Ongoing Time Stabbed with a Dagger was Farmer’s first kinetic sculpture that added a cinematic character to an “ever-reconfiguring play presented in real time.” The assembly of various objects and props on top of a large platform constitutes not only a work, but, to a certain extent, a show in itself. The title of the piece comes from the literal translation of René Magritte’s painting from 1938, La Durée Poignardée , whose more familiar translation is “Time Transfixed.”
For Taus Makhacheva, the wild, untamed side of human nature is often the foundation of many of her formal investigations. A leading voice of the younger generation based in Moscow, Makhacheva works with sculpture and installation while her preferred medium remains video. Her Dagestani (Northern Caucasian) roots draw her to this rugged land as her site of choice for many of her works.
Landscape Series no. 1 presents landscape as a “quiet witness of history.” It began with searches of online archives of Vietnamese news-media, for images of figures in landscapes “pointing, to indicate a past event, the location of something gone, something lost or missing.” The uniformity is striking but the sequence is subtly structured: the typology hints at narrative progression, though of an uninformative narrative, lacking details.
This embroidery on fabric tackles the oneiric and the uncanny to bring about visions of the world. One can discern the methods of nihonga painting (the traditional Japanese style that renders landscape and forms out of subtle shadows), but Ito upsets the balance by destroying perspective. His work is staunchly non-narrative.
The central point of Vanishing Point is the most direct physiological reaction of the body to the environment. Chen Xiaoyun has added a written narrative and a poetic quality to his works. Image fragments containing different pieces of information are linked together by the text, their interplay producing a synesthesia effect.
Making Fantasies animates scenes based upon photographs by Nan Goldin, Larry Sultan, Richard Billingham, Yasuyoshi Chiba and famous photojournalism images such as Jeff Widener’s photograph of Tiananmen Square and Kevin Carter’s photograph of a Sudanese child being stalked by a vulture. By fabricating narrative and aesthetic connections between the images on three channels, Pei-Shih questions the objectivity and truth telling of photography.
In Escaped Lunatic , a steady stream of figures run across the screen, sprinting, jumping, and rolling through the streets of Houston. The work is part of a trilogy that borrows its narrative structure from early-20th-century cinema. The artist employs the chase genre, which has often depicted African Americans in scenes of flight from various forms of authority.
Matthew Buckingham presents a narrative directly connected with a highly symbolic site in the United States, the Mount Rushmore Memorial*. He elaborates a historiographic narrative of this place and switches it into the domain of science fiction by proposing a photograph of the Memorial as it should appear in 500 000 years. The effigies of Washington, Jefferson, Lincoln and Roosevelt become unrecognizable.
By testing the limits of identification with the camera’s point of view, Delphi Falls cycles through multiple subjectivities. The film misuses more traditional narrative conventions -the suggestion of a story, the anchoring of actors as characters- to have the viewer constantly questioning who or what they are, and where they are located in the film’s world. Delphi Falls was included in the 2017 Whitney Biennial film program.
This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006). The video is based on Edgar Allen Poe’s 1838 novel The Narrative of Arthur Gordon Pym of Nantucket. The painting, derived from an image from a different, preexisting work, represents the artist’s continued interest in realizing particular subject matter in alternative forms, thereby imbuing it with new meanings and interpretations.
Winter is a film installation of multiple tenses—shot in the recent past, depicting an unknown future, unfolding (and changing) in the present of the exhibition. Shot in the white-washed homes of New Zealand architect Ian Athfield, including his own communal compound high above Wellington harbor, the film suggests various temporal and cultural conditions of instability, hinting at concerns of global warming and nuclear accidents, pushing at the boundaries of science fiction, stripped of narrative explication and causal explanation.
In her masterpiece 8 Possible Beginnings or The Creation of African-America , Walker unravels just that, the story of struggle, oppression, escape and the complexities of power dynamics in the history following slave trade in America. Her use of contour and silhouette accentuate emotion with rigor, she reduces the narrative to black and white as gruesome acts of sex and violence address trauma, fear and suffering through a majestic play of shadow and light.
A Portrait: Covering and Cleaning is an installation of six black-and-white video projections. Each video depicts a portrait with features changing continuously and quickly into different persons, animals and symbols. Driven by the evolving contents of the screen itself, this piece showcases the form and material of Qiu Anxiong’s working method, which relies on precisely planned storyboard sketches drawn in pen on A4 paper.
Meireles, whose work often involves sound, refers to Sal Sem Carne (Salt Without Meat) as a “sound sculpture.” The printed images and sounds recorded on this vinyl record and it’s lithographed sleeve describe the massacre of the Krahó people of Brazil. The piece draws on Meireles’s first-hand contact with many indigenous groups through his father’s work with the Indian Protection Service. The recordings on the LP contain narrative accounts of massacres of native peoples, as well as indigenous music and rituals.
This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006). The video is based on Edgar Allen Poe’s 1838 novel The Narrative of Arthur Gordon Pym of Nantucket . The painting, derived from an image from a different, preexisting work, represents the artist’s continued interest in realizing particular subject matter in alternative forms, thereby imbuing it with new meanings and interpretations.
The work Timur Merah Project 2, the harbour of restless spirit is stretched out on a full cow’s hide, replicates the Kamasan Balinese painterly language that Citra Sasmita has developed in her recent works. It represents female figures, flames, and various natural elements, permutating whimsically in a narrative of pansexual energy. While rooted in mythological thinking, with specifically Hindu and Balinese references, the scenes are equally part of a contemporary process of imagining a secular and empowered mythology for a post-patriarchal future.
Comprised of fifty-one photographic postcards, Antin’s 100 Boots is an epic visual narrative in which 100 black rubber boots stand in for a fictional “hero” making a “trip” from California to New York City. Over two-and-a-half years, Antin photographed the boots against different backdrops across the U. S., and then turned the pictures into postcards, which she then mailed to approximately 1,000 people around the world. In conjunction with the boots’ “arrival” in New York City, the postcards were exhibited at the Museum of Modern Art.
For his series of digital collages Excerpt (Sealed)… Rhodes appropriated multiple images from mass media and then sprayed an X on top of their glass and frame. This visual seal refers to the disastrous aftermath of Hurricane Katrina in 2005 in which rescue workers spray painted the doors of the houses they searched giving the date, the team and the number of bodies found. Excerpt (Sealed) (Brown) is a multilayered collage with contradictory imagery—from New Orleans debris to the American eagle and a theater curtain.
Drawing & Print (Drawing & Print)
Within the narrative of Sahej Rahal’s The rocks we will find, beings perform absurd acts in derelict corners of the city, emerging into the everyday as if from the cracks of our civilization, transforming them into liminal sites of ritual, and challenging ways in which we experience time and space. The temporal acts and their residue become primary motifs in his practice. The characters that inhabit these performances bare indices to different cultures, mythologies and pop culture.
Historical representations of the female form and the clichés and misunderstandings that surround them have been the subject of recent research and historical revision. Marry, Fuck, Kill by Ruth Patir reimagines sculptures of fertility goddesses from ancient times as real-life women by animating them as a moving sculptural bodies. In a country such as Israel, where the presence of ancient ruins are common, if not everyday for some, this work speaks both to the present and the distant past, and draws continuities between.
“Watching the films of Omer Fast confounds our expectations of the medium. 5,000 Feet Is the Best, 2011, is presented like a conventional big-budget Hollywood movie and has similarly high production values. Yet Fast frustrates the narrative element that Hollywood teaches us to expect: While stories unfold, repetitions and obscurities challenge the idea of a central controlling account.
Sahana Ramakrishnan’s work blends cultural influences, spanning a range of visual mythologies, she weaves together a tapestry of pop cultural references that are upended by the artist’s exploration of identity, sexuality and gender perspectives. Narrative journeys are central to myth, and Ramakrishnan’s own journey through culture, mythology and sexuality is echoed in the physical matter she uses to create her work. The artist embarks on Odyssean quests for her materials.
Malani draws upon her personal experience of the violent legacy of colonialism and de-colonization in India in this personal narrative that was shown as a colossal six channel video installation at dOCUMENTA (13), but is here adapted to single channel. The video is largely silent until violent crashes and female voices overwhelm the viewer, portraying the inner voice of a woman who is brutally gang raped. Malani addresses the fatal place of women in Indian society and the geo-politics of national identity.
Haunted by You documents Taiyo Kimura’s struggle to use a record player, satirizing the normal actions of everyday life in order to question the meanings that underlie ordinary modes of living. The performance narrative unfolds upon the circular movements of the turntable. A chicken’s leg replaces the turntable’s arm.
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon. The images allude to recurring topics, such as the superhero (present both in Untitled Superman and No title without the comics ), a book cover (his literary sources), or a mushroom cloud. Inspired by the writings of William Faulkner, Daniel Defoe, Gustave Flaubert, Marcel Proust, and James Joyce, Pettibon’s sophisticated, witty drawings combine image and text to explore the gamut of American popular culture.
The lecture performance, Screen Green takes the telecast of a speech made by the Prime Minister of Singapore, Lee Hsien Loong, during which he was pictured against a homogenous green backdrop commonly used for visual effects or post-production in film, as a point of departure. Taking the lush, botanical landscape of Singapore, administered through a series of governmental gardening efforts, Ho offers a speculative narrative through the metaphor of a space of future possibilities that are simultaneously a method to limit and modulate its citizens.
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon. The images allude to recurring topics, such as the superhero (present both in Untitled Superman and No title without the comics ), a book cover (his literary sources), or a mushroom cloud. Inspired by the writings of William Faulkner, Daniel Defoe, Gustave Flaubert, Marcel Proust, and James Joyce, Pettibon’s sophisticated, witty drawings combine image and text to explore the gamut of American popular culture.
An early work in Sung Hwang Kim’s career, the video Summer Days in Keijo—written in 1937 is a fictional documentary, the film is based on a non-fiction travelogue, In Korean Wilds and Villages , written by Swedish zoologist Sten Bergman, who lived in Korea from 1935 to 1937. In Kim’s film, a Dutch female protagonist traces Bergman’s path in the present-day Seoul (Keijo was the Japanese name for Gyeongseong, currently Seoul). The protagonist navigates through spaces that have been rebuilt since the 1950s onwards, and the scenes are narrated by a voice-over based on Bergman’s written description of the modern city in 1937.
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon. The images allude to recurring topics, such as the superhero (present both in Untitled Superman and No title without the comics ), a book cover (his literary sources), or a mushroom cloud. Inspired by the writings of William Faulkner, Daniel Defoe, Gustave Flaubert, Marcel Proust, and James Joyce, Pettibon’s sophisticated, witty drawings combine image and text to explore the gamut of American popular culture.
Gabriel Kuri has created a series of works in which he juxtaposes perennial and ephemeral materials. Untitled (Ticket Roll) belongs to this group of sculptures and consists of three smooth ornate marble elements and a roll of public transport tickets. The artist poetically associates finesse and fragility as in a number of these works.
Part of the Indigenous Tamsaling community in Nepal, Subas Tamang comes from a family of traditional stone carvers...
Through film, performance, painting, and drawing, artist Wang Tuo interweaves disparate realities through archives, modern history, myth, and literature...
Abraham Onoriode Oghobase’s artistic practice explores identity in relation to socio-economic and historic geographies...
Olga Grotova is an artist and poet whose practice involves collecting and mapping stories of Soviet and Eastern-European women that have been erased from established historical narratives...
Michelle Handelman’s video, installation, live performance, and photography works analyze the human sublime in terms of its excess and dullness, providing a sneak peek into a jewel thief’s therapy sessions or following the life of a famous drag queen who experiences her own narcissistic destruction due to her increasing fame...
YOUNG-HAE CHANG HEAVY INDUSTRIES, a partnership between the South Korean artist Young Hae Chang and the American poet Mark Voge, is widely known as a pioneering net art project...
Aki Kondo utilizes animation, video, and mixed media to explore such varied topics as intimacy, loss, and the human body...
Camel Collective comprises the artists Carla Herrera-Prats (Mexican, photographer and conceptual artist) and Anthony Graves (American, painter), who began working together in 2005 during a fellowship at the Whitney Independent Program...
Em’kal Eyongakpa was born in Cameroon in 1981...
Danielle Dean creates videos that use appropriated language from archives of advertisements, political speeches, newscasts, and pop culture to create dialogues to investigate capitalism, post-colonialism, and patriarchy...
Mathilde Rosier’s oeuvre arguably skirts the line between real and fiction...
Zhu Changquan engages in artistic activities through analyzing everyday life...
Working primarily in video, Patricia Esquivias’s work focuses on the material remains of idiosyncratic occurrences that connect to larger historical narratives...
Miguel Calderón is a Mexican artist and writer...
Nguyen Trinh Thi is a moving image pioneer, not only within the landscape of contemporary art in Vietnam, but also broader South East Asia...
Artists András Gálik and Bálint Havas began developing projects together under the name Little Warsaw in 1999...
Bobo is an art collective constituting the artists Nick Payne, Andrew Gillespie, and Phil Cote, and while as a collective entity they are relatively new to the art world, they have been highly influential to many younger NY artists...
Bady Dalloul cunningly employs collage across various media: texts, drawings, video, and objects to produce powerful works commenting on the past and the present...
The Book of Genesis , which is thought to have been written around the 5th century B...
Aesthetica Magazine - A Space Between Worlds A Space Between Worlds For Taysa Jorge, art is a bridge...
ARTS • TECH Exhibition 2.0 – Make & Believe – ARTOMITY 藝源 T ung Wing-hong, Ng Tsz-kwan, Ho Sin-tung, Human Wu, Lam Lai, Lau Ming-hang Make & Believe Jan 23 – 28, 2024 Curator & Producer: Orlean Lai F Hall Studio, Tai Kwun 10 Hollywood Road Central, Hong Kong Tuesday – Sunday, 11am – 7.30pm arts-tech.hk/en/ Hong Kong Arts Development Council (HKADC) proudly presents Make & Believe , the second exhibition of ARTS • TECH Exhibition 2.0...
Dutch Emerging: Ruben Janssen X GRA Fashion Bachelor 2023 – A Shaded View on Fashion From the back to the middle and around again — Ria’s wedding dress, Alan’s patterns and John’s model: ‘My project is an investigation into evolution, explored through prisms of biology, computation and a poetic personal narrative, shifting between timescales on an evolutionary timeline...
Collective Week: Kinship Photography Collective - LENSCRATCH Fine Art Photography Daily Subscribe / Contact / About Home Photographers Browse All Browse Alphabetically Browse by Genre Browse by Subject Browse by Place Browse by Process Features Publisher’s Spotlight The States Project Alaska Alabama Arizona Arkansas California Colorado Connecticut Delaware District of Columbia Florida Georgia Hawaii Idaho Illinois Indiana Iowa Kansas Kentucky Louisiana Maine Maryland Massachusetts Michigan Minnesota Mississippi Missouri Montana Nebraska Nevada New Hampshire New Jersey New Mexico New York North Carolina North Dakota Ohio Oklahoma Oregon Pennsylvania Rhode Island South Carolina South Dakota Tennessee Texas Utah Vermont Virginia Washington West Virginia Wisconsin Wyoming Content Aware DEVELOPER Mixtapes Art and Science Competition: The Heart of the Matter Book Reviews Geometry In the Dark Insecta Magic Night The Natural World/Nature Women and Earth The Art of Healing Lenscratch Student Prize Winners 2023 2022 2021 2020 2019 2018 2017 2016 2015 2014 2013 Notes from a Curator Exhibitions Interviews Articles Photographers on Photographers Resources Artist Residencies Calls For Entry Lenscratch Library Portfolio Reviews Photo Festivals Online Magazines Print Magazines Sites of Interest Organizations and Institutions Photography Charities Grants Submit About Submissions Submit to Lenscratch Exhibitions Submit To Art and Science Award Submit to Student Prize Submit Your Project Shop Home Photographers Browse All Browse Alphabetically Browse by Genre Browse by Subject Browse by Place Browse by Process Features Publisher’s Spotlight The States Project Alaska Alabama Arizona Arkansas California Colorado Connecticut Delaware District of Columbia Florida Georgia Hawaii Idaho Illinois Indiana Iowa Kansas Kentucky Louisiana Maine Maryland Massachusetts Michigan Minnesota Mississippi Missouri Montana Nebraska Nevada New Hampshire New Jersey New Mexico New York North Carolina North Dakota Ohio Oklahoma Oregon Pennsylvania Rhode Island South Carolina South Dakota Tennessee Texas Utah Vermont Virginia Washington West Virginia Wisconsin Wyoming Content Aware DEVELOPER Mixtapes Art and Science Competition: The Heart of the Matter Book Reviews Geometry In the Dark Insecta Magic Night The Natural World/Nature Women and Earth The Art of Healing Lenscratch Student Prize Winners 2023 2022 2021 2020 2019 2018 2017 2016 2015 2014 2013 Notes from a Curator Exhibitions Interviews Articles Photographers on Photographers Resources Artist Residencies Calls For Entry Lenscratch Library Portfolio Reviews Photo Festivals Online Magazines Print Magazines Sites of Interest Organizations and Institutions Photography Charities Grants Submit About Submissions Submit to Lenscratch Exhibitions Submit To Art and Science Award Submit to Student Prize Submit Your Project Shop Collective Week: Kinship Photography Collective by Kassandra Eller December 12, 2023 ©Kimberly Anderson, We Still Have The Seeds In the past few years, the term artist collective has become common, especially in larger cities where hubs of creativity form...
"Tarot Aracanas" by Artist Adèle Aproh Submit A selection of drawings from Paris-based artist Adèle Aproh ...
"(Up)Rooted" by Artist Dominique Fung Submit New York-based artist Dominique Fung (previously featured here ) embarks on her first solo exhibition in Europe with “(Up)Rooted,” an allegorical journey featuring a mixture of paintings and sculpture...
Echoes of Genji: Unraveling Timeless Emotions from Heian Elegance to Modern Reverie at the Guimet Museum till March 25th – A Shaded View on Fashion Dear Shaded Viewers, What do a beloved 1980s manga series “Asakiyume mishi” and an exquisite 18th-century lacquer box once owned by Marie-Antoinette share in common? At first glance, not much...
Dominique Gonzalez-Foerster — Nos années 70 (chambre) — Chantal Crousel Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Dominique Gonzalez-Foerster — Nos années 70 (chambre) — Chantal Crousel Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Dominique Gonzalez-Foerster — Nos années 70 (chambre) Exhibition Mixed media Dominique Gonzalez-Foerster, Nos années 70 (chambre), 1992...
Former news anchor Carolyn Sawyer is drawn to artists who offer unique, narrative visions of the African American experience....
Durjoy Rahman discusses the business of art philanthropy and why artistic narratives play an essential role in documenting history...
Reconsidering the Commandments with Wild Rice’s Animal Farm (2022) | ArtsEquator Skip to content In Wild Rice’s restaging of Animal Farm, Rebecca G finds a production that leavens the darker aspects of the text by drawing out the absurdities of the narrative...
Summer Show Week 4 - Narratives – Gina Cross - Curator + Mentor Close Thin Icon Close Thin Icon Your cart Close Alternative Icon Now partnered with Art Money for interest free art collecting Now partnered with Art Money for interest free art collecting News Written by Gina Cross Previous / Next Our final curated week of the Summer Season opens on Tuesday 25th August featuring the pop art narrative artworks of Anna Marrow, Delphine Lebourgeois and Tom Buchanan...
Bisa Butler offers new narrative quilts with two exhibits this spring, at Claire Oliver Gallery and her first solo museum effort at The Katonah Museum of Art...
Simon Landrein — UNRTD™ Simon Landrein London-based artist Simon Landrein is an illustrator, designer, animator and director whose graphics are tell stories of mischief with brilliant draftsmanship ...
Comprised of fifty-one photographic postcards, Antin’s 100 Boots is an epic visual narrative in which 100 black rubber boots stand in for a fictional “hero” making a “trip” from California to New York City...
Meireles, whose work often involves sound, refers to Sal Sem Carne (Salt Without Meat) as a “sound sculpture.” The printed images and sounds recorded on this vinyl record and it’s lithographed sleeve describe the massacre of the Krahó people of Brazil...
David Goldblatt’s “Boksburg series” is a telling portrait of the small town that became a notorious symbol of racism in South Africa...
Talking Head is a short film in black and white of Auder’s daughter Alexandra, hidden behind a hemp plant, playing with a plastic wrapper and babbling in an imaginative way...
Collectors’ Favorites is an episode of local cable program from the mid-1990s in which ordinary people were invited to present their personal collections—a concept that in many ways anticipates current reality TV shows and internet videos...
Collier Schorr’s prints upend conventions of portrait photography by challenging what it means to “document” a subject...
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
The photographic quality of the film Baobab is not only the result of a highly sophisticated use of black and white and light, but also of the way in which each tree is characterized as an individual, creating in the end a series of portraits...
Matthew Buckingham presents a narrative directly connected with a highly symbolic site in the United States, the Mount Rushmore Memorial*...
Rosier’s body of films, gleam with that indeterminate in-between glow of twilight...
Solo (2003) is a video exhibited as a video/sound installation depicting shots of drum, voice, guitar, clavier/synthesizer, and a melodica player cut into segmented fragments from the perspective of a studio recording set...
In her masterpiece 8 Possible Beginnings or The Creation of African-America , Walker unravels just that, the story of struggle, oppression, escape and the complexities of power dynamics in the history following slave trade in America...
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
Forest Gathering N.2 is part of the series of photographs Beneath the Roses (2003-2005) where anonymous townscapes, forest clearings and broad, desolate streets are revealed as sites of mystery and wonder; similarly, ostensibly banal interiors become the staging grounds for strange human scenarios...
Michal Chelbin’s staged yet intimate portrait photographs, seduce the viewer into uncomfortable, voyeuristic complicity with the camera...
This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006)...
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
I Am Cuba— “Soy Cuba” in Spanish; “Ya Kuba” in Russian—is a Soviet/Cuban film produced in 1964 by director Mikhail Kalatozov at Mosfilm...
Hako (2006) depicts a mysterious and dystopic landscape where the world becomes flat: distance between different spaces, depth of field and three-dimensional perceptions are canceled...
This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006)...
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
An early work in Sung Hwang Kim’s career, the video Summer Days in Keijo—written in 1937 is a fictional documentary, the film is based on a non-fiction travelogue, In Korean Wilds and Villages , written by Swedish zoologist Sten Bergman, who lived in Korea from 1935 to 1937...
In keeping with her mythological proclivity, Minotaur (2009) casts a new light on an old narrative...
dbqp is a photographic series in which the artist handles an enlargement of the plate with three cutout windows which was used for L’Archipel (The Archipelago) in collaboration with Pierre Leguillon...
Ongoing Time Stabbed with a Dagger was Farmer’s first kinetic sculpture that added a cinematic character to an “ever-reconfiguring play presented in real time.” The assembly of various objects and props on top of a large platform constitutes not only a work, but, to a certain extent, a show in itself...
Tropical Vulture is a cross-generational project which highlights the artistic influences between George Kuchar, a Bay Area legend of independent filmmaking, and Mexican artist Miguel Calderón...
In Dorian, a cinematic perfume, video is used as a community gatherer, a tool to speak about particular subcultures, in this case the trans-gender drag queen New York community, past and present...
The Striation Scrap Lamps (vertical and horizontal) although functioning as utilitarian objects also represent Jason Meadows’s interest in a certain kind of crafted sculpture...
Burrito Bay is a video by George Kuchar that follows the format of a diary or travelogue centered on a tropical trip to Acapulco, Mexico...
For his series of digital collages Excerpt (Sealed)… Rhodes appropriated multiple images from mass media and then sprayed an X on top of their glass and frame...
Haunted by You documents Taiyo Kimura’s struggle to use a record player, satirizing the normal actions of everyday life in order to question the meanings that underlie ordinary modes of living...
Gabriel Kuri has created a series of works in which he juxtaposes perennial and ephemeral materials...
Dorsky’s pieces included in the Kadist Collection are small still photographs from twelve of his most important films...
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
The Last Post was inspired by Sikander’s ongoing interest in the colonial history of the sub-continent and the British opium trade with China...
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
To the syncopations of a jazzy soundtrack, Korean words in white against a black background flashes between an English dialogue in black text against white ground...
The Woman, The Orphan, and The Tiger begins with the sound of women’s voices describing histories of violence, of things repressed and silenced...
A Portrait: Covering and Cleaning is an installation of six black-and-white video projections...
Eamon Ore-Giron’s new commissioned video project Bite Work, is an experimental genre breaking video that is part-performance, part-conceptual and part-comical addressing issues of mediation, surveillance and trust...
Drawing & Print
Charles Avery has been constructing a narrative in his work since 2004...
Conceived as a large-scale mural-like projection, Color of History, Sweating Rocks is a neo-futuristic, hybrid film that combines cinematic language, collage, animation, and inventive forms to highlight the plight of the peoples of the Sahara—and refugees in general—who have been displaced by oil-mining....
Jason Meadows’s Do Not Pass Go (2011) depicts Richie Rich, “the poor little rich boy” of the 1950s comic strip...
Titled afterTruman Capote’s protagonist famously played by Audrey Hepburn in the film Breakfast at Tiffany’s (1961), Holly Golightly (2011) captures the essence of the character: seductive and bold, mysterious and capricious...
For Taus Makhacheva, the wild, untamed side of human nature is often the foundation of many of her formal investigations...
Malani draws upon her personal experience of the violent legacy of colonialism and de-colonization in India in this personal narrative that was shown as a colossal six channel video installation at dOCUMENTA (13), but is here adapted to single channel...
The lengthy titles in Chen Xiaoyun’s work often appear as colophons to his photographs that invite the viewer to a process of self realization through contemplating the distance between word and image...
In the fictional narrative Plantation Boy (2012), Irhoa places himself inside imagery from Francis Ford Coppola’s seminal The Godfather (1972)...
No Lye by Danielle Dean documents a group of five women, including Dean herself, confined to a small, cramped bathroom, communicating only by using slogans culled from beauty advertisements (“beauty is skin deep”, “naturalise, it’s in our nature to be strong and balanced”) and quotes from political speeches (“we must protect our borders”, “we are fighting for our way of life and our ability to fight for freedom”)...
Making Fantasies animates scenes based upon photographs by Nan Goldin, Larry Sultan, Richard Billingham, Yasuyoshi Chiba and famous photojournalism images such as Jeff Widener’s photograph of Tiananmen Square and Kevin Carter’s photograph of a Sudanese child being stalked by a vulture...
Winter is a film installation of multiple tenses—shot in the recent past, depicting an unknown future, unfolding (and changing) in the present of the exhibition...
The central point of Vanishing Point is the most direct physiological reaction of the body to the environment...
Francisco Herrero Peñuela uses old forms to make his elaborate, richly textured surfaces...
As a visual activist for the rights of Lesbian, gay, bisexual, transgender, queer and intersex (LBGTQI), Muholi’s photographs radically transgress the conventional perception of lesbian and transgender communities in South Africa...
As a visual activist for the rights of Lesbian, gay, bisexual, transgender, queer and intersex (LBGTQI), Muholi’s photographs radically transgress the conventional perception of lesbian and transgender communities in South Africa...
As a visual activist for the rights of Lesbian, gay, bisexual, transgender, queer and intersex (LBGTQI), Muholi’s photographs radically transgress the conventional perception of lesbian and transgender communities in South Africa...
Jonn Herschend’s short film Discussion Questions subverts the familiar motifs of contemporary media-based pedagogy through a playful intervention that invites more engaged and active viewership...
In the film Hustle in Hand (2014) we observe secret negotiations carried out between two characters with only their torsos visible in the frame— negotiations that consider fetishizations, meaning and symbolic value of the body and flesh...
Created during Zhao Renhui’s residency at Kadist SF in 2014, the photographic grid features a selection of some 6,000 members from single family of flies –hoverfly– identified over the last 25 years by Sacramento-based Dr...
After two years of research in close conversation with anthropologists and archaeologists, Linares eventually enrolled in classes to study archeology—specifically the history of material artifacts...
Jaali – Horizontal references religious practices in Hungary that were considered as a civil disobedience throughout the 1950s...
Drawing & Print
Within the narrative of Sahej Rahal’s The rocks we will find, beings perform absurd acts in derelict corners of the city, emerging into the everyday as if from the cracks of our civilization, transforming them into liminal sites of ritual, and challenging ways in which we experience time and space...
Bady Dalloul’s Scrapbook is a 48 minute video beginning from his birth, tracing major global events of the 20 th century, including the beginning and current Occupation and colonization of Palestine, the atomic bombings of Hiroshima and Nagasaki, assassination of family members and the Syrian diaspora...
Michelle Handelman’s video work Irma Vep, The Last Breath takes its inspiration from Musidora, a famous French silent film actress, and a character she played called Irma Vep, from the film Les Vampires (1915), directed by Louis Feuillade...
Naufus Ramírez-Figueroa’s performance Illusion of Matter establishes a dream state through a composition of motifs that were drawn from the artist’s childhood memories...
Some Dead Don’t Make a Sound (Hay muertos que no hacen ruido) is a single-channel video by Claudia Joskowicz that features the Mexican legend of the Weeping Woman (La Llorona) as its main protagonist...
Drawing & Print
The series of drawings Cancha Abierta (Yellow Series) derive from a project in which Jesús ‘Bubu’ Negrón worked with the community of El Rosario, located in the region of Beni, Bolivia, approximately 500 meters away from the Mamoré River...
Kelley’s 2015 portrait of the poet Charles Baudelaire is one of a series of poets, rappers, and other thinkers who have influenced the artist’s ideas about beauty, creativity, and expression...
(Untitled) Nimoa and Me: Kiriwina Notations by Newell Harry brings together a litany of contemporary politics—mobilization around enduring racism, the legacies of Indigenous and independence struggle, and the prospects of global solidarity against neocolonialism and social injustice...
Aqua by Fernando Palma Rodríguez is an installation formed by four gourds and one movement detector that activates them...
Masterpiece in the Water by Lu Pingyuan tells the story of an impatient collector who is killed by an artist...
Drawing & Print
This untitled print by Wade Guyton depicts an iteration of elements that are characteristic of the artist’s work...
By testing the limits of identification with the camera’s point of view, Delphi Falls cycles through multiple subjectivities...
Drawing & Print
The series Castigos del caucho by Santiago Yahuarcani originates in the oral memory transmitted by the artist’s grandfather, who was a survivor of the Putumayo genocide where thousands of Indigenous people were annihilated and enslaved to extract rubber from the Amazon forest between 1879 and 1912...
In True Red Ruin (Elmina Castle) , Danielle Dean uses archival documents to re-imagine colonial history from the 1400s, while also referencing her own personal history...
On January 7th, 2020, artist D’Angelo Lovell Williams was diagnosed with HIV...
This series of photographs is inspired by the artist’s travels to Jos, Nigeria...
This series of photographs is inspired by the artist’s travels to Jos, Nigeria...
This series of photographs is inspired by the artist’s travels to Jos, Nigeria...
This series of photographs is inspired by the artist’s travels to Jos, Nigeria...
Set to the iconic and spiritual music of Alice Coltrane’s Turiyasangitananda (1937–2007), Cauleen Smith’s film Sojourner travels across the US to visit a series of sites important to an alternative and creative narrative of black history...
Monteverdi Ici by Laure Prouvost is a non-narrative video work that depicts the back of the artist’s naked body standing, with her back towards the camera in a field...
Something Other Than What You Are by Camel Collective is formed by two works: a multi-channel video installation with controlled lighting, and a single-channel version with stereo sound...
Advanced Technology
The virtual reality work Aquaphobia by Jakob Kudsk Steensen examines it’s title subject matter – the fear of water...
In Guardian 2 Naufus Ramírez Figueroa explores the historical memory and political reality of the ruins of Kawinal, an archeological site of postclassic Mayan culture that was flooded in order to construct the hydroelectric dam of Chixoy in 1975 in a supposed effort to bring electricity to the country...
Drawing & Print
Art of War 1, City in Broad Daylight, Leaving the House, Justice is a Virtue, and Lions are Stronger than Men are linocut prints from the series Sultana’s Dream ...
Drawing & Print
Study of History IV by Subas Tamang is an etching and aquatint print based on photographs taken by German photographer Volkmar Wentzel in 1949...
Drawing & Print
Study of History III by Subas Tamang is an etching and aquatint print based on photographs taken by German photographer Volkmar Wentzel in 1949...
Drawing & Print
Study of History V by Subas Tamang is an etching and aquatint print based on photographs taken by German photographer Volkmar Wentzel in 1949...
El mar y sus múltiples afluentes (The Sea and its Multiple Tributaries) builds on the concept of trafficking that Adriana Bustos has been exploring over the last decade...
Chinese restaurants have been a familiar feature of Swedish cities since the late 1970s, embodying the foreign and the exotic...
Gated Commune , a video by Camel Collective, is a critique of the complex, and often obtuse, language used to describe sustainable development projects...
Butter Mountain is part of an ongoing series of works that combines a sense of painterly mass and substance with sculptural language to examine the synergy between a topographical landscape and a landscape of the human condition...
Dave is part of Mohamed Bourouissa’s project Horse Day , which stemmed from a residency the artist conducted in Philadelphia in 2014...
The work Timur Merah Project 2, the harbour of restless spirit is stretched out on a full cow’s hide, replicates the Kamasan Balinese painterly language that Citra Sasmita has developed in her recent works...
Historical representations of the female form and the clichés and misunderstandings that surround them have been the subject of recent research and historical revision...
Sahana Ramakrishnan’s work blends cultural influences, spanning a range of visual mythologies, she weaves together a tapestry of pop cultural references that are upended by the artist’s exploration of identity, sexuality and gender perspectives...
A “mata ni pachedi” is a piece of painted textile that depicts narrative images of goddesses...
Rosalind Nashashibi’s paintings incorporate motifs drawn from her day-to-day environment, often reworked with multiple variations...
Interested in role-play and videogames, Ana María Millán developed workshops with different communities in order to create characters and scenarios for her animations, often in collaboration with a choreographer...
Columbus of Horticulture stems from Vvzela Kook’s ongoing research into the central and often-ignored role that botany played in the history of European imperialism...
As he investigates the forms that slavery took through different events that occurred during the sixteenth century in the Huasteca region of Mexico, Noé Martínez tells, in a non-linear narrative, the history of human trafficking in Relación de tráfico de personas 1525-1533 I (Study of Trafficking of Persons 1525–1533 I) ...
Natura Negra , which translates to “Black Nature”, is a black-and-white photographic series by Chanell Stone that explores the connection between the Black body and nature within man-made environments...
Secrets Between Her and Her Shadow 10 by Maryam Hoseini is from a series of paintings of the same title that are inspired by the story Layla and Majnun – an Arabic love story about Majnun, a 7th century Bedouin poet, and his lover, Layla...
Drawing & Print
Nos visages ( Our Faces ) continues Nidhal Chamekh’s research around visual souvenirs of figures of the past and the light they might shed on our contemporary era...
The absurd condition of human survival under environmental degradation and geonational balkanization is taken as a starting point for WA’AD by YOUNG-HAE CHANG HEAVY INDUSTRIES...
On the first day of the Covid-19 lockdown in New York, Andrew Norman Wilson was evicted from his sublet and decided to board a $30 flight to Los Angeles that evening...
In the agricultural areas of Mexico, Indigenous people use the mylar magnetic tape unspooled from VHS cassettes as an alternative to the scarecrow—the reflective tape flutters in the wind and does an excellent job scaring birds away from crops...
Drawing & Print
Study of History VI by Subas Tamang is an etching and aquatint print based on photographs taken by German photographer Volkmar Wentzel in 1949...
In Dark Beyond Deep by Zhu Changquan the film presents the process of how consciousness gradually develops and extends from the real world to virtual space through a raven named Cyma...
Cardón Cardinal by Patricia Esquivias is part of a series of video works in which the artist develops a narrative in front of her computer screen...
Forgotten Statues , 2020 continues the artist’s reflections on power and the fragility of works of art...
Drawing & Print
Masiniya Matawali by Subas Tamang is an etching and aquatint print based on photographs taken by German photographer Volkmar Wentzel in 1949...
Jonas Van and Juno B’s video work Kebranto is anchored by the figure of Boitatá, a snake that is part of the imaginary Guaraní communities that live between the current nation-states of Argentina, Brazil, Paraguay, and Uruguay...
Leyla Stevens’s two-channel video Patiwangi, the death of fragrance is an immersive video installation that addresses erased histories...
Heat Waves by Kent Chan examines the contexts, politics, and proliferation of the different aesthetics of heat by drawing from the aesthetics of regions defined by hot and humid climates and associated with histories of coloniality such as ‘the global south’ and the ‘developing world’...
Our Grandmothers’ Gardens by Olga Grotova is based on the history of Soviet allotment gardens, which were small plots of land distributed amongst the families of factory workers to compensate for poor food supply in a country that was over-producing weapons...
Our Grandmothers’ Gardens by Olga Grotova is based on the history of Soviet allotment gardens, which were small plots of land distributed amongst the families of factory workers to compensate for poor food supply in a country that was over-producing weapons...
Our Grandmothers’ Gardens by Olga Grotova is based on the history of Soviet allotment gardens, which were small plots of land distributed amongst the families of factory workers to compensate for poor food supply in a country that was over-producing weapons...
For Sentimentite Agnieszka Kurant collaborated with Justin Lane, CEO and Co-Founder of CulturePulse, to gather global sentiment data that has been harvested from millions of Twitter and Reddit posts related to 100 seismic events in recent history...
One Thousand and One Attempts to Be an Ocean by Yuyan Wang reflects on the experience of not being able to see the world with depth perception...
For Sentimentite Agnieszka Kurant collaborated with Justin Lane, CEO and Co-Founder of CulturePulse, to gather global sentiment data that has been harvested from millions of Twitter and Reddit posts related to 100 seismic events in recent history...
In this untitled acrylic painting, Tessa Mars explores the long-lasting effects of colonialism on the Afro-Caribbean diaspora, particularly in terms of female vulnerability and resilience...
For Sentimentite Agnieszka Kurant collaborated with Justin Lane, CEO and Co-Founder of CulturePulse, to gather global sentiment data that has been harvested from millions of Twitter and Reddit posts related to 100 seismic events in recent history...
Ecotone by Enar de Dios Rodríguez is a video work presented in six chapters, each beginning and ending with a one-sided telephone dialog with an informal, friendly and conversational tone, that leads quickly into complex philosophical subjects...
Um Al Dhabaab (Mother of Fog) by Farah Al Qasimi addresses the myth of Al Qasimi tribe-instigated piracy in the Gulf, perpetuated by the British Empire and upheld by contemporary western academia...
They/Them by Juan Obando is a video essay and deepfake that uses Adobe Stock clips, maintaining their branded watermark, but animating the scenes underneath with a narrative of self-critical awareness...