148 x 115 cm
In her 2003 series “Better Lives”, Sue Williamson explores stories of immigrants in search of a better life in a historically contentious South Africa. In an attempt to address and confront xenophobia in South African history, Better Lives series subverts racism and prejudice by emphasizing the immigrant as human, and thus gives the subjects a voice. “Better Lives: Richard Belalufu” tells a tale of surviving in a hostile South Africa through the undercurrent reflections on violence, abuse and the difficulty of finding home as an immigrant. Referring to South African studio-photography, the Better Lives series is a demanding confrontation of the subjects whose gaze answers directly to the viewer. Richard Belalufu is an immigrant from the Democratic Republic of Congo. He arrived in Cape Town in 1994, leaving his family behind when he heard the Mobutu regime was hunting him down, as he was playing the role of a double agent. He has a diploma in electro-mechanical engineering, and he had an important job for a big company in DRC but now works on a construction site in Cape Town. Family were finally able to join him some years later. He finds life very hard. Xenophobia is a big problem.
Sue Williamson (b. 1941, Lichfield, United Kingdom) currently based in Cape Town, occupies an influential and highly respected position in the South African art world, not only for her artistic practice but also for her long history as a writer and cultural worker. Trained as a printmaker, Williamson now includes installation, photography and video in her oeuvre. As part of the generation of South African artists who practiced in the 1970s and who addressed social change in the then apartheid South Africa, Williamson’s practice has continued to remain interested in political struggle and emancipation. In her work, she brings the marginalized into the mainstream consciousness of society, making visible the unseen, sheaving away layers of illusion to re-present reality in a fresh light. Her recent video work is concerned with South African immigrants and with the concept of return.
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Heat Waves by Kent Chan examines the contexts, politics, and proliferation of the different aesthetics of heat by drawing from the aesthetics of regions defined by hot and humid climates and associated with histories of coloniality such as ‘the global south’ and the ‘developing world’...
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Tia-Thuy Nguyen — Sparkle in the vastness — Almine Rech Gallery, Matignon — Exhibition — Slash Paris Login Newsletter Twitter Facebook Tia-Thuy Nguyen — Sparkle in the vastness — Almine Rech Gallery, Matignon — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Tia-Thuy Nguyen — Sparkle in the vastness Exhibition Painting Tia Thuy Nguyen, série I, my, me, cloud (2018-2023) Courtesy de l’artiste et galerie Almine Rech Tia-Thuy Nguyen Sparkle in the vastness Ends in 13 days: January 11 → February 24, 2024 “Sparkle in the vastness", Tia-Thuy Nguyen’s first show with Almine Rech presents a suite of more than twenty multi-media paintings from the artist’s ongoing series “I, my, me, cloud” (2018–)...
Percent for Art is seemingly concerned with “art enrichment” by state or city arts agencies role in it, managing the artist rosters, maintaining public art collections, commissioning artworks, selecting installation sites, among other things for aesthetic and cultural enhancement in both public and private real estate developments...
Interview: Chelsea Wolfe Talks Witchcraft and Her New Album | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint The Do List Chelsea Wolfe Says Witchcraft and Sobriety Informed Her Latest Album Krysta Fauria, Associated Press Feb 8 Save Article Save Article Failed to save article Please try again Email Chelsea Wolfe performing in June 2022...
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Jean Miotte — Almine Rech Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Jean Miotte — Almine Rech Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Jean Miotte Exhibition Painting Jean Miotte, Sans titre, 2000 (Détail) Acrylic on canvas — 39 × 32 × 1 in Courtesy of the artist & Galerie Almine Rech, Paris Jean Miotte Ends in 11 days: November 18 → December 22, 2023 Jean Miotte is one of the prominent figures of lyrical abstraction within the New School of Paris...