Plug the well ( July / August 2003)

- Painting (Painting)

157 x 126cm

Keith Tyson

location: Ulverston, United Kingdom
year born: 1969
gender: male
nationality: British

The work of Keith Tyson is concerned with an interest in generative systems, and embraces the complexity and interconnectedness of existence. Philosophical problems such as the nature of causality, the roles of probability and design in human experience, and the limits and possibilities of human knowledge, animate much of his work. Language as a coded system, as a representation medium, but also as something that generates a whole variety of realities also plays a central role. The heterotopias of the real and imagined, near and far, thinkable and inconceivable converge and find meaning. Using phrases, along with a list of them that could be continued ad infinitum, Keith Tyson creates images that cause the distant and the near, the fictitious and the real to operate from within a location. His media include painting, drawing and installation. His exhibits are hybrid forms, they are games, images, machines, mechanisms that offer places from which literature, inventories, phenomena spread out into spheres that are infinite in both space and time. In Tyson’s work the idea of dimensions play out in terms of prolongation of time and space, and the idea of breadth and compression. Tyson is not so much concerned with representation rather he is interested in subject of machines, mechanisms and engines that confront our models for handling reality and the re-evaluation of our subjective positions. Keith Tyson was born in Ulverston, UK, in 1969. He lives and works in London.


Colors:



Other related works, blended automatically

Epiphany…learnt through hardship
© » KADIST

Ryan Gander

2012

Epiphany…learnt through hardship is composed of a bronze sculpture depicting the model of the little dancer of Degas, in the pose of a female nude photographed by Edward Weston (Nude, 1936) accompanied by a blue cube...

You see with no lights
© » KADIST

Ryan Gander

2004

You see without light is a group of photographs around the theme of Bauhaus...

Beyond the White Walls
© » KADIST

Jeremy Deller

2012

Beyond the White Walls , with a commentary written and spoken by Jeremy Deller, is often wryly amusing...

Our love is like the Flowers, the Rain, the Sea and the Hours
© » KADIST

Martin Boyce

2003

In the installation Our Love is like the Flowers, the Rain, the Sea and the Hours, Martin Boyce uses common elements from public gardens – trees, benches, trashbins– in a game which describes at once a social space and an abstract dream space...

A vehicle with no Lights
© » KADIST

Ryan Gander

2004

A vehicle without light is a group of more personal photographs...

Masks (Merkel F6.1)
© » KADIST

Simon Fujiwara

2016

Masks is a series of abstract paintings by Simon Fujiwara that together form a giant, fragmented portrait of German Chancellor Angela Merkel’s face...

BC/AD
© » KADIST

Ian Breakwell

2008

“BC/AD” (Before Cancer, After Diagnoses) is a video of photographs of the artist’s face dating from early childhood to the month before he died, accompanied by the last diary entries he wrote from April 2004 to July 2005 (entitled “50 Reasons for Getting Out of Bed”), from the period from when he lost his voice, thinking he had laryngitis, through the moment he was diagnosed with lung cancer and the subsequent treatment that was ultimately, ineffective...

let this be us
© » KADIST

Richard T. Walker

2012

let this be us is a single-channel video by Richard T...

Made in Heaven
© » KADIST

Mark Leckey

2004

In Made In Heaven , we are face to face with a sculptural apparition, a divine visitation in the artist’s studio...

Untitled (Waiters dancing with Itinerants, Onomatopoeia)
© » KADIST

Charles Avery

2012

Since 2005, Charles Avery has devoted his practice to the perpetual description of a fictional island...

Landscape for Fire
© » KADIST

Anthony McCall

Landscape for fire is a major work by Anthony McCall...

After the Archive Collections Room
© » KADIST

Andrew Grassie

2009

In 2008, Grassie was invited by the Whitechapel Gallery to document the transformation of some of its spaces...

Untitled (Breathless)
© » KADIST

Ian Wallace

2000

Untitled (Breathless) presents a folded newspaper article on Jean-Luc Godard’s À Bout de Souffle (Breathless)...

Baobab
© » KADIST

Tacita Dean

2001

The photographic quality of the film Baobab is not only the result of a highly sophisticated use of black and white and light, but also of the way in which each tree is characterized as an individual, creating in the end a series of portraits...

One we are not
© » KADIST

Ryan Gander

2004

Ryan Gander is a collector...

Untitled (Map)
© » KADIST

Charles Avery

2011

Charles Avery has been constructing a narrative in his work since 2004...

Fire Cycles III (Subcycle 10)
© » KADIST

Anthony McCall

1974

This score is a graphic record of the detailed choreography of one of Anthony McCall’s Landscape for Fire performances...