157 x 126cm
The work of Keith Tyson is concerned with an interest in generative systems, and embraces the complexity and interconnectedness of existence. Philosophical problems such as the nature of causality, the roles of probability and design in human experience, and the limits and possibilities of human knowledge, animate much of his work. Language as a coded system, as a representation medium, but also as something that generates a whole variety of realities also plays a central role. The heterotopias of the real and imagined, near and far, thinkable and inconceivable converge and find meaning. Using phrases, along with a list of them that could be continued ad infinitum, Keith Tyson creates images that cause the distant and the near, the fictitious and the real to operate from within a location. His media include painting, drawing and installation. His exhibits are hybrid forms, they are games, images, machines, mechanisms that offer places from which literature, inventories, phenomena spread out into spheres that are infinite in both space and time. In Tyson’s work the idea of dimensions play out in terms of prolongation of time and space, and the idea of breadth and compression. Tyson is not so much concerned with representation rather he is interested in subject of machines, mechanisms and engines that confront our models for handling reality and the re-evaluation of our subjective positions. Keith Tyson was born in Ulverston, UK, in 1969. He lives and works in London.
Epiphany…learnt through hardship is composed of a bronze sculpture depicting the model of the little dancer of Degas, in the pose of a female nude photographed by Edward Weston (Nude, 1936) accompanied by a blue cube...
In Made In Heaven , we are face to face with a sculptural apparition, a divine visitation in the artist’s studio...
Untitled (Breathless) presents a folded newspaper article on Jean-Luc Godard’s À Bout de Souffle (Breathless)...
Wallace says of his Heroes in the Street series, “The street is the site, metaphorically as well as in actuality, of all the forces of society and economics imploded upon the individual, who, moving within the dense forest of symbols of the modern city, can achieve the status of the heroic.” The hero in Study for my Heroes in the Street (Stan) is the photoconceptual artist Stan Douglas, who is depicted here (and also included in the Kadist Collection) as an archetypal figure restlessly drifting the streets of the modern world...
Wagon Wheel is a work with a fundamental dynamism that derives both from the rotating movement of the elements suspended on poles and the kicking of the legs of the figure...
The Fifth Quarter might have taken its mysterious inspiration from the eponymous Stephen King story collated into the Nightmares & Dreamscapes collection...
This score is a graphic record of the detailed choreography of one of Anthony McCall’s Landscape for Fire performances...
Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...
In 2008, Grassie was invited by the Whitechapel Gallery to document the transformation of some of its spaces...