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Serious Games 3, Immersion
© » KADIST

Harun Farocki

Film & Video (Film & Video)

For Immersion , Harun Farocki went to visit a research centre near Seattle specialized in the development of virtual realities and computer simulations. One of their projects consists in using virtual reality (environments created to simulate this world) for therapeutic reasons for soldiers suffering traumas after the Iraq war. The double projection creates a parallel between animations and testimonies by soldiers reliving their mission, the explosions, gunshots and ambushes, their fears and their guilt.

Baobab
© » KADIST

Tacita Dean

Film & Video (Film & Video)

The photographic quality of the film Baobab is not only the result of a highly sophisticated use of black and white and light, but also of the way in which each tree is characterized as an individual, creating in the end a series of portraits. The monumental and unnatural aspect of the baobabs turns them into strange and anthropomorphic personalities. Adding to the descriptive aspect of the film, the sound is a recording of the environment, of sounds made by animals, and participates in this peaceful contemplation.

Silver & Gold
© » KADIST

Nao Bustamante

Film & Video (Film & Video)

Silver & Gold combines video, performance, and original costumes into a self-proclaimed “filmformance” that evokes the legendary filmmaker Jack Smith and his tribute to 1940s Dominican movie starlet Maria Montez in a magical and joyfully twisted exploration of race, glamour, sexuality, and the silver screen. Taking Smith’s interest in Hollywood’s obsession with the reproduction of the exotic as a point of departure, Bustamante embodies Miss Montez. Here, video and the body function as both material and subject in her bizarre search for the new bejeweled body part that is at once her curse and oracle.

The Golden State
© » KADIST

William E. Jones

Photography (Photography)

His series, The Golden State, harkens back to his early career and his photographic training. Using a still camera to compose the fifty images of the series, Jones turns his lens on the vernacular architecture of California’s southern region, looking at the iconic and idiosyncratic spaces that define a region. William E. Jones is a filmmaker, writer, and artist whose interests lie in the circulation of images—images that are broadcast, images that are hidden, and images that become imbedded in our collective consciousness.

Gikan Sa Ngitngit Nga Kinailadman (From The Dark Depths)
© » KADIST

Kiri Dalena

Film & Video (Film & Video)

Gikan Sa Ngitngit Nga Kinailadman (From The Dark Depths) by Kiri Dalena is a stylistically collaged film inspired by the true story of a young activist’s drowning. Moving between reality and fantasy, it depicts the story of a dead communist who sinks to the bottom of the ocean into a dreamlike subaquatic utopia. In the film a young woman mourns the death of an activist that took place years ago.

Sojourner
© » KADIST

Cauleen Smith

Film & Video (Film & Video)

Set to the iconic and spiritual music of Alice Coltrane’s Turiyasangitananda (1937–2007), Cauleen Smith’s film Sojourner travels across the US to visit a series of sites important to an alternative and creative narrative of black history. While the approach may appear spiritual, it is more futuristic (Afrofuturism and Radical Jazz) than religious. Smith is interested in using the individual stories of “those who have formed their own solutions” as a reconstructive and healing lens for considering the past.

Hearsay of the Soul
© » KADIST

Werner Herzog

Film & Video (Film & Video)

Commissioned for the 2012 Whitney Biennial, Hearsay of the Soul (2012) is Werner Herzog’s ode to the landscape paintings of the 17th-century Dutch artist Hercules Segers. The work is a four-channel digital projection of Segers’s artworks accompanied by the emotive music of the Dutch cellist and composer Ernst Reijseger. Herzog sees Segers’s vast landscapes as powerful representations of our own interior worlds, resounding with feelings of anger, joy, fear, and loneliness.

Enemy’s Enemy: A Monument To A Monument
© » KADIST

Tuan Andrew Nguyen

This work presents the image of an immolated monk engraved on a baseball bat. The flames surround him eroding the extremity of the bat. The delicate sculpture refers to the sacrifice of the Buddhist monk, Thich Quang Duc, who immolated himself on June 16th 1963, in reaction to the discrimination and the repressive politics of the Diem Catholic regime (regime installed by the Americans) towards the Buddhists.

Collaborative Mt. Tamalpais Drawings #1-8
© » KADIST

Etel Adnan and Lynn Marie Kirby

Drawing & Print (Drawing & Print)

In conjunction with KADIST’s 2017 exhibition If Not Apollo, the Breeze , artist and filmmaker Lynn Marie Kirby performed Transmissions , a video and live reading created with longtime collaborator Etel Adnan. Inspired by time spent together in Paris, the piece incorporated open-ended conversation about the oracle, Mount Tamalpais (a subject of long-standing fascination for Adnan and the subject of hundreds of works), and a suite of collaborative drawings. The drawings, made in India ink and created spontaneously, are remarkable evidence of two lives, minds, and hands in dialogue.

Lessons of the Blood
© » KADIST

James T. Hong

Film & Video (Film & Video)

Lessons of the Blood by James T. Hong pieces together interviews, extensive archival and field research, and TV footage addressing Japan’s use of biological warfare and experimentation on Chinese prisoners during World War II, as well as the revisionism of the Japanese government and Chinese survivors’ attempts to live with this horrific history and to find justice. Co-written, directed, edited and produced with Yin-Ju Chen, whose work is also represented in the Kadist collection, Lessons of the Blood is a meditation on propaganda, the ways in which national mythologies can literally infect and poison the most vulnerable among us, and the legacy of World War II in China, presented through the testimonies of survivors, academics, medical experts, nationalists and activists. The film locates its genesis in the publication of the New History Textbook in Japan in 2000, which infamously glossed over the Japanese Empire’s wartime atrocities, sparking rage and violent protests in China and South Korea in 2005.

Taiwan WMD - Uranium
© » KADIST

James T. Hong

Sculpture (Sculpture)

Taiwan WMD (Taiwan and Weapons of Mass Destruction) is part of a long-term research started in early 2010 on the history and aftermath effects of Japanese biological and chemical warfare in China during WWII, as well as the unknown history of Taiwan’s nuclear program. T. Hong’s research is not only an effort to revisit a dark time that complicates certain histories, but more importantly an investigation of how violence is enacted in the name of rationality.

Juego Vivo
© » KADIST

Jazmín López

Film & Video (Film & Video)

Shot on 35mm in two simply framed shots, Jazmín López’s Juego Vivo captures children at play, mixing imagination, reality, innocence, and violence. Set within a lush, green forest, we see first several children come into the frame, walking towards us, as a disembodied voice counts off “Tres…cuatro…cinco…” A game of hide and seek is at hand, and sounds of the girl counting are met with scattering children. In the first shot, while everyone else disperses, one boy advances steadily toward the camera, holding a scavenged stick in his hands, wielding it like a gun.

Demos
© » KADIST

Danaya Chulphuthiphong

Film & Video (Film & Video)

The film Demos by Danaya Chulphuthiphong draws parallels between zoo animals and humans through an assemblage of footage and images collected from various news and science websites. The soundtrack, made in collaboration with filmmaker, artist, and musician Pathompon “Mont” Tesprateep, was also sourced online and includes recordings of sounds produced in outer space, underwater, the deep jungle, as well by drones and laser beams. The film begins with the watchful eye of a semi-submerged crocodile, then shifts into an industrial scene of cranes swinging building materials across the sky.

Sheet 5 (Stamped series)
© » KADIST

John Lucas and Claudia Rankine

Drawing & Print (Drawing & Print)

Historically, blondeness has been a signifier for desirability and beauty, speaking to “purity” — the purity of whiteness — like no other bodily attribute except, perhaps, blue eyes. In the twenty-first century, blondeness is the look desired by American presidents, pop stars, rappers, television announcers, Hollywood celebrities, the boy next door, and some Asian Americans, African Americans, white Americans, Arab Americans, and LatinX Americans. The desirability of blonde hair has no genre boundaries, no pronoun limitation, and no class limit.

Salomania
© » KADIST

Pauline Boudry and Renate Lorenz

Film & Video (Film & Video)

Salomania sees choreographer and filmmaker Yvonne Rainer and artist Wu Tsang rehearse scenes from Valda’s Solo , a chapter of a film Rainer made in 1972 after having seen women perform the dance of the seven veils in Alla Nazimova’s 1923 silent film Salomé . The script is based on the Biblical New Testament story of the Jewish princess Salomé, who in the Christian tradition has been depicted as an emblem of feminine seduction and danger. In the twentieth century, her character was made popular through English playwright Oscar Wilde’s famous theater piece, Salomé .

Gary Gilpatrick, Insulator
© » KADIST

Sharon Lockhart

Photography (Photography)

Lockhart’s film Lunch Break investigates the present state of American labor through a close look at the everyday life of the workers at the Bath Iron Works shipyard—a private sector of the U. S. naval shipbuilding company—in Maine. Gary Gilpatrick, Insulator (2008) belongs to a group of portrait-like photographs of the shipyard’s workers lunchboxes. Created over the period of a year, Lockhart’s film and accompanying still photographs are intended as an exploration of the social spaces inside this kind of workplace.

Stanley "Tom" Durrell, Tinsmith
© » KADIST

Sharon Lockhart

Photography (Photography)

Lockhart’s film Lunch Break investigates the present state of American labor, through a close look at the everyday life of the workers at the Bath Iron Works shipyard—a private sector of the U. S. naval shipbuilding company—in Maine. Stanley “Tom” Durrell, Tinsmith (2008) belongs to a group of portrait-like photographs of the shipyard’s workers lunchboxes. Created over the period of a year, Lockhart’s film and accompanying still photographs are intended as an exploration of the social spaces inside this kind of workplace.

Hercules Engines, Abandoned, Canton, Ohio
© » KADIST

William E. Jones

Photography (Photography)

In the early 20th century, the Hercules Engine Company was doing a brisk business producing customized, heavy-duty engines. Seventy years later, when the United States military started opting for Humvees and stock parts, the company began to fail, and it entirely ceased production in 1999. Hercules Engines, Abandoned, Canton, Ohio (2011) depicts the manufacturer’s former productive core, gone fallow.

Ponderosa Pine IV
© » KADIST

Rodney Graham

Photography (Photography)

Ponderosa Pine IV belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that live in Northern California. The photograph is framed upside down; these “inverted trees” follow Graham’s early experiments with the camera lucida, a room-sized pinhole camera that dates back to ancient times and which he has used to photograph trees from various regions. Through these works Graham looks back at the history of photography while making the viewers aware of their own retinal experience.

Restaurant, Canton, Ohio
© » KADIST

William E. Jones

Photography (Photography)

In Restaurant, Canton, Ohio (2011), a convenience store offers food, liquor, and Coca Cola to an empty street. A series of boarded-up storefronts marred by peeling paint conveys a sense of the pre- or post-apocalyptic—the hush just before or after a disaster. The reds, pinks, and oranges of the buildings give off warmth, but the absence of human activity makes the glow eerie and strange.

The Lonely Age
© » KADIST

Connie Zheng

Film & Video (Film & Video)

The Lonely Age by Connie Zheng is the first chapter in a trilogy of short experimental films about the complex temporalities of navigating ongoing environmental crises, as seen through the lens of seeds real and imagined. The film is set in a highly toxic and ecologically ravaged near future, in which people begin to hear rumors of seeds that have washed up on the shores of California after escaping from a factory in China. The seeds are rumored to possess curative properties, but they are also said to be sentient.

Killed
© » KADIST

William E. Jones

Film & Video (Film & Video)

Killed is a video projection in which William E. Jones appropriated and edited, in a rapid sequence, a selection from the more than 68,000 censored or discarded films produced by the Farm Security Administration’s photographers between 1935 and 1943. Roy Emerson Stryker, the then director of the program, was in charge of what he called “killing” negatives by punching holes in them to render them unusable. Killed continues Jones’s use of discarded film footage seen in his video created from vintage 1970s and 1980s gay porn that was included in the 2008 Whitney Biennial.

Three Times at Yamato Hotel
© » KADIST

Luka Yuanyuan Yang

Photography (Photography)

Composed of three photographic panels, Three Times at Yamato Hotel by Luka Yuanyuan Yang is a part of the artist’s ongoing project Dalian Mirage , a seven act play in a theatre staged as the city of Dalian. This modern city was built by the Russian Empire in 1898 and occupied by Japan between 1905 and 1945. Based on historical investigations, Yang created ten characters, including a Dalian-born Japanese writer and a Dalian-born American immigrant.

Untitled (Perfect Lovers + 1)
© » KADIST

Cerith Wyn Evans

Sculpture (Sculpture)

Untitled (Perfect Lovers + 1) by Cerith Wyn Evans takes as its starting point Felix Gonzales-Torres’s seminal work Untitled (Perfect Lovers) , in which two clocks were synchronized and left to run without interference, the implication being that one would stop before the other. Gonzales-Torres’ original work was a personal allusion to his own partner’s increasingly debilitating HIV-related illness, which grapples with the existential tension of coexistence in the face of death. Cerith Wyn Evans’s piece takes the same concept, and adds a third clock, moving from the intimacy of a monogamous relationship to suggest a more expansive, or possibly polyamorous alternative.

Visalia Livestock Market, Visalia, California
© » KADIST

Sharon Lockhart

Photography (Photography)

Visalia Livestock Market, Visalia, California results from Lockhart’s prolonged investigation of an agricultural center and community. Lockhart traveled around California’s Central Valley, spending time with cattle ranchers on their properties and attending livestock auctions with them and getting a sense of the rhythm of their lives. Throughout this time, the artist shot more than one hundred four-by-five-inch negatives but chose to print just this one from the series.

Tree on the Former Site of Camera Obscura
© » KADIST

Rodney Graham

Photography (Photography)

Tree on the Former Site of Camera Obscura (1996) belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that lives in Northern California. The photograph is framed upside down; these “inverted trees” follow Graham’s early experiments with the camera lucida, a room-size pinhole camera that dates back to ancient times. Through these works Graham looks back at the history of photography while making the viewer aware of his or her own retinal experience.

Mother's Tongue
© » KADIST

Wingyee Wu, Lap-See Lam

Film & Video (Film & Video)

Chinese restaurants have been a familiar feature of Swedish cities since the late 1970s, embodying the foreign and the exotic. Lap-See-Lam started the project by documenting the interiors of several Chinese restaurants in Stockholm at a time when many of them were about to be taken off the map. Her own family was selling their business in 2015.

Slow Graffiti
© » KADIST

Alex Da Corte

Film & Video (Film & Video)

Slow Graffiti was produced for Da Corte’s exhibition at the Vienna Secession in 2017. The video is a shot-for-shot remake of the film “The Perfect Human” by Danish filmmaker Jørgen Leth (1967). The original is narrated in an anthropological manner, or as if listening to a guide at a zoo, but Da Corte’s version is stranger and more philosophical.

Idir
© » KADIST

Carole Douillard & Babette Mangolte

Film & Video (Film & Video)

Following Bruce Nauman’s seminal performance Walking in an Exaggerated Manner Around the Perimeter of a Square (1967) – which sees the artist carefully trace a small delimited area of his studio exaggerating the movements of his hips as he places one foot in front of the other – Idir reproduces these performative gestures in Algiers, Algeria. Idir continues the artist’s previous work on ‘hittistes’, which translates as someone who spends their day with their back to the wall, the city’s unemployed and the gestures proper to them. In collaboration with cinematographer Babette Mangolte, Carole Douillard’s performance takes place across three emblematic sites within the city: Bab El Oued, Les Sablettes and Diar Es Saâda.

All Watched Over by Machines of Loving Grace
© » KADIST

Pascual Sisto

Film & Video (Film & Video)

All Watched Over by Machines of Loving Grace takes its title from a 1967 poem by American writer Richard Brautigan, which describes a utopian future where computers are in harmony with and protective of mankind and nature, performing all the necessary work while we retreat back towards nature. In Sisto’s work, a computer generated voice recites Brautigan’s poem while a series of digitally rendered 3D objects with a sleek, mirrored finish, float weightlessly across the screen. Sisto’s work also shares its title with the 2011 BBC documentary series by filmmaker Adam Curtis, which has the view that computers have failed in their task of liberating humanity and have instead created a simplified and distorted world around us.

Marion Scemama, David Wojnarowicz

Marion Scemama is a French photographer and filmmaker...

Andrew Norman Wilson

Andrew Norman Wilson is an artist, curator, and filmmaker whose practice is mostly based in research and documentary...

Lynn Hershman Leeson

Joanna Piotrowska

Photographer and filmmaker Joanna Piotrowska explores issues such as the female condition, family dynamics, and post-Soviet Poland, through black and white images that depict the quotidian...

William E. Jones

Gozo Yoshimasu

Gozo Yoshimasu is a prolific Japanese poet, photographer, artist and filmmaker active since the 1960s...

Sharon Lockhart

Bahar Noorizadeh

Bahar Noorizadeh is filmmaker, writer, and platform designer...

Yuyan Wang

Yuyan Wang is a filmmaker and multidisciplinary artist whose work examines images at the point of production and the atmosphere cultivated by media regimes within the attention economy...

Rodney Graham

Ana Vaz

Ana Vaz is an artist and filmmaker whose works speculate on the relationships between self and other, and myth and history, through a cosmology of signs, references, and perspectives...

Park Chan-Kyong

Artist and filmmaker Park Chan-kyong was born in Seoul under the reign of Park Chung-hee, whose authoritarian rule transformed South Korea from an impoverished, war-torn country into what the artist describes as a ‘militaristic, repressive, modern state.’ The shadows of Japanese occupation and the Korean War loomed large over the period, driving the call for nationalism and productivity...

Jakrawal Nilthamrong

Jakrawal Nilthamrong is a Thai artist and filmmaker who came to prominence for his unconventional approach to filmmaking...

Pascual Sisto

Artist and filmmaker Pascual Sisto is known for creating works that reimagine the mundane as captivating alternate realities...

Martin Creed

Eric Baudelaire

Currently based in Paris, Franco-American artist Eric Baudelaire has developed an oeuvre primarily composed of film, but which also includes photography, silkscreen prints, performance, publications and installations...

Luka Yuanyuan Yang

Luka Yuanyuan Yang is a photographer, filmmaker and visual artist based in Beijing...

Nao Bustamante

California-born and internationally recognized, Nao Bustamante cut her teeth as an artist between 1984 and 2001 in San Francisco where she studied in the New Genres department at the San Francisco Art Institute...

Jonn Herschend

Jonn Herschend is an interdisciplinary artist, filmmaker and experimental publisher whose work explores fiction, reality and the narrative structures that we employ as a way to explain the chaos and clutter of our everyday lives...

Basma Alsharif

Basma Alsharif is an artist and filmmaker of Palestinian origin, born in Kuwait, and raised between France, the US and the Gaza Strip...

David G. Tretiakoff

The work of French filmmaker David Gheron Tretiakoff often revolves around the socio-political movements of the Middle East...

Etel Adnan and Lynn Marie Kirby

Visual artist, poet, and essayist Etel Adnan writes what must be communicated through language, and paints what cannot...

Mona Benyamin

Mona Benyamin is a visual artist and filmmaker whose work examines intergenerational perspectives on hope, trauma, and identity...

Tuan Andrew Nguyen

Tuan Andrew Nguyen is an artist and filmmaker, one of the three founders of The Propeller Group created in 2006...

Roy Kiyooka

The influential, multi-disciplinary artist Roy Kiyooka worked as a painter, sculptor, teacher, poet, musician, filmmaker, and photographer...

Alex Da Corte

Alex Da Corte’s works conveys a state of delusion, where logic is set aside in order to access the stranger, deeper parts of our minds...

Rosalind Nashashibi

Leticia Ramos

Trained as a filmmaker, Leticia Ramos has cultivated a specific interest in the procedures and evolution of photography and film techniques since the beginning of her career in the early 2000s...

Taiki Sakpisit

Taiki Sakpisit is a filmmaker and media-based artist whose work explores depictions of violence and unease that emerged from the political upheaval in Thailand from the late 1980s to the present day...

© » SOUTH CHINA MORNING POST

about 3 months ago (02/12/2024)

‘Dazzling moments in the everyday’ inspire Japanese artist Mika Ninagawa’s immersive installation Eternity in a Moment | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Japanese filmmaker, photographer and visual artist Mika Ninagawa during an interview in her office in Tokyo...

© » ARTNEWS

about 3 months ago (02/12/2024)

Christie's LA to Mount Exhibition of Andy Warhol's 'Screen Tests' Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All February 12, 2024 11:22am Andy Warhol, Jane Holzer [ST144], 1964...

© » FRANCE24

about 3 months ago (02/01/2024)

Swedish-Burkinabé artist Theresa Traoré Dahlberg on bridging past and present - arts24 Skip to main content Swedish-Burkinabé artist Theresa Traoré Dahlberg on bridging past and present Issued on: 01/02/2024 - 16:02 12:13 arts24 © FRANCE 24 By: Marion CHAVAL | Yinka OYETADE | Alison SARGENT | Loïc CHALAVON | Sonia PATRICELLI With a mother from Sweden and a father from Burkina Faso, visual artist and filmmaker Theresa Traoré Dahlberg grew up with a dual perspective...

© » FAD MAGAZINE

about 3 months ago (01/26/2024)

Frieze reveals shortlist for Frieze Los Angeles Film Award - FAD Magazine Skip to content By Mark Westall • 26 January 2024 Share — Frieze has revealed the eight emerging filmmakers shortlisted for the 2024 Deutsche Bank Frieze Los Angeles Film Award...

© » DIANE PERNET

about 4 months ago (01/08/2024)

Drawing Lines – Steve Olson 2019 – A Shaded View on Fashion Dear Shaded Viewers, I wanted to share this interview with my old friend Steve Olson, artist and skate board icon also jury member for ASVOFF16...

© » DIANE PERNET

about 4 months ago (12/31/2023)

Alejandro Jodorowsky gives us hope for 2024, please read it… – A Shaded View on Fashion Diane Pernet A LEGENDARY FIGURE IN FASHION and a pioneer of blogging, Diane is a respected journalist, critic, curator and talent-hunter based in Paris...

© » DIANE PERNET

about 4 months ago (12/31/2023)

Sweet memories continue through the lens of Maria Taneli ASVOFF 15 at Dover Street Market Paris – A Shaded View on Fashion ©mariaTaneli ©mariaTaneli ©mariaTaneli ©mariaTaneli ©mariaTaneli ©mariaTaneli ©mariaTaneli ©mariaTaneli ©mariaTaneli ©mariaTaneli ©mariaTaneli ©mariaTaneli ©mariaTaneli ©mariaTaneli ©mariaTaneli ©mariaTaneli ©mariaTaneli ©mariaTaneli ©mariaTaneli ©mariaTaneli ©mariaTaneli ©mariaTaneli All photos by ©Maria Taneli Diane Pernet A LEGENDARY FIGURE IN FASHION and a pioneer of blogging, Diane is a respected journalist, critic, curator and talent-hunter based in Paris...

© » DIANE PERNET

about 4 months ago (12/28/2023)

Conversations: Tracey Emin and Courtney Willis Blair | White Cube – A Shaded View on Fashion On the occasion of Tracey Emin’s exhibition ‘Lovers Grave’ at White Cube New York, the artist was joined in conversation with Courtney Willis Blair, US Senior Director, White Cube, at The Prince George Ballroom in Manhattan...

© » DIANE PERNET

about 5 months ago (12/16/2023)

Through the Lens of Realism: Juergen Teller’s Artistic Odyssey at the Grand Palais Éphémère “I need to live” till January 9th – A Shaded View on Fashion Dear Shaded Viewers, Juergen Teller, a celebrated name in the world of photography, has made a significant impact with his unfiltered celebrity portraits, edgy fashion shoots, and compelling campaigns for renowned designers...

© » DIANE PERNET

about 5 months ago (12/08/2023)

Confronting Mortality: Sophie Calle’s Personal Exhibition at Musée Picasso – till January 7, 2024 – A Shaded View on Fashion Dear Shaded Viewers, The Musée Picasso in Paris hosts “À toi de faire, ma mignonne,” an exhibition from October 3, 2023, to January 7, 2024, spanning all four floors...

© » ARTSY

about 5 months ago (12/05/2023)

Wim Wenders will release 3D documentary “Anselm” on artist Anselm Kiefer...

© » DIANE PERNET

about 5 months ago (12/05/2023)

Dear Shaded Viewers, JESUS CHRIST! AT THE MOVIES is coming to Anthology Film Archives in NYC! Curated by filmmaker Jim Finn, who will be premiering his new feature THE APOCALYPTIC IS THE MOTHER OF...

© » DIANE PERNET

about 5 months ago (12/03/2023)

Echoes of Genji: Unraveling Timeless Emotions from Heian Elegance to Modern Reverie at the Guimet Museum till March 25th – A Shaded View on Fashion Dear Shaded Viewers, What do a beloved 1980s manga series “Asakiyume mishi” and an exquisite 18th-century lacquer box once owned by Marie-Antoinette share in common? At first glance, not much...

© » SOUTH CHINA MORNING POST

about 5 months ago (11/29/2023)

‘A statement in itself’: Muslim-majority Kosovo’s first LGBTQ bar is a symbol of tolerance in a once oppressive society | South China Morning Post Advertisement Advertisement Food and Drinks + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more A drag performer kisses a girl during a drag show at Muslim-majority Kosovo’s first LGBTQ bar, Bubble...

© » DIANE PERNET

about 6 months ago (10/31/2023)

Happy Halloween from Liv Elbaz Paris, the President of ASVOFF 15 Climate Warriors – A Shaded View on Fashion Dear Shaded Viewers, What a delight to receive this in my mail today...

© » DIANE PERNET

about 6 months ago (10/31/2023)

ASVOFF 15 is next week Nov 9-12, day passes are available for Nov 10-12th visit www.filmfreeway.com/ASVOFF/Tickets – A Shaded View on Fashion Dear Shaded Viewers, If you are in Paris during ASVOFF 15 we invite you to the festival...

© » DIANE PERNET

about 6 months ago (10/26/2023)

Intersecting Generations: Carhartt WIP’s Vibrant Collision with Street Art in Milan photos by Alessandro Simonetti – A Shaded View on Fashion Dear Shaded Viewers, For its Fall/Winter 2023 collection, Carhartt WIP embarked on a creative venture, joining forces with the niche brand Grog...

© » NYTIMES LENS

about 7 months ago (10/05/2023)

Nancy Buirski, Award-Winning Documentary Filmmaker, Dies at 78 - The New York Times Movies | Nancy Buirski, Award-Winning Documentary Filmmaker, Dies at 78 https://www.nytimes.com/2023/09/01/movies/nancy-buirski-dead.html Share full article Advertisement SKIP ADVERTISEMENT Nancy Buirski, an Emmy and Peabody Award-winning documentary filmmaker whose eye was honed as a still photographer and picture editor, died on Wednesday at her home in Manhattan...

© » ARTS EQUATOR

about 16 months ago (01/18/2023)

artn’t: Thailand’s Rebel Artists | ArtsEquator Skip to content Nutcha Tantivitayapitak and Sudarat Musikawong travel to Chiang Mai, Thailand to shine a light on the artn’t Collective, who are currently facing numerous legal charges for works that are viewed as critiquing the state...

© » ARTS EQUATOR

about 17 months ago (12/14/2022)

A national living treasure, a rock musician and an activist poet | ArtsEquator Skip to content Pristine de Leon remembers the artists and cultural workers from the Philippines we lost in 2022...

© » ARTS EQUATOR

about 21 months ago (08/04/2022)

The Working Processes of Artists: Wesley Leon Aroozoo | ArtsEquator Skip to content Wesley Leon Aroozoo is a filmmaker, author and educator who released his latest novel 'The Punkhawala and the Prostitute' in 2021...

© » ARTS EQUATOR

about 27 months ago (02/09/2022)

Why Is Southeast Asian Cinema Still Lagging Internationally? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints February 9, 2022 By ArtsEquator (1,187 words, 3-minute read) In Singapore and other Southeast Asian countries, it is common to find Hollywood blockbusters dominating our movie conversations...

© » CREATIVETIME

about 28 months ago (01/13/2022)

Creative Time Receives $100,000 Multi-Year Award from The Andy Warhol Foundation - Creative Time Creative Time Receives $100,000 Multi-Year Award from The Andy Warhol Foundation January 13th, 2022 Tweet Email Creative Time is honored to receive a $100,000, Multi-Year Award from The Andy Warhol Foundation for the Visual Arts...

© » ARTS EQUATOR

about 49 months ago (04/27/2020)

The working processes of artists: Sabrina Poon | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles April 27, 2020 Singaporean filmmaker Sabrina Poon, better known as Spoon, talks about her work and the value of storytelling by breaking down three of her short films – Sylvia , Hello Uncle and Pa ...

© » ARTS EQUATOR

about 57 months ago (09/05/2019)

Weekly Southeast Asia Radar: New Filipina superhero; capturing seniors of Saigon; refugee kids in Penang musical | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Photo: School of The Arts, USM September 5, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...

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about 61 months ago (04/24/2019)

Podcast Interview: Performance Photographers | Arts Equator Thinking and Talking about Arts and Culture in Southeast Asia Festival (Podcast) Crispian Chan (by Izdiyad Ahmad), Bernie Ng (by Biru Chua), Kuang Jingkai April 24, 2019 Duration: 45 min In this interview with Crispian Chan , Bernie Ng and Kuang Jingkai , three photographers of theatre and dance, we get to know more about a profession that’s sometimes taken for granted but is an essential aspect of the packaging of a performance...

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about 65 months ago (12/19/2018)

Examining Vietnam's Modernity Through the Lens of South Asian Independent Documentaries | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar December 19, 2018 The idea for Moving Reels: A Social Dialog formed in 2016 as the result of a dialogue between Dr...

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about 65 months ago (12/17/2018)

'Maaf Senin Tutup': 1998 through eclectic eyes of Anggun Priambodo (via The Jakarta Post) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar December 17, 2018 Anggun Priambodo’s latest exhibition is framed under the guise of a fictional character he created for his last movie of the same name, Maaf Senin Tutup (Sorry, Closed on Mondays) — an artist named Eva who is trying to establish herself in the art world with her first solo exhibition...

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about 68 months ago (09/24/2018)

Weekly Picks: Indonesia (24 - 30 September 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do September 24, 2018 Top Picks of Indonesia art events in Bali, Malang, Yogyakarta and Jakarta from 24-30 September 2018 If you’re a creator or interested in the arts and happen to be in Bali this Friday, come to Bincang Kreatif Seni Pertunjukan (Performing Arts Creative Discussion) with filmmaker Garin Nugroho, art and event director Rama Soeprapto, and Founder and Artistic Director of Mila Art Dance, Mila Rosinta...

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about 70 months ago (08/16/2018)

Three Short Films about Women at SeaShorts 2018, George Town | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Image courtesy of SEA Shorts August 16, 2018 By Alfonse Chiu (1216 words, five-minute read) The SeaShorts Film Festival ran for its second edition as the official pre-festival to the annual George Town Festival from 1st to 5th August in a radical geographical shift away from the Kuala Lumpur home of its parent organisation, Next New Wave...

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