Fordlândia Fieldwork

On Fire by Runo Lagomarsino comprises twenty pieces of parchment, each of which has had the contours and map of Brazil burned in stages...

Yo también soy humo (I am also smoke) is a 16mm film that has been digitized to video...

The Class (2005) by Araya Rasdjarmrearnsook challenges the viewer’s personal sense of morality and tolerance by depicting a classroom from hell...

De sino à sina (From Bell to Fate) is a six-channel sound installation by Carla Zaccagnini exploring the relationship between modern Brazil and its colonial past...

Clarissa Tossin’s film Ch’u Mayaa responds to Frank Lloyd Wright’s Hollyhock House (constructed 1919–21) in Los Angeles, an example of Mayan Revival architecture...

On Fire by Runo Lagomarsino comprises twenty pieces of parchment, each of which has had the contours and map of Brazil burned in stages...

Yo también soy humo (I am also smoke) is a 16mm film that has been digitized to video...

In his project Instituto de Vision (2008), Consuegra investigates how modernism gave rise to many new technological forms of vision, most notably the camera, yet also resulted in the disappearance of outmoded forms of vision...

Podcast 106: Boom | ArtsEquator Skip to content In our latest podcast, we discuss Boom, a production by A Mirage which took place on 1-20 July 2022...

Patrizia Sandretto Re Rebaudengo, Dimitris Daskalopoulos, and Paul Ettlinger sit down to discuss how art collecting has evolved....

These Pavilions have Announced African Perspectives so far | Contemporary And search for something search C& AMÉRICA LATINA EN FR MEMBERSHIP EN FR Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK Follow About Contact Newsletter Advertise Imprint Data protection Membership Contemporary And (C&) is funded by: Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK GO TO C& AMÉRICA LATINA About Contact Newsletter Advertise Imprint Data protection Membership 2024 Venice Biennale These Pavilions have Announced African Perspectives so far Canada, Benin, Egypt, Ethiopia, France, Great Britain, Nigeria, Netherlands, Portugal, South Africa and Tanzania present artists from Africa and the Global Diaspora...

Got Your Back by Gisela McDaniel depicts two women of color from different ethnic backgrounds who share similar violent experiences...

MUM , the acronym used to title a series of Rogan’s small interventions on found magazines, stands for “Magic Unity Might,” the name of a vintage trade magic publication...

While his works can function as abstract, they are very much rooted in physicality and the possibilities that are inherent in the materials themselves...

Conceived as a large-scale mural-like projection, Color of History, Sweating Rocks is a neo-futuristic, hybrid film that combines cinematic language, collage, animation, and inventive forms to highlight the plight of the peoples of the Sahara—and refugees in general—who have been displaced by oil-mining....

In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form...

Clarissa Tossin’s film Ch’u Mayaa responds to Frank Lloyd Wright’s Hollyhock House (constructed 1919–21) in Los Angeles, an example of Mayan Revival architecture...

Matthew Buckingham presents a narrative directly connected with a highly symbolic site in the United States, the Mount Rushmore Memorial*...

Bowers’ Radical Hospitality (2015) is a sculptural contradiction: its red and blue neon letters proclaim the words of the title, signaling openness and generosity, while the barbed wires that encircle the words give another message entirely...

Lara uses things readily at hand to create objects and situations that interrogate the processes of art and the spectrum of roles that art and artists play in society...

During her research on primitive currencies and cultural cannibalism, Cuevas came across the Donald Duck comic book issue “The Stone Money Mystery,” where Donald goes on a quest to find missing museum objects...

The video Rubber Man continues exploring issues related to land use, also noticeable in his Untitled series (2011)...

Giant Rubber Duck artist on why size matters – ‘instead of us looking at it, it is now looking at us’ – and his miniatures on show in Seoul | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Dutch artist and “Rubber Duck” creator Florentijn Hofman in Hong Kong in June 23 for the return of his giant inflatable artwork to Victoria Harbour, this time with a twin...

Ambiguous Gestures takes as its point of origin a film Gmelin discovered in his father’s archive...

The project Grabador Fantasma (Phantom Recorder) consists of a communally constructed technological device in Sarayaku ancestral territory...