Black Curl (CMY/Five Magnet: Irvine, California, March 25, 2010, Fujicolor Cyrstal Archive Super Type C, EM No 165-021, 05910) is a visually compelling photogram. Bold shapes, and the breaks between them, create a rhythm and compose an engaging abstract image. At the same time, the work deals with the conditions of the photograph’s manufacture. The literal production of a photograph—the process of photo developing and printing—is the work’s subject, and Beshty slyly points to the ways in which these material processes possess their own aesthetic appeal and content.
Artist and writer Walead Beshty examines the processes of his own multidisciplinary (though primarily photographic) work’s production, linking these processes to global issues including human migration,displacement, and technology. His works, oftentimes visually abstracted, argue for their own production as a process of transformation, emphasizing an expansive array of actions and methods through which art can be structurally transformed or produced. In this way, by examining the matrix of production surrounding his individual artworks, Beshty’s introspection also expands outward onto a complex field of vectors connecting actions, subjects, structures, and forms. Beshty explores the limitations and possibilities of his mediums, which include photography, light, metal, glass, cardboard, and, often, distance. Often striking in their visual presence, his work reflects the movement of images and objects, both in a literal sense and in terms of the way that ideas and materials are circulated and exchanged. They also convey another narrative: the history and the processes that construct both the world and his art.
Rudolph Schindler’s designs, part of a practice he called “Space Architecture,” marry interior with exterior and space with light...
Wolfgang Tillmans initiated the ongoing series Faltenwurf in 1989, representing compositions of unused clothing, with special attention paid to the ways in which they drape and fold...
Although best known as a provocateur and portraitist, Opie also photographs landscapes, cityscapes, and architecture...
Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...
Rudolph Schindler’s designs, part of a practice he called “Space Architecture,” marry interior with exterior and space with light...
Wolfgang Tillmans initiated the ongoing series Faltenwurf in 1989, representing compositions of unused clothing, with special attention paid to the ways in which they drape and fold...
Bruce Conner is best known for his experimental films, but throughout his career he also worked with pen, ink, and paper to create drawings ranging from psychedelic patterns to repetitious inkblot compositions...
Japanese ‘rainbow artist’ Ay-O’s debut solo Hong Kong exhibition the first in a series highlighting significant Asian artists | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Japanese artist Ay-O’s screenprint “Homage to Rousseau” is part of his exhibition at the M+ museum of visual culture in the West Kowloon Cultural District...
Clémentine Adou — Xmas — Les Bains-Douches d'Alençon — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Clémentine Adou — Xmas — Les Bains-Douches d'Alençon — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Clémentine Adou — Xmas Exposition Installations, son - musique, techniques mixtes, vidéo Clémentine Adou, Red nose, red dot, 2023 Nez rouge, moteur — 5 × 5 × 5 cm Clémentine Adou & Tonus, Paris Clémentine Adou Xmas Encore 21 jours : 26 janvier → 3 mars 2024 « Le mouvement n’est pas quelque chose de matériel...
La Cie Maxmind's “Isle of Dreams”: The Dark Fantastic | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Thum CC August 31, 2018 By Akanksha Raja (620 words, four-minute read) 拾念劇集 La Cie Maxmind’s Isle of Dreams ( 蓬萊) was the headlining event for the George Town Festival’s Taiwan-focused showcase this year...
In Fordlândia Fieldwork (2012), Tossin documents the remains of Henry Ford’s rubber enterprise Fordlândia, built in 1928 in the Brazilian Amazon to export cultivated rubber for the booming automobile industry...
This untitled work from 2012 is a print originally made as part of the Wattis Institute for Contemporary Art’s artist limited edition series...
MUM , the acronym used to title a series of Rogan’s small interventions on found magazines, stands for “Magic Unity Might,” the name of a vintage trade magic publication...
Reborn, 2010 is a three-channel video by Desiree Holman that questions ideas of motherhood and the maternal instinct...
Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...
Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...
Office Work by Walead Beshty consists of a partially deconstructed desktop monitor screen, cleanly speared through its center onto a metal pole...
In this work, a woman sits on a couch with her shirt pulled up to expose her pierced nipples, which are connected by a chain...
The voids in Baldessari’s painted photographs are simultaneously positive and negative spaces, both additive and subtractive...
The stained glass windows of Chloé Quenum’s Les Allégories evoke the sacred and describe the movement of a rooster in the form of patterns extracted from a wax fabric found in Benin...