La Memoria Verde
2019 - Film & Video (Film & Video)
13:00 minutes
Enrique Ramirez
Enrique Ramirez’s La Memoria Verde is a work of poetry, politics, and memory created in response to the curatorial statement for the 13th Havana Biennial in 2019, The Construction of the Possible . Other well known works by Ramirez feature the movement and endless symbolism of the sea—like the simultaneous engagement and retreat of the tide—but La Memoria Verde takes the land, plant life, and its human inhabitants as its subject. The film begins with a soft, green, algae-like image that waxes and wanes in focus, then gives way to swaying treetops blowing in a soft wind. The calls of jungle insects and other fauna blend with intermittent notes played by a man on a saxophone, and the landscape on the ground, invoke lush, fertile, deep greens as if to color even the brass-made timbre. A woman describes, in a soft but deliberate whisper, a series of declarations that cite the plight of the land and the immigrant, the task of memory and of identity, of resistance and survival. La Memoria Verde calls upon the vibrant but dreamlike imagery of unstable memories, drawing the viewer into a hazy world encompassed by low light and dark hue. The work explores a verdant world through sight and sound, navigating the surviving variations of life, both human and rooted. Using lushness and overgrowth as a gesture of assertion and resistance, Ramirez connects the constant conflict and fluctuation of survival that both nature and man have in common. The film tells of imprinted traumas and the ways in which they become visible as scars, or manifest in movements that either protect or enhance their memory. In La Memoria Verde these gestures consume both flora and fauna.
Enrique Ramirez’s highly politicized practice engages both personal recollections and gathered stories, questions notions of exile, displacement, loss of memory, and a changing sense of place. Growing up in Santiago, Chile, his father was a sail-maker and Ramirez’s process often returns to the sea to bolster his investigations of movement, discovery, and geo-politics. The artist describes art and filmmaking as methods to communicate the ways society moves in cycles, sometimes backward and sometimes forward, especially regarding issues of immigration, border politics, and national identity. His seductive films and installations are sites of contemplation and imagination in their depiction of boundless space and expansive landscapes.
Colors:
Related works sharing similar palette
© » EYE OF PHOTOGRAPHY
© 2023 All rights reserved - The Eye of Photography Olivier Culmann, URSSAF Normandie, site du Havre @ Olivier Culmann Le Havre, Seine-Maritime, Normandie, France 10/05/2023 © Olivier Culmann / Tendance Floue @ Thomas Jorion @ Sidonie Van Den @ Isabelle Scotta @ Carlo Lombardi S From October 21st to January 7th, 2024, for its 14th edition, 25 international photographers, both established and emerging, can be discovered in an open-air exhibition tour throughout the city, on the beach, and indoors at Point de Vue and Les Franciscaines...
© » ARTS EQUATOR
Wretchedness and absurdity: Thoughts on Bong Joon-ho's Parasite | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles NEON February 18, 2020 By Teo You Yenn (760 words, 4-minute read) I watched Bong Joon-ho’s award-winning film Parasite later than most people I know, and after many people had told me I had to see it...
© » FLASH ART
Coco Fusco "Tomorrow, I will become an Island" KW Institute of Contemporary Art / Berlin | | Flash Art Flash Art uses cookies strictly necessary for the proper functioning of the website, for its legitimate interest to enhance your online experience and to enable or facilitate communication by electronic means...
© » ART & OBJECT
Marco Almaviva's Explorations Beyond the Canvas | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
© » FLASH ART
Twilight Oddities, Real Nightmares, Queer Errands, and Other Daydreams: The Gothenburg Biennial | | Flash Art Flash Art uses cookies strictly necessary for the proper functioning of the website, for its legitimate interest to enhance your online experience and to enable or facilitate communication by electronic means...
© » KADIST
Arash Fayez
2021The short film I Can Only Dance to One Song by Arash Fayez features a series of people from the migrant community in Barcelona singing along or dancing to songs of their choosing...
© » KADIST
Chen Zhexiang
2021In the video work Any Resemblance is Coincidental , CHEN Zhexiang mined portraits of real Asian criminals that were abandoned on the Internet...
© » KADIST
Anthony McCall
1973The film Line Describing a Cone was made in 1973 and it was projected for the first time at Fylkingen (Stockholm) on 30 August of the same year...
© » ARTS EQUATOR
Weekly Southeast Asia Radar: Burmese hip hop, and queer Vietnamese singer Tuimi | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Via Myanmar Times August 28, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
© » ARTS EQUATOR
The brutal examinations of "Constellation of Violence" | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Hideto Maezawa October 8, 2019 By Patricia Tobin (561 words, 4-minute read) Constellation of Violence consists of a very simple setup: a giant screen on stage, a historian, two artists and a group of individuals...
