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Sans titre n°10 (Temps mort)
© » KADIST

Mohamed Bourouissa

Photography (Photography)

Temps Mort is the result of one year of mobile phone exchanges of still images and videos between the artist and a person incarcerated in prison. Mohamed Bourouissa directs the scenes to be reconstructed inside the prison from a distance. With sketches and instructions, he indicates in detail the sort of shots he would like to receive.

..this was the plane - the variously large and accentuated, but always exactly determined plane - from which everything would be made…
© » KADIST

Charlotte Moth

Photography (Photography)

It is with the eye of a sculptor that Charlotte Moth records modernist architecture and its copies which she encounters during her trips and residences. Photographed in black and white, these architectures seem empty, out of time, and open to any interpretation. The artist creates a classification of her species of spaces, called the “Travelogue”, which is both artwork and tool since it allows her to ceaselessly generate new works.

432 Photographs of Nefertiti
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Sara Cwynar

Drawing & Print (Drawing & Print)

Sara Cwynar’s composite photographs of found objects and images court feelings of time passing. Using studio sets, collage, and re-photography, she produces intricate tableaux that draw from magazine advertisements, postcards, or catalogs. Cwynar is interested in how design and popular images work on our psyches, in how their visual strategies infiltrate our consciousness.

Untitled (from the Hill of Poisonous Tree Series)
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Dinh Q. Lê

Photography (Photography)

Hill of Poisonous Trees (three men) (2008) exemplifies the artist’s signature photo-weaving technique, in which he collects diverse found photographs—portraits of anonymous people, stills from blockbuster films, or journalistic images—cuts them into strips, and weaves them into new composition. The title of the series is translated from the Khmer phrase Tuol Sleng , which literally means a poisonous hill or a place on a mound to keep those who bear or supply guilt, and the photographs came from the Tuol Sleng Genocide Museum in Cambodia, a former prison where at least 200,000 Cambodians were executed during the reign of the Khmer Rouge between 1975 and 1979. In this particular image, three men stand against the backdrop of what looks like a prison interior.

Arms & Legs (Specif. Elbows & Knees), etc.: Arm (with Bottle)
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John Baldessari

Photography (Photography)

Arms & Legs (Specif. Elbows & Knees), etc. : Arm (with Bottle) belongs to Baldessari’s most recent series of paintings in which the artist brings together photographic, painted, and three-dimensional elements, to juxtapose unlikely body fragments such as noses and ears, elbows and knees, or eyebrows and foreheads.

Mohamed Bourouissa

Mohamed Bourouissa became known in the 2000s with a series of photographs on young people in the suburbs of Paris...

Charlotte Moth

Charlotte Moth has been constituting an image bank since 1999...

John Baldessari

Sara Cwynar

Cwyner is both related to a photo conceptual tradition of photography from Vancouver as well as to a new school of photography working with digital manipulation, scanners, stock photography and the notion of photography after image making, both of which are represented in the Kadist collection via artists such as Arabella Campbell, Ron Terada, Tim Lee, Rodney Graham, Ian Wallace from Vancouver and artists such as Chris Wiley, Lucas Blalock, Erin Shirreff or John Houck, who recently have explored the idea of photography beyond image making....

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about 3 months ago (02/12/2024)

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about 53 months ago (12/14/2019)

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about 78 months ago (12/09/2017)

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about 104 months ago (10/27/2015)

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about 115 months ago (12/01/2014)

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about 116 months ago (10/22/2014)

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about 136 months ago (03/01/2013)

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about 148 months ago (03/14/2012)

© » KADIST

about 207 months ago (05/03/2007)