South Africa Righteous Space

The work of Keith Tyson is concerned with an interest in generative systems, and embraces the complexity and interconnectedness of existence...

Meireles, whose work often involves sound, refers to Sal Sem Carne (Salt Without Meat) as a “sound sculpture.” The printed images and sounds recorded on this vinyl record and it’s lithographed sleeve describe the massacre of the Krahó people of Brazil...

Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints...

Dr...

Douglas Gordon’s single-channel video The Left Hand Can’t See That The Right Hand is Blind, captures an unfolding scene between two hands in leather gloves—at first seemingly comfortable to be entwined, and later, engaged in a struggle...

Shot in black and white and printed on a glittery carborundum surface, Black Hands, White Cotton both confronts and abstracts the subject of its title...

Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints...

Dr...

In the work Cinema , Fang Lu explores in a meticulous yet un-dramatic — almost casual — way of how “the self” in our today’s life is a controlled and staged construction of oneself...

The series Belle Époque of the Tropics by Noara Quintana has as its background the history of the rubber industrialization in North of Brazil...

Jorge González joins KADIST San Francisco for a short residency to expand on his long-term research on Indigenous craft techniques and knowledge specific to the Carribean...

In her new series titled Ninas Peruanas Cusquenas , Teresa Burga depicts young indigenous women from Peru’s Andean region, dressed in traditional garments...

Extrastellar Evaluations is a multimedia installation produced during Yin-Ju Chen’s residency at Kadist San Francisco in the spring of 2016...

Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...

Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel...

Herculine’s Prophecy by Juliana Huxtable features a kneeling demon-figure on what appears to be a screen-print, placed on a wooden table, which has then been photographed and digitally altered to appear like a book cover, with a title and subtitle across the top, and a poem written across the bottom...

Relying on repetition and repurposed materials, Soares works to interrogate time—its measurement, its passing, and its meaning...

Shot in black and white and printed on a glittery carborundum surface, Black Hands, White Cotton both confronts and abstracts the subject of its title...

Bread and Roses takes its name from a phrase famously used on picket signs and immortalized by the poet James Oppenheim in 1911...

The image is borrowed from protests during Civil Rights where African Americans in the south would carry signs with the same message to assert their rights against segregation and racism...

Foreigners Everywhere is a series of neon signs in several different languages...

Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints...

Alistair Fate (1994) depicts, presumably, a member of the LGBT community...

KADIST presents Sweet Jesus , an audio work by Lutz Bacher...

Olusanya Ojikutu, who has origins in Nigeria and education and experience in art, shares treasures of African culture and history....

The actor and comedian tells us what he's bought and why he loves it...

Pia Camil, Espectacular Cortina and more...