There’s Gonna Be Sorrow

2006 - Sculpture (Sculpture)

Julio Cesar Morales

location: San Francisco, California
year born: 1966
gender: male
nationality: Mexican
home town: Tijuana, Mexico

Born in Tijuana, Mexico, San Francisco-based Julio Cesar Morales explores issues of labor, memory, surveillance technologies, and identity strategies.


Colors:



Other related works, blended automatically

Undocumented Intervention
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Julio Cesar Morales

2006

Julio Cesar Morales’s watercolor drawings, Undocumented Intervention , show a variety of surprising hiding places assumed by people trying to cross into the United States without documentation...

One Minute To Act A Title: Kim Jong Il Favorite Movies
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Mario Garcia Torres

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Mario Garcia Torres films a game of Charades among professional actors guessing the former North Korean dictator’s favorite Hollywood films...

Until It Makes Sense
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Mario Garcia Torres

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Mario Garcia Torres imagines cinematic devices to replay stories occasionally forgotten by Conceptual art...

¿Quién medirá el espacio, quién me dirá el momento?, 1 (columna alfarero)
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Mariana Castillo Deball

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Taking archaeology as her departure point to examine the trajectories of replicated and displaced objects, “Who will measure the space, who will tell me the time?” was produced in Oaxaca for her exhibition of the same title at the Contemporary Museum of Oaxaca (MACO) in 2015...

I can’t believe we are still protesting
© » KADIST

Wong Wai Yin

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Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...

Untitled (Wheelchair drawing)
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Edgar Arceneaux

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Untitled (Wheelchair Drawing) is a ten-foot photo transfer of the image of a wheelchair with burning embers in its seat...

I can’t believe we are still protesting
© » KADIST

Wong Wai Yin

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Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...

Memorial for intersection #2
© » KADIST

Amalia Pica

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Memorial for intersections #2 (2013) is a minimalist, black metallic structure that contains the brightly colored translucent circles, triangles, rectangles, and squares that originally were presented in Pica’s performance work A ? B ? C (2013)...

El hombre que hizo todas las cosas prohibidas
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Carlos Amorales

2014

Carlos Amorales, based in Mexico City, works in many media and combinations thereof, including video, drawing, painting, photography, installation, animation, and performance...

Tribute to Inside Looking Out - For the male artists along my way
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Wong Wai Yin

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In this work the artist stages a humorously violent “intervention” against male-dominated cultures of art production in present-day China...

Untitled (Don’t See, Don’t Hear, Don’t Speak)
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Shilpa Gupta

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The three monkeys in Don’t See, Don’t Hear, Don’t Speak are a recurring motif in Gupta’s work and refer to the Japanese pictorial maxim of the “three wise monkeys” in which Mizaru covers his eyes to “see no evil,” Kikazaru covers his ears to “hear no evil,” and Iwazaru covers his mouth to “speak no evil.” For the various performative and photographic works that continue this investigation and critique of the political environment, Gupta stages children and adults holding their own or each other’s eyes, mouths and ears...

Canned Laughter
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Yoshua Okón

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Canned Laughter was Okón’s response to an invitation from Ciudad Juárez , Mexico, where artists were asked to create works based on their experience of the city...

I can’t believe we are still protesting
© » KADIST

Wong Wai Yin

2021

Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...

LAB
© » KADIST

Kori Newkirk

2013

LAB (2013) conjures the body as the trace of a sooty hand appears, spectrally, on a crumpled paper towel...

Shasta
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Diego Rivera

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In 1940 Rivera came to San Francisco for what would be his last mural project in the city, Pan-American Unity ...

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© » KADIST

Carlos Amorales

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Produced on the occasion of an exhibition at ARTIUM of Alava, Basque Centre-Museum of Contemporary Art, this deck of cards is a selection of images from Carlos Amorales’s Liquid Archive...

100 Hand drawn maps of my country, Tel Aviv / Jerusalem
© » KADIST

Shilpa Gupta

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These hand drawn maps are part of an ongoing series begun in 2008 in which Gupta asks ordinary people to sketch outlines of their home countries by memory...

Useless Wonder
© » KADIST

Carlos Amorales

2006

This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006)...