Lesbian Beds

2002 - Photography (Photography)

Tammy Rae Carland


Carland’s series of large-format photographs Lesbian Beds (2002) depicts beds that have been recently vacated. Shot from directly above, they are lavish views of very private spaces. The artist plays to her viewers’ voyeuristic impulses, inviting us to look, but then denying us the opportunity to study the figures to whom the sheets belong, so that the rumpled covers become like anthropomorphic stand-ins inviting empathic projection.


Using photography, text, and video, Tammy Rae Carland tactically realigns traditional ideas of love, partnership, domesticity, and family. Her work consistently subverts heteronormative conceptions of gender and sexuality; positive representations function simultaneously as portrait and protest. Based in Oakland, she is the chair of the photography program at California College of the Arts.


Colors:



Strange Culture
© » KADIST

Lynn Hershman Leeson

2007

Lynn Hershman Leeson’s genre-bending documentary Strange Culture tells the story of how one man’s personal tragedy turns into persecution by a paranoid, conservative, and overzealous government...

VertiGhost
© » KADIST

Lynn Hershman Leeson

2017

Using the seminal 1958 film Vertigo as a launchpad, Lynn Hershman Leeson explores the blurred lines between fact and fantasy in VertiGhost , a film commissioned by the Fine Arts Museums in San Francisco...

Sweet Jesus
© » KADIST

Lutz Bacher

2016

Sweet Jesus is a sound installation by Lutz Bacher that consists of a found recording of James Earl Jones’ iconic voice reciting biblical genealogy from Matthew, Book 1...

EASTER MORNING
© » KADIST

Bruce Conner

2008

Unlike many of his earlier films which often present poignant critiques of mass media and its deleterious effects on American culture, EASTER MORNING , Conner’s final video work before his death in 2008, constitutes a far more meditative filmic essay in which a limited amount of images turn into compelling, almost hypnotic visual experience...

The Bedroom
© » KADIST

Barbara Bloom

1997

In the 1980’s, while browsing Parisian fleamarkets, Barbara Bloom stumbled into an anonymous watercolor (dating to around 1960) in one of Paris’ fleamarkets, probably a study made by an interior designer for a bedroom...

Mike and Sky
© » KADIST

Catherine Opie

1993

Like many of Opie’s works, Mike and Sky presents female masculinity to defy a binary understanding of gender...

Tania Libre
© » KADIST

Lynn Hershman Leeson

2016

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The Black Canyon Deep Semantic Image Segments
© » KADIST

Trevor Paglen

2020

The Black Canyon Deep Semantic Image Segments by Trevor Paglen merges traditional American landscape photography (sometimes referred as ‘frontier photography’ for sites located in the American West) with artificial intelligence and other technological advances such as computer vision...

Sultana's Dream
© » KADIST

Chitra Ganesh

2018

Art of War 1, City in Broad Daylight, Leaving the House, Justice is a Virtue, and Lions are Stronger than Men are linocut prints from the series Sultana’s Dream ...

Video: Catherine Opie on photographing leading British artists
© » ROYAL ACADEMY

Catherine Opie

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Jackass
© » KADIST

Ari Marcopoulos

2008

In Jackass (2008) by Ari Marcopoulos, his two sons, Cairo and Ethan, are pictured relaxing in a disheveled bedroom in their Sonoma home...

“Brave Beauties” series - Eva Mofokeng I, Parktown, Johannesburg
© » KADIST

Zanele Muholi

2014

As a visual activist for the rights of Lesbian, gay, bisexual, transgender, queer and intersex (LBGTQI), Muholi’s photographs radically transgress the conventional perception of lesbian and transgender communities in South Africa...

Nuevo Dragon City
© » KADIST

Sergio De La Torre

2008

Nuevo Dragon City is a reenactment of a historical event from 1927 in which six Chinese were either trapped or voluntarily hid themselves inside a building in northern Mexico...

“Brave Beauties” series - Dimpho Tsotetsi, Parktown
© » KADIST

Zanele Muholi

2014

As a visual activist for the rights of Lesbian, gay, bisexual, transgender, queer and intersex (LBGTQI), Muholi’s photographs radically transgress the conventional perception of lesbian and transgender communities in South Africa...

Half Dome Hough Transform
© » KADIST

Trevor Paglen

2020

Half Dome Hough Transform by Trevor Paglen merges traditional American landscape photography (sometimes referred as ‘frontier photography’ for sites located in the American West) with artificial intelligence and other technological advances such as computer vision...

Untitled 3737 and Untitled 5157
© » KADIST

Todd Hido

2005

The two pieces in the Kadist Collection depict foggy landscapes, one at dawn, the other at nighttime...

Untitled Inkblot Drawing (CT-1491)
© » KADIST

Bruce Conner

1995

Bruce Conner is best known for his experimental films, but throughout his career he also worked with pen, ink, and paper to create drawings ranging from psychedelic patterns to repetitious inkblot compositions...

Zanele Muholi’s Potent Portrait of South Africa’s
© » ANOTHER

Zanele Muholi

Zanele Muholi’s Potent Portrait of South Africa’s Queer Community | AnOther As their new exhibition opens in San Francisco, Zanele Muholi talks about their powerful photos of queer survivors of hate crimes, couples in everyday moments, and self-portraits referencing history February 02, 2024 Text Emily Steer Zanele Muholi creates potent portraits...

Untitled (Untitled Passport II)
© » KADIST

Colter Jacobsen

2010

The title Untitled Passport II was first used by Felix Gonzalez-Torres in an unlimited edition of small booklets, each containing sequenced photographs of a soaring bird against an open sky...

Scene I am Cuba
© » KADIST

Felipe Dulzaides

2006

I Am Cuba— “Soy Cuba” in Spanish; “Ya Kuba” in Russian—is a Soviet/Cuban film produced in 1964 by director Mikhail Kalatozov at Mosfilm...