22.5H x 21W x 4D inches
Wright Imperial Hotel (2004) is a sort of bow and arrow made out of feathers, a São Paulo phone book, and other materials. The title is a reference to a building Frank Lloyd Wright designed for Tokyo, which was completed in 1923. In its heyday, which lasted until after World War II, the hotel was reserved for elite personnel, many of them foreigners. With the passage of time it came to be seen as outdated and dingy, and it was demolished in the 1960s. Cruzvillegas’s work ironically and humorously symbolizes the hotel imposing presence. He presents us with the ultimate symbol of democracy—a phonebook—pierced with arrows. The sculpture is a symbol of solidarity imperiled by imperialism.
Abraham Cruzvillegas is known for his intricate and elaborate sculptures and installations made from found and scavenged materials. He often fashions useful objects out of repurposed parts and urban detritus. Cruzvillegas is inspired by the resourcefulness he has witnessed in impoverished rural and urban areas, where people build houses and necessary objects out of recycled materials such as cars and bottles.
Pablo Rasgado’s paintings and installations serve as a visual record of contemporary urban human behavior...
Canned Laughter was Okón’s response to an invitation from Ciudad Juárez , Mexico, where artists were asked to create works based on their experience of the city...
In his posters, prints, and installations, Erick Beltrán employs the language and tools of graphic design, linguistics, typography, and variations in alphabetical forms across cultures; he is specifically interested in how language and meaning form structures that can be misconstrued as universal...
The video Swimming in rivers of Glue is composed of various images of nature, exploring the themes of exploration of space and its colonization...
Composed of four images, the series Sleeping Elephant in the Axis of Yogyakarta (2011) explores the artist’s observation of how Javanese mythology and cosmology have marked the geography of Yogyakarta, the cultural centre of Indonesia...
During her research on primitive currencies and cultural cannibalism, Cuevas came across the Donald Duck comic book issue “The Stone Money Mystery,” where Donald goes on a quest to find missing museum objects...
Mario Garcia Torres discovered the work of artist Oscar Neuestern in an article published in ARTnews in 1969...
Produced on the occasion of an exhibition at ARTIUM of Alava, Basque Centre-Museum of Contemporary Art, this deck of cards is a selection of images from Carlos Amorales’s Liquid Archive...
Gabriel Orozco often documents found situations in the natural or urban landscape...
This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006)...
The artist writes about her work Borrando la Frontera, a performance done at Tijuana/San Diego border: “I visually erased the train rails that serve as a divider between the US and Mexico...
Gabriel Orozco comments: “In the exhibition [Documenta 11, Kassel, 2002], I tried to connect with the photographs I took in Mali in July...
Contrabando is a work that references the larger sociological phenomenon in which immigrant economic strategies come to infiltrate urban landscapes...
The work Calendars is composed of 1001 images of deserted public areas in Singapore printed on pages of a calendar set from the year of 2020 until 2096...