432 Photographs of Nefertiti

2015 - Drawing & Print (Drawing & Print)

Sara Cwynar


Sara Cwynar’s composite photographs of found objects and images court feelings of time passing. Using studio sets, collage, and re-photography, she produces intricate tableaux that draw from magazine advertisements, postcards, or catalogs. Cwynar is interested in how design and popular images work on our psyches, in how their visual strategies infiltrate our consciousness. Her photographs are sculptural constructions that are photographed, printed, tiled, and re-photographed; images taken from darkroom manuals that are deconstructed using a scanner; and stock photographs that are collaged by hand and then re-photographed.


Cwyner is both related to a photo conceptual tradition of photography from Vancouver as well as to a new school of photography working with digital manipulation, scanners, stock photography and the notion of photography after image making, both of which are represented in the Kadist collection via artists such as Arabella Campbell, Ron Terada, Tim Lee, Rodney Graham, Ian Wallace from Vancouver and artists such as Chris Wiley, Lucas Blalock, Erin Shirreff or John Houck, who recently have explored the idea of photography beyond image making.


Colors:



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Omaha’s Joslyn Art Museum has announced plans for a redesign and second addition to its original Memorial Building....

A Malaysian under lockdown reviews Singapore Art Week 2021
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Bruno Serralongue

2008

The half-length portrait of Joe Shirley presents a man with a great presence, wearing several items that point to ancestral Native American culture...

Frick Collection Takes Its Jewels on a Brutalist Sojourn - via The Art Newspaper
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Evocative surprises await: while its Gilded Age home is closed for renovation and expansion, the Frick displays its masterworks in austere Modernist surroundings on Madison Avenue...

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Untitled
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Joanna Piotrowska

2019

This selection of photographs taken between 2014 and 2019 focus on Piotrowska’s long-term preoccupation with issues of domesticity and containment...

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© » KADIST

Joanna Piotrowska

2015

This selection of photographs taken between 2014 and 2019 focus on Piotrowska’s long-term preoccupation with issues of domesticity and containment...

We only move wehen something changes
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Olaf Breuning

2002

In the work We only move wehen something changes !!!, Olaf Breuning composes a portrait of posed antiglobalization protesters, each wearing clown noses, inside of a scene reminiscent of an event...

Women’s Oppression Is the Earth’s Oppression
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Women’s Oppression Is the Earth’s Oppression Skip to content Laura Aguilar, "Nature Self-Portrait #5" (1996) (© Laura Aguilar Trust of 2016) LONDON — The tradition of landscape photography is entwined with a patriarchal settler-colonial perspective...