Carland’s series of large-format photographs Lesbian Beds (2002) depicts beds that have been recently vacated. Shot from directly above, they are lavish views of very private spaces. The artist plays to her viewers’ voyeuristic impulses, inviting us to look, but then denying us the opportunity to study the figures to whom the sheets belong, so that the rumpled covers become like anthropomorphic stand-ins inviting empathic projection.
Using photography, text, and video, Tammy Rae Carland tactically realigns traditional ideas of love, partnership, domesticity, and family. Her work consistently subverts heteronormative conceptions of gender and sexuality; positive representations function simultaneously as portrait and protest. Based in Oakland, she is the chair of the photography program at California College of the Arts.
Lynn Hershman Leeson’s genre-bending documentary Strange Culture tells the story of how one man’s personal tragedy turns into persecution by a paranoid, conservative, and overzealous government...
Using the seminal 1958 film Vertigo as a launchpad, Lynn Hershman Leeson explores the blurred lines between fact and fantasy in VertiGhost , a film commissioned by the Fine Arts Museums in San Francisco...
In the 1980’s, while browsing Parisian fleamarkets, Barbara Bloom stumbled into an anonymous watercolor (dating to around 1960) in one of Paris’ fleamarkets, probably a study made by an interior designer for a bedroom...
Art of War 1, City in Broad Daylight, Leaving the House, Justice is a Virtue, and Lions are Stronger than Men are linocut prints from the series Sultana’s Dream ...
Rabbithole by Chitra Ganesh is a digital animation that refigures a fundamental plot device in myths and fables...
Victory at Sea is a simple mechanism made from cardboard and found materials that mimics the Phenakistoscope, an early cinematic apparatus...
Comprised of fifty-one photographic postcards, Antin’s 100 Boots is an epic visual narrative in which 100 black rubber boots stand in for a fictional “hero” making a “trip” from California to New York City...
Catherine Opie’s candid photograph Cathy (bed Self-portrait) (1987) shows the artist atop a bed wearing a negligee and a dildo; the latter is attached to a whip that she holds in her teeth...
Silhouette in the Graveyard is part of a suite of animated videos by Chitra Ganesh titled The Scorpion Gesture ...
Like many of Opie’s works, Mike and Sky presents female masculinity to defy a binary understanding of gender...
Nuevo Dragon City is a reenactment of a historical event from 1927 in which six Chinese were either trapped or voluntarily hid themselves inside a building in northern Mexico...
Burrito Bay is a video by George Kuchar that follows the format of a diary or travelogue centered on a tropical trip to Acapulco, Mexico...
This is not in Spanish looks at the ways in which the Chinese population in Mexico navigates the daily marginalization they encounter there...
Trevor Paglen’s ongoing research focuses on artificial intelligence and machine vision, i.e...
In Jackass (2008) by Ari Marcopoulos, his two sons, Cairo and Ethan, are pictured relaxing in a disheveled bedroom in their Sonoma home...
As a visual activist for the rights of Lesbian, gay, bisexual, transgender, queer and intersex (LBGTQI), Muholi’s photographs radically transgress the conventional perception of lesbian and transgender communities in South Africa...
Tania Libre is a film by Lynn Hershman Leeson centered around renowned artist Tania Bruguera and her experience as a political artist and activist under the repressive government of her native Cuba...