Weather Forecast

2016 - Film & Video (Film & Video)

12:48 minutes

Guan Xiao


Mixed clips from her collection of thousands of images found online, the three-channel video Weather Forecast is an inquiry into the necessity of a physical movement (a travel) for our identity to transform or change. The question “Why can’t we view Europe from a chair?” periodically punctuates the video, suggesting that a similar personal transformation could occur by experiencing a place through the Internet and staying in the same place. Few episodes appear, each being a transformation process in itself, either by correlation, juxtaposition, combinations of specific matters such as iconography, texts, landscapes, events. Drawing a parallel between how identity transforms and how weather evolves over time, the video possibly hints to an escape from current political and geopolitical issues, and expressly on in the context of the refugee crisis and terrorism in Europe.


Guan Xiao is known for her videos composed primarily of found images and videos and her sculptures that explore the logic by which things relate to one another. Her practice addresses ideas of permanence, transformations, and perception Since the beginning of her practice, ­she began collecting material from various sources including YouTube, DVDs, home video libraries and other footage archives in addition to producing her own original content. Her sculptures often reference forms of the old—mimicking relic-like characteristics and totemic shapes—juxtaposed within a contemporary configuration. For example, The Documentary: Geocentric Puncture (2012) positioned fake artifacts against professional photography studio sets. In a similar way with her videos, Guan initiates a rereading of existing material by presenting a new visual language that is stripped of context and resists pre-conceived associations. Conceding equal importance to objects, people and phenomena, Guan Xiao’s videos often explore how our experience of browsing the Internet shapes our vision of the world and our own – always in transformation – identities.


Colors:



Related works sharing similar palette

Work No. 299
© » KADIST

Martin Creed

2003

This photograph of Martin Creed himself was used as the invitation card for a fundraising auction of works on paper at Christie’s South Kensington in support of Camden Arts Centre’s first year in a refurbished building in 2005...

Mungo Thomson: Big Book
© » KADIST

The Big Book, 2014 504 pages, 7″ x 4-1/2″ Designed by Stripe SF/Jon Sueda Published by KADIST...

‘The Crown’ Ends as Pensive Meditation on the Most Private Public Family on Earth
© » KQED

‘The Crown’ Ends as Pensive Meditation on the Most Private Public Family on Earth | KQED Skip to Nav Skip to Main Skip to Footer The Do List ‘The Crown’ Ends as Pensive Meditation on the Most Private Public Family on Earth Listen Eric Deggans Dec 14 Save Article Save Article Failed to save article Please try again Facebook Share-FB Twitter Share-Twitter Email Share-Email Copy Link Copy Link A ‘Crown’ recreation of a royal family portrait photo...

An Inconvenient Practice (via Plural Art Magazine)
© » ARTS EQUATOR

An Inconvenient Practice (via Plural Art Magazine) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar July 24, 2018 A recent video released by British diver Rich Horner, showed him swimming through the waters of Bali...

Pace Gallery announces global representation of Paul Thek’s estate.
© » ARTSY

Pace Gallery announces global representation of Paul Thek’s estate...

All Watched Over by Machines of Loving Grace
© » KADIST

Pascual Sisto

2013

All Watched Over by Machines of Loving Grace takes its title from a 1967 poem by American writer Richard Brautigan, which describes a utopian future where computers are in harmony with and protective of mankind and nature, performing all the necessary work while we retreat back towards nature...

Priapus Agonistes
© » KADIST

Mary Reid Kelley

2013

Priapus Agonistes by Mary Reid Kelley and Patrick Kelley is the first work in The Minotaur Trilogy (2013-2015), a trio of videos that reimagine the Greek myth of the Minotaur...

Studio Bureau
© » UNRATED

Studio Bureau — UNRTD™ Studio Bureau Studio Bureau is a design agency out of Europaplatz in Bern, Switzerland run Pablo Genoux and Orfeo Lanz...

It rains, Paris, 1st July 2000
© » KADIST

Jean-Luc Moulène

2004

It rains, Paris, 1st July 2000 , which could be the refrain of a song, is the title of a photograph of a minimal moment, the vision of a Parisian pedestrian, a cut flower lying on the pavement covered in rain drops...

DADYAA: The Woodpeckers of Rotha
© » KADIST

Pooja Gurung and Bibhusan Basnet

2018

DADYAA: The Woodpeckers of Rotha by Pooja Gurung and Bibhusan Basnet illuminates a unique and seldom seen international perspective on indigenous cultures and contemporary social issues in the Nepali context...

Assistant designer Solomon
© » KADIST

Sabelo Mlangeni

2019

The Royal House of Allure is a name of a safe house on mainland Lagos where members of the queer community in need of boarding, due to various circumstances, live together...

Hearsay of the Soul
© » KADIST

Werner Herzog

2012

Commissioned for the 2012 Whitney Biennial, Hearsay of the Soul (2012) is Werner Herzog’s ode to the landscape paintings of the 17th-century Dutch artist Hercules Segers...

Celebrating the monstrous other: “Anak Pontianak” and “Nobody” at LumiNation
© » ARTS EQUATOR

Celebrating the monstrous other: "Anak Pontianak" and "Nobody" at LumiNation | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Courtesy of The Filmic Eye August 5, 2019 By ila (1,100 words, 6-minute read) The year is 2049: two hundred years since the Pontianak first appeared in writing, marked insignificantly in Hikayat Abdullah as residues of superstitious and foolish beliefs of the Chinese and Malays that have persisted with time...

Organizers decry last-minute cancelation of Hanoi EDM festival (via Tuoi Tre News)
© » ARTS EQUATOR

Organizers decry last-minute cancelation of Hanoi EDM festival (via Tuoi Tre News) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles November 27, 2018 An EDM (electronic dance music) festival scheduled to take place just outside Hanoi from November 23 to 25 was asked to cancel only hours before its opening, despite sold tickets and foreign and local artists and volunteers already heading to the venue...

Three Poems by Katy Lederer
© » BOMB

BOMB Magazine | Three Poems Necessary (Required) Cookies that the site cannot function properly without...

How would you fare in the afterlife? Haw Par Villa: ArtsEquator Edition
© » ARTS EQUATOR

How would you fare in the afterlife? Haw Par Villa: ArtsEquator Edition | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Adeeb Fazah October 29, 2019 Scenario: You are visiting the Ten Courts of Hell in Haw Par Villa...

No Nepa evening with Nonso, Thom, Mike, Daniel and Ruby
© » KADIST

Sabelo Mlangeni

2019

The Royal House of Allure is a name of a safe house on mainland Lagos where members of the queer community in need of boarding, due to various circumstances, live together...

Michel Auder
© » KADIST

Entretien avec Michel auder, réalisé par Gloria Maso & Cyril Verde...

When Forms Come Alive: 5 Must-See Sculptures
© » AESTHETICA

Aesthetica Magazine - When Forms Come Alive: 5 Must-See Sculptures When Forms Come Alive: 5 Must-See Sculptures Hayward Gallery’s When Forms Come Alive is a lively and playful exhibition that presents different facets of sculptures...