25.59H x 32.68W inches
Yoneda’s Japanese House (2010) series of photographs depicts buildings constructed in Taiwan during the period of Japanese occupation, between 1895 and 1945. Yoneda focuses both on the original Japanese features of the houses and on details that have been altered since the end of the occupation. The yet-to-be acknowledged history of the occupation of Taiwan and other East Asian countries by Japan during World War II is subtly disclosed in these pictures. Instead of presenting monuments, the artist chooses to depict houses where the domestic lives of local Taiwanese are still unfolding today. The complexity of history is thus foregrounded by the overlapping of the everyday, the memory mixing with the remains. Former Residence of the Daughter of the Japanese Prime Minister, Kentaro Suzuki, Who Accepted the Potsdam Declaration and Full Surrender to the Allied Powers, Ending the Second World War, Qingtian Street, I depicts a dusty room with Japanese window frames but no views. Its title offers a biography of the original inhabitants and their historical role before the postwar Chinese Nationalist takeover. The wall behind the counter in Former House of General Wang Shu-ming, the Chief of Staff Under Chiang Kai-Shek, Cidong Street, I has been painted a deep red. The detailed title subtly suggests how local residents may have subsequently altered the home’s original paint colors to be more “Chinese.”
Photography is Tomoko Yoneda’s primary medium. Influenced by both journalism and archaeology, the London-based artist tries to minimize subjectivity in her work and keep her subjects as real and open as possible, leaving space for interpretation by the viewer. Often the sites she documents appears insignificant and nondescript, lacking any visual references that might trigger direct associations with historical events. Their lengthy titles, however, reveal the identities of the places by providing historical and political context. The haunted feeling generated by the emptiness of the locations evokes unsettled spirits of the past, and seems to invite a moment’s reflection.
Shock Horror: The Southeast Asian monsters we love | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Illustrations by Divyalakshmi and Natalie Christian Tan November 1, 2021 ArtsEquator chats with five writers about their favourite horror characters and monsters from Southeast Asian lore and mythology...
Natalia Jaime-Cortez — Hier j’ai vu une baleine dans la Seine — Espace d’art contemporain Camille Lambert — Exhibition — Slash Paris Login Newsletter Twitter Facebook Natalia Jaime-Cortez — Hier j’ai vu une baleine dans la Seine — Espace d’art contemporain Camille Lambert — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Natalia Jaime-Cortez — Hier j’ai vu une baleine dans la Seine Exhibition Drawing, installation, mixed media Hier j’ai vu une baleine dans la Seine 2023 Natalia Jaime-Cortez Natalia Jaime-Cortez Hier j’ai vu une baleine dans la Seine Ends in about 2 months: February 3 → March 30, 2024 Le travail de Natalia Jaime-Cortez se déploie, ou plutôt se déplie, et relève d’un engagement corporel de l’artiste dont les papiers suspendus viennent dessiner des lignes dans l’espace...
Aesthetica Magazine - Curator Interview: 130 Years of Native Photography Curator Interview: 130 Years of Native Photography In Our Hands: Native Photography, 1890 to Now is a major exhibition at the Minneapolis Institute of Art, spanning 130 years of work by First Nations, Métis, Inuit, and Native American photographers...
© 2023 All rights reserved - The Eye of Photography Olivier Culmann, URSSAF Normandie, site du Havre @ Olivier Culmann Le Havre, Seine-Maritime, Normandie, France 10/05/2023 © Olivier Culmann / Tendance Floue @ Thomas Jorion @ Sidonie Van Den @ Isabelle Scotta @ Carlo Lombardi S From October 21st to January 7th, 2024, for its 14th edition, 25 international photographers, both established and emerging, can be discovered in an open-air exhibition tour throughout the city, on the beach, and indoors at Point de Vue and Les Franciscaines...
Naoya Hatakeyama’s series Rikuzentakata (2011) documents the devastating aftermath of the 2011 Tohoku earthquake and tsunami in Japan...
Behind the scenes with the Women of SIFA | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles SIFA February 13, 2020 By Nabilah Said ArtsEquator speaks to four women that are part of the local commissions of SIFA 2020 – Siti Khalijah Zainal , Jodi Chan , Ellison Tan and Mia Chee ...
With Inner Child , Bady Dalloul continues his ongoing reflection on migration and belonging, putting in balance levantine and Japanese histories...
Migrant Ecologies Project: A Grain of Wheat Inside a Salt Water Crocodile | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Grain of Wheat July 8, 2019 For the benefit of the possible intelligences that may find these treasures after humans have long gone, we have translated one of the photographs of our wheat gleaning ceremony in Singapore into binary code...
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