La balserita de Puerto Gala (The Raft)
2014 - Sculpture (Sculpture)
Nicolás Grum
El gran pacto de Chile (The Great Pact) and La balserita de Puerto Gala (The Raft) were part of the “Museo Futuro”, an exhibition in which the artist presented nine miniature dioramas staging fragments of Chile’s history, from its colonial invasions to the present. Through the episodes he chose to depict, the artist focused on historical narratives, the way the story is told, and the supposed irrefutability of historical facts. Museo Futuro (“Future Museum”) stands within a tradition of artists who re-read history and offer their interpretation of it through the distopic lens of the museum display. “Future Museum is the vision of a fuzzy present seen from the distance of an impossible place,” says the artist. Playing with the way the mass media have represented certain of these events that compose Chilean history, and how this has engraved collective memory, the artist sets an ambiguous light of these “official” narratives, ranging from natural disasters, the decadence of art, politics, deceit and forgetfulness. The use of an old fashioned media, miniature maquettes, evokes obsolete museology in an age where realistic images are omnipresent. It questions the format of representation, the museification of the present and the impact these events have on popular culture.
Through a variety of media (video, drawing, sculpture and installations), Nicolás Grum explores with a touch of sarcasm and humor, the dominant discourses coming from different circles of power — politics, history, economy and art — constantly putting into question the idea of authority and “truth”.
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Nicolás Grum
2014El gran pacto de Chile (The Great Pact) and La balserita de Puerto Gala (The Raft) were part of the “Museo Futuro”, an exhibition in which the artist presented nine miniature dioramas staging fragments of Chile’s history, from its colonial invasions to the present...
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Book Review: "The State and The Arts in Singapore: Policies and Institutions" | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Images courtesy of Institute of Policy Studies, Singapore April 9, 2019 By Chin Ailin (734 words, four-minute read) Commissioned by the Institute of Policy Studies of Singapore (IPS) to trace the course of cultural policy in Singapore from the 1950s to the present, The State and the Arts in Singapore: Policies and Institutions is a comprehensive tome that should serve as an essential text in time to come for any student’s introduction to Singapore’s arts and cultural policies...
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© » KADIST
Nicolás Grum
2014El gran pacto de Chile (The Great Pact) and La balserita de Puerto Gala (The Raft) were part of the “Museo Futuro”, an exhibition in which the artist presented nine miniature dioramas staging fragments of Chile’s history, from its colonial invasions to the present...
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New National Museum of… (fill in the blank) invites contemplation on the role and pervasiveness of US museums Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Public art news New National Museum of… (fill in the blank) invites contemplation on the role and pervasiveness of US museums The public art project in Pittsburgh is preparing to launch its second phase, titled the “National Museum of Broken Treaties” Jillian Billard 11 December 2023 Share Food for thought: Pablo Helguera’s project for “The National Museum” Jacquelyn Johnson In November 2018, the Institute of Museum and Library Services, a US federal agency dedicated to improving the nation’s museum, library and information services, published a comprehensive data report cataloguing around 30,000 museums and related organisations across the country...
