaker and multidisciplinary artist whose work examines images at the point of production and the atmosphere cultivated by media regimes within the attention economy...
Jackie Karuti is an artist based in Nairobi, Kenya...
Gabriel Pericàs (b...
Departing from social and political history, the work of Rossella Biscotti (b...
Andrey Shental is an independent artist, theorist, cultural critic, and curator based in Moscow...
Siavash Naghshbandi has long been interested in computer systems and the approaching horizon of Artificial Intelligence...
Loretta Fahrenholz is a filmmaker, photographer, and curator...
In his articulation of Radical Digital Painting, Jeffrey Alan Scudder has developed an optimistic view of painting’s future that begins from an in-depth focus on digital materiality...
The KADIST mobile app features an art news section that compiles content from global sources covering contemporary art...
The acronym “CFL” stands for an existing light standard (Compact Fluorescent Light) as well as a standard nutrient (Cognitive Fooding Laboratory)...
Victory at Sea is a simple mechanism made from cardboard and found materials that mimics the Phenakistoscope, an early cinematic apparatus...
In the video No Not Nothing Never , a group of 23 domestic fans arranged in a mountainous desert landscape, move in perfect synchrony...
Drawing & Print
The title Untitled Passport II was first used by Felix Gonzalez-Torres in an unlimited edition of small booklets, each containing sequenced photographs of a soaring bird against an open sky...
Four knives appearing as if thrown at the wall to alleviate frustration and boredom, form rhythmic shadows and markings of time above a translated phrase boldly printed in simplified Chinese and English...
Itch explores the relationship between technology and daily human experience with a motorized arm that extends from within the gallery’s wall, moving up and down while holding a projector that shows a desperately scratching pair of hands....
The installation work Men from Hyperion and Women from Phoebe (2011), for examples, features six guitars mounted on steel crossbar stands and connected to one another with slack wires...
Peasant Sensation Passing Through Flesh – 3 consists of a massage chair fixed to a wall...
Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...
In the 2013 video work, Sitting Feeding Sleeping , Rose combines footage taken of zoo animals living in captivity with screen images that flicker and flash before us...
Drawing & Print
Jet Folder & Data Tree (2013) offers a humorous take on how computer and screen-based technologies affect our relationship to the natural world...
All Watched Over by Machines of Loving Grace takes its title from a 1967 poem by American writer Richard Brautigan, which describes a utopian future where computers are in harmony with and protective of mankind and nature, performing all the necessary work while we retreat back towards nature...
In the hologram “Mano con hojas” (”Hand with Leaves”, 2013), nature is portrayed simultaneously as an interconnected system of processes and the essence of the universe...
To make the video installation Soft Staycation (Gaze Track Edit) , the artist, playing the role of ‘job creator’, hired a group of unemployed and expat freelancers through Craigslist to watch a 30 minute compilation of national tourism ads...
– In which defeated he leaves the scene and the stage is left in search of its scale – Second episode of The Unmanned series, “The Brute Force” reconstructs the minutes following Garry Kasparov’s defeat against the IBM Deep Blue computer on 11 May 1997...
Rossella Biscotti’s “10×10” series investigates the relationship between demographics, data processing, textile manufacturing and social structure...
– In which he changes the rules of the game and all imitations are suddenly interrupted – Third episode of The Unmanned series and replicating the editing structure of “1834 – La Mémoire de Masse”, “The Outlawed” takes place in August 1953 on the island of Corfu, in Greece, at the Club Méditerranée resort where Alan Turing spent his last summer...
Yuca_tech: Energy by Hand is an installation by Amor Muñoz that resulted from a local technology lab in a small village in the Yucatán henequen zone, in the Mayan region of Mexico...
“Weight & velocity (cat on router)” is a duo of two humorous photographs of a cat lying on a computer router...
The Unmanned, is composed of several 26min episodes, it is a fictional documentary about the history of humanity faced with technology acceleration...
– Thisstoryoffriedrichkurzweiliwanttotellit- myselfhowhelivedinthisroomandh – Inspired by the writings of the feral child Kaspar Hauser and told by the young Friedrich, both father and son of Ray Kurzweil, this story unfolds on the microscope images of a blade cutting through metal...
After two years of research in close conversation with anthropologists and archaeologists, Linares eventually enrolled in classes to study archeology—specifically the history of material artifacts...
-In which predicting its past it lives working and dies fighting- Fifth episode of The Unmanned , “La Mémoire de Masse” unfolds during the second Canuts revolts in Lyon in 1834...
Lifting Barbells is a video by Kim Heecheon that narrates his letters in Spanish to his girlfriend in Argentina, discussing his feelings after his father died in a bicycling accident...
In Centro Espacial Satelital de Colombia (Colombian Satellite Space Center) , Calderón & Piñeros (La Decanatura) play tribute to two “stunning” satellite antennas installed in the small municipality of Chocontá where, in 1970, the Space Communications Center of Colombia was inaugurated...
Aqua by Fernando Palma Rodríguez is an installation formed by four gourds and one movement detector that activates them...
Drawing & Print
This untitled print by Wade Guyton depicts an iteration of elements that are characteristic of the artist’s work...
The Pudic Relation between Machine and Plant shows a looped scene where a robotic hand touches a “sensitive plant” — Mimosa Pudica, a species characteristic for closing on itself when touched...
The Parle Ment Metal Woman Welcoming You is a character originated from a series of works combining sculpture and video with a specific role— lying on the floor playing a romantic elevator tune, this Metal Woman welcomes and flirts with viewers in the space where she is posed...
The Planets, Chapter 32 (2017) is a short video that depicts the world at a time of great anxiety...
Advanced Technology
RE-ANIMATED by Jakob Kudsk Steensen revolves around the haunting sound of the Kauai’O’o, a bird that became extinct in the year of Steensen’s birth...
Hopf’s works reference the effects that developments in economics and technology have had on our bodily and mental composition...
Extrastellar Evaluations is a multimedia installation produced during Yin-Ju Chen’s residency at Kadist San Francisco in the spring of 2016...
The title of the painting refers to the fact that the figure’s behind is raised upwards and the face is found at the bottom of the painting, thus inverting the way in which people are normally seen...
– In which an intelligence going back to its place of origin discovers the agony of gods on which it thrives – Seventh and last episode of The Unmanned , “a flood” is set in 1542 as the first conquistadors enter the land later to be known as the Silicon Valley...
Gated Commune , a video by Camel Collective, is a critique of the complex, and often obtuse, language used to describe sustainable development projects...
Office Work by Walead Beshty consists of a partially deconstructed desktop monitor screen, cleanly speared through its center onto a metal pole...
After Scarcity is a sci-fi video-essay that tracks Soviet cyberneticians (1950s – 1980s) in their attempt to build a fully-automated planned economy...
Fauna is a figurative sculpture by Auriea Harvey that is characteristic of the artist’s practice—both serious and somewhat whimsical...
Reflecting upon the transformation of surveillance techniques since the panopticon to include contemporary 3-D facial recognition, AI, and the Internet, Shu Lea Cheang’s 3x3x6 – 10 cases 10 data restages the rooms of the Palazzo delle Prigioni—a Venetian prison from the sixteenth century in operation until 1922—as a high-tech surveillance space...
Advanced Technology
Matt Kane initiated the project Right Place & Right Time – Bitcoin Volatility Art in 2019...
In the nine-channel video installation, Against Step by Yim Sui Fong, a phantasmagorical image of a male dancer appears on a large-scale video projected on a floating retro-projection screen...
Daily Life of Human is comprised of a fast-paced series of still images selected by the artist from ImageNet, a massive dataset of images (about 14 million) produced by BigGAN...
Blindfold Receptor (caterpillar-yellow) by Leelee Chan is inspired by the camouflaging nature of the peppered-moth caterpillar...
Capture is a photographic series by Paolo Cirio in which the artist sourced 1000 public images of police officers’ faces and processed them with facial recognition technology...
Half Dome Hough Transform by Trevor Paglen merges traditional American landscape photography (sometimes referred as ‘frontier photography’ for sites located in the American West) with artificial intelligence and other technological advances such as computer vision...
Capture is a photographic series by Paolo Cirio in which the artist sourced 1000 public images of police officers’ faces and processed them with facial recognition technology...
The Black Canyon Deep Semantic Image Segments by Trevor Paglen merges traditional American landscape photography (sometimes referred as ‘frontier photography’ for sites located in the American West) with artificial intelligence and other technological advances such as computer vision...
Z = |Z/Z•Z-1 mod 2|-1: Lavender Town Syndrome by Andrew Norman Wilson is a multi-channel video that uses three different imaging technologies—a photographic lens, photorealistic ray tracing animations, and fractal ray-marching animations—to travel through three constructed environments...
Capture is a photographic series by Paolo Cirio in which the artist sourced 1000 public images of police officers’ faces and processed them with facial recognition technology...
Jeamin Cha’s essay-film Ellie’s Eye is an extensive examination of the human mind and the effects of new technology, such as chatbots and virtual avatar therapists on the mental health industry...
In the video work Any Resemblance is Coincidental , CHEN Zhexiang mined portraits of real Asian criminals that were abandoned on the Internet...
For his project Book of Veles artist Jonas Bendiksen travelled to the small city of Veles in North Macedonia, inspired by a series of press reports starting in 2016, that revealed Veles as a major source of the fake news stories flooding Facebook and other social media sites celebrating Donald Trump and denigrating Hillary Clinton...
Advanced Technology
Mutant Garden Autobreeder by Harm van den Dorpel is a generative animated artwork based on evolutionary programming that never appears the same twice...
In Ningwasum , Subash Thebe Limbu explores Adivasi Futurism, a concept he has developed over a number of years, inspired by the writings of Octavia Butler, Afrofuturism, Indigenous Futurism, and various Adivasi, Janajati, feminist, queer, and Dalit movements...
For his project Book of Veles artist Jonas Bendiksen travelled to the small city of Veles in North Macedonia, inspired by a series of press reports starting in 2016, that revealed Veles as a major source of the fake news stories flooding Facebook and other social media sites celebrating Donald Trump and denigrating Hillary Clinton...
For his project Book of Veles artist Jonas Bendiksen travelled to the small city of Veles in North Macedonia, inspired by a series of press reports starting in 2016, that revealed Veles as a major source of the fake news stories flooding Facebook and other social media sites celebrating Donald Trump and denigrating Hillary Clinton...
In Ningwasum , Subash Thebe Limbu explores Adivasi Futurism, a concept he has developed over a number of years, inspired by the writings of Octavia Butler, Afrofuturism, Indigenous Futurism, and various Adivasi, Janajati, feminist, queer, and Dalit movements...
For his project Book of Veles artist Jonas Bendiksen travelled to the small city of Veles in North Macedonia, inspired by a series of press reports starting in 2016, that revealed Veles as a major source of the fake news stories flooding Facebook and other social media sites celebrating Donald Trump and denigrating Hillary Clinton...
For his project Book of Veles artist Jonas Bendiksen travelled to the small city of Veles in North Macedonia, inspired by a series of press reports starting in 2016, that revealed Veles as a major source of the fake news stories flooding Facebook and other social media sites celebrating Donald Trump and denigrating Hillary Clinton...
Radical Digital Paintings is a collection of 239 works that were painted from 2016–2021; one exemplary image from the series is #98 ...
For his project Book of Veles artist Jonas Bendiksen travelled to the small city of Veles in North Macedonia, inspired by a series of press reports starting in 2016, that revealed Veles as a major source of the fake news stories flooding Facebook and other social media sites celebrating Donald Trump and denigrating Hillary Clinton...
For his project Book of Veles artist Jonas Bendiksen travelled to the small city of Veles in North Macedonia, inspired by a series of press reports starting in 2016, that revealed Veles as a major source of the fake news stories flooding Facebook and other social media sites celebrating Donald Trump and denigrating Hillary Clinton...
Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers...
For Sentimentite Agnieszka Kurant collaborated with Justin Lane, CEO and Co-Founder of CulturePulse, to gather global sentiment data that has been harvested from millions of Twitter and Reddit posts related to 100 seismic events in recent history...
The mines at Potosí are both the site and subject of this work, also titled Potosí, by Antonio Vega Macotela...
Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers...
Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers...
Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers...
Ecotone by Enar de Dios Rodríguez is a video work presented in six chapters, each beginning and ending with a one-sided telephone dialog with an informal, friendly and conversational tone, that leads quickly into complex philosophical subjects...
For Sentimentite Agnieszka Kurant collaborated with Justin Lane, CEO and Co-Founder of CulturePulse, to gather global sentiment data that has been harvested from millions of Twitter and Reddit posts related to 100 seismic events in recent history...
Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers...
Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers...
Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers...
Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers...
For Sentimentite Agnieszka Kurant collaborated with Justin Lane, CEO and Co-Founder of CulturePulse, to gather global sentiment data that has been harvested from millions of Twitter and Reddit posts related to 100 seismic events in recent history...
Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers...
The Moon Also Rises by Yuyan Wang comprises a one-channel video and light installation...
Miercoles cerca de las 7 de la tarde by Caroline Fusilier portrays two quantum computers that are mobile, with human-esque legs, these are systems at the edge of biology...
This short looped-video NFT Invertebrate Interactions by Sofia Crespo aims to capture generated impressions of diatoms...