30H x 40W In.
Julio Cesar Morales’s watercolor drawings, Undocumented Intervention , show a variety of surprising hiding places assumed by people trying to cross into the United States without documentation. Morales drew inspiration from both his childhood near the United States-Mexico border as well as from photographic documentation on U. S. government websites.
Born in Tijuana, Mexico, San Francisco-based Julio Cesar Morales explores issues of labor, memory, surveillance technologies, and identity strategies.
Mario Garcia Torres films a game of Charades among professional actors guessing the former North Korean dictator’s favorite Hollywood films...
Mario Garcia Torres imagines cinematic devices to replay stories occasionally forgotten by Conceptual art...
Mario Garcia Torres films a game of Charades among professional actors guessing the former North Korean dictator’s favorite Hollywood films...
Mario Garcia Torres imagines cinematic devices to replay stories occasionally forgotten by Conceptual art...
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
Kovanda’s ‘discreet’ actions (leaving a discussion in a rush, bumping into passers-by in the street, making a pile of rubbish and scattering it, looking at the sun until tears come…) are always documented according to the same format: a piece of A4 paper, a concise typewritten text, and sometimes a photograph taken by someone else...
Required Reading Skip to content Everybody’s Bolos , a sumptuous display of historical and contemporary bolo ties exploring the traditionally Indigenous art form, just opened at the University of North Texas, with bolos on view including Wyatt Nestor-Pasicznyk's "A Wilder Blue" (left), Navajo/Hopi artist JJ Otero's "Land Back" (center), and Bee Reid's "Violet Body" (right)...
National Cohort for the Diversity in Arts Leadership (DIAL) Internship Program Selected for 2022 – 30 years of DIAL | Americans for the Arts Jump to navigation Americans for the Arts Arts Action Fund National Arts Marketing Project pARTnership Movement Animating Democracy Facebook Twitter LinkedIn Instagram YouTube Load Picture Home News Room National Cohort for the Diversity in Arts Leadership (DIAL) Internship Program Selected for 2022 – 30 years of DIAL Hello Guest | Login National Cohort for the Diversity in Arts Leadership (DIAL) Internship Program Selected for 2022 – 30 years of DIAL Monday, July 18, 2022 Americans for the Arts and its partners— New Jersey State Council on the Arts , Metro Arts: Nashville Office of Arts and Culture , Community Foundation of Sarasota County , Arts Connect International , and United Arts Council of Raleigh and Wake County —are thrilled to announce the interns selected for the 30th year of the Diversity in Arts Leadership (DIAL) program...
Memory Mistake of the Eldridge Cleaver Pants was created for the show Paul McCarthy’s Low Life Slow Life Part 1 , held at California College of the Arts’s Wattis Institute in 2008 and curated by McCarthy himself...
Untitled (Wheelchair Drawing) is a ten-foot photo transfer of the image of a wheelchair with burning embers in its seat...
White Minority , is typical of Capistran’s sampling of high art genres and living subcultures in which the artist subsumes an object’s high art pedigree within a vernacular art form...
Rudolph Schindler’s designs, part of a practice he called “Space Architecture,” marry interior with exterior and space with light...
The video Interrupted Passage presents a performance Morales staged in the former home of Mariano Guadalupe Vallejo, a mid-nineteenth-century Mexican general serving in California...
Contrabando is a work that references the larger sociological phenomenon in which immigrant economic strategies come to infiltrate urban landscapes...