three, three, three

The photograph Exquisite Eco Living is part of a larger series titled Executive Properties in which he digitally manipulated the images to insert iconic buildings of Kuala Lumpur in the view of derelict spaces also found in the city...

PANGKIS by Yee I-Lann is a looped video performance...

Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel...

5 is a three channel video about the dualities of death and resurrection, reminiscence and fantasy, chronological and retrospective narration...

Bread and Roses takes its name from a phrase famously used on picket signs and immortalized by the poet James Oppenheim in 1911...

The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...

Ammo Bunker (2009) is a multipart installation that includes large-scale wall prints and an architectural model...

Clarissa Tossin’s film Ch’u Mayaa responds to Frank Lloyd Wright’s Hollyhock House (constructed 1919–21) in Los Angeles, an example of Mayan Revival architecture...

603 Football Field presents a soccer game played inside a small student apartment in Shanghai...

Thomas’ lenticular text-based works require viewers to shift positions as they view them in order to fully absorb their content...

The Nightwatch , which is an ironic reference to the celebrated painting by Rembrandt, follows the course of a fox wandering among the celebrated collections of the National Portrait Gallery in London...

Ponderosa Pine IV belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that live in Northern California...

In the video installation Tremble, Jiang projected the life-size images of seven naked men and women onto seven individual screens...

The title of this series – Two videos, three photographs, several related masterpieces and American art – is paradoxical, suggesting the work is conceived in relation to its medium and a situation in art history and the region of the world in which it was made...

Dash shapes, manipulates, and molds the materials herself, as the works becomes something of a physical archive...

In the work titled The Glossies (1980), an affinity for photography manifested itself before McCollum actually began to use photography as a medium...