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Mansudae Master Class
© » KADIST

Che Onejoon

Photography (Photography)

For the last few years, Che Onejoon has been focusing on the relationships between African countries and North Korea. He has attempted to interpret the ongoing Cold War in the Korean peninsula from a new geopolitical perspective. His resulting body of work focuses on the memorial monuments, statues and architectures that were built in 13 different African countries by North Korean government.

Cebo & Dollar
© » KADIST

José Castrellón

Photography (Photography)

Palo Enceba’o is a project by José Castrellón composed of three photographs, two drawings on metal, and a video work that creates a visual and cultural analogy between the events of January 9th, 1964 in Panama City and the game of palo encebado carried out in certain parts of Panama to celebrate the (US-backed) independence from Colombia. In the game, young men climb a wood post smeared with animal wax to collect a Panamanian flag in return for a bounty. During what is now remembered as Martyrs’ Day, Panamanian students trespassed the fence that separated the American-governed strip of land along the Panama Canal and Panama City to fly a flag and symbolically claim sovereignty over the area that had been turned over to the United States by the Hay–Bunau-Varilla Treaty in 1903.

Life ’64
© » KADIST

José Castrellón

Photography (Photography)

Palo Enceba’o is a project by José Castrellón composed of three photographs, two drawings on metal, and a video work that creates a visual and cultural analogy between the events of January 9th, 1964 in Panama City and the game of palo encebado carried out in certain parts of Panama to celebrate the (US-backed) independence from Colombia. In the game, young men climb a wood post smeared with animal wax to collect a Panamanian flag in return for a bounty. During what is now remembered as Martyrs’ Day, Panamanian students trespassed the fence that separated the American-governed strip of land along the Panama Canal and Panama City to fly a flag and symbolically claim sovereignty over the area that had been turned over to the United States by the Hay–Bunau-Varilla Treaty in 1903.

Working women, builders of communism, are sorting corn…
© » KADIST

Victor & Sergiy Kochetov

Photography (Photography)

Having a press card allowed Viktor Kochetov to photograph freely in public places, access to which was strictly regulated for amateurs. Seeking a way to transgress the reportage canon, the Kochetovs employed a method of taking images of large gatherings that emphasize the structure and “patterns” of the imaginary collective body. His 1978 photo of women sorting corn, titled Working women, builders of communism, are sorting corn… , is organized on this principle: the scarfs on the workers’ heads are perceived as an element of uniform, which creates a visual rhythm.

NEPALI POWER
© » KADIST

Köken Ergun and Tashi Lama

Painting (Painting)

Nepal and China signed an agreement for the Belt and Road Initiative (BRI) in 2017. The BRI is a strategy that was set forth by China in 2013 to expand its influence by building a network of economic corridors around the globe. BRI projects in Nepal include the Kathmandu-Kerung Railway, the Galchhi-Rasuwagadhi-Kerung 400 kilovolt transmission line, the 762 megawatt Tamor hydroelectric dam, and the 426 megawatt Phukot Karnali run-of-the-river hydropower project.

Monuments of the Disclosed
© » KADIST

Ahmet Ögüt

NFT (NFT)

Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers. As part of the drop of Augmented Reality sculptures, Ögüt invites the public to participate in populating public space with AR monuments, honoring those who have stood up to corrupt power. Each monument is dedicated to a different individual who stood up to protest systems far larger than themselves.

Meeting with the awaited guest / Yellow Bows
© » KADIST

Victor & Sergiy Kochetov

Photography (Photography)

According to Viktor Kochetov, Meeting with the awaited guest / Yellow Bows is the first hand-colored print he ever made. Although this might well be a part of the artist’s mythology, this image perfectly demonstrates the methodology the Kochetovs used in their work. The snapshot itself was created during a journalistic assignment to document the meeting between a WWII veteran and school children in the Kharkiv region.

Mona Hanna-Attisha (Silver, Plinth 3), Monuments of the Disclosed
© » KADIST

Ahmet Ögüt

NFT (NFT)

Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers. As part of the drop of Augmented Reality sculptures, Ögüt invites the public to participate in populating public space with AR monuments, honoring those who have stood up to corrupt power. Each monument is dedicated to a different individual who stood up to protest systems far larger than themselves.

Trayvon #1
© » KADIST

Mona Marzouk

Painting (Painting)

Trayvon is a series of acrylic paintings by Mona Marzouk that engages the courtroom as its points of departure. The courtroom as a space for the implementation of justice and of legal argumentation, but also through which different affective forces, some hegemonic and others marginalized, battle each other out in their respective quests for acknowledgment, accountability, and retribution. The work was produced at a time during which several popular revolts, such as in Egypt, seemed to have effectively been hijacked by reactionary forces, resulting in the violent dismissal of collective demands for emancipation, including through sham trials and wrongful convictions criminalizing activists, journalists, and protesters.

Page 2123, The New World Physical Map
© » KADIST

Hong Hao

Drawing & Print (Drawing & Print)

Selected Scripture is a series of silkscreen prints that Hong Hao has been working on since the 1980s. The series includes 37 prints to date, each of which resemble pages of an ancient open cartography book. In this series, the artist reflects on the authoritative influence of ancient books that shape dominant understandings of the world.

The New Man and My Father
© » KADIST

Adrian Melis Sosa

Film & Video (Film & Video)

Shot a few months before the USA and Cuba restored diplomatic relations in 2015, The New Man and My Father looks into the quiet aftermath of one family’s individual experience of the Cuban Revolution (1953-1959). The film brings to the fore a socio-political system made for a country whose successes and failures fell upon the individual men and women who experienced it. In the film, Melis interviews his father about the Cuban Revolution, as well as the more recent re-introduction of capitalism to the island after 60 years of the US-imposed embargo.

Aaron Swartz (Bronze, Plinth 6), Monuments of the Disclosed
© » KADIST

Ahmet Ögüt

NFT (NFT)

Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers. As part of the drop of Augmented Reality sculptures, Ögüt invites the public to participate in populating public space with AR monuments, honoring those who have stood up to corrupt power. Each monument is dedicated to a different individual who stood up to protest systems far larger than themselves.

Elevación [Elevation]
© » KADIST

Ana María Millán

Film & Video (Film & Video)

Interested in role-play and videogames, Ana María Millán developed workshops with different communities in order to create characters and scenarios for her animations, often in collaboration with a choreographer. Elevación evokes various narratives inspired by the comicstrip Marquetalia, Raíces de la Resistencia (Marquetalia, Roots of the Resistance) (2011). This comic strip is a memoir of the FARC (Revolutionary Armed Forces of Colombia) guerillas written by Jesús Santrich, one of its leaders who, after the 2016 Peace Agreement, rejoined dissident members of the organization in a clandestine guerrilla splinter group in 2019.

NEPALI POWER: The Way To Become Electricity Exporter?
© » KADIST

Köken Ergun and Satyam Mishra

Film & Video (Film & Video)

Nepal and China signed an agreement for the Belt and Road Initiative (BRI) in 2017. The BRI is a strategy that was set forth by China in 2013 to expand its influence by building a network of economic corridors around the globe. BRI projects in Nepal include the Kathmandu-Kerung Railway, the Galchhi-Rasuwagadhi-Kerung 400 kilovolt transmission line, the 762 megawatt Tamor hydroelectric dam, and the 426 megawatt Phukot Karnali run-of-the-river hydropower project.

Page 95, The Latest Practical World Map
© » KADIST

Hong Hao

Drawing & Print (Drawing & Print)

Selected Scripture is a series of silkscreen prints that Hong Hao has been working on since the 1980s. The series includes 37 prints to date, each of which resemble the pages of an ancient cartography book. In this series, the artist reflects on the authoritative influence of ancient books that shape dominant understandings of the world.

Meanwhile
© » KADIST

Karan Shrestha

Film & Video (Film & Video)

After the decade-long conflict (1996-2006) that ended with Nepal becoming a Federal Democratic Republic, political unrest and weak governance continued to mark the country’s future as daily life repeatedly witnessed ruptures. From accessing essentials to employment, education, compensation, legal justice, health facilities, and human rights, the people of Nepal have been forced to wait. Meanwhile by Karan Shrestha records moments of impasse as the post-conflict period dragged on.

Dispersal, Occupy HK 2014 series
© » KADIST

Xyza Cruz Bacani

Photography (Photography)

Occupy HK 2014 is a series of 18 photographs that Xyza Cruz Bacani’s shot at the height of the Umbrella Movement in Hong Kong. At the time, the Umbrella Movement was considered the largest social unrest defending the democratic aspirations of Hong Kongers, who flooded the streets to demand universal suffrage. The protestors even managed to block Hong Kong’s main highway for months, freezing Asia’s financial centre.

Tsumeb Fragments
© » KADIST

Otobong Nkanga

Installation (Installation)

Tsumeb Fragments was produced for the exhibition at Kadist, “Comot Your Eyes Make I Borrow You Mine” in 2015. In Spring 2015, Nkanga travelled to Namibia, making her way along an almost entirely defunct railway line from Swakopmund to Tsumeb. The artist was intent on reaching The Green Hill in Tsumeb, an area renowned for its minerals, crystals and copper deposits.

They burn our village
© » KADIST

Aung Ko

Painting (Painting)

They burn our village by Aung Ko is part of the artist’s daily visual diary as an attempt to process and note what has been happening in Myanmar while he is being exiled, following the military takeover of the government in February 2021. Almost two years ago, Myanmar’s military ousted the democratically elected government of Aung San Suu Kyi and seized power in a coup. Since then, the country has descended into turmoil.

WA'AD
© » KADIST

YOUNG-HAE CHANG HEAVY INDUSTRIES

Film & Video (Film & Video)

The absurd condition of human survival under environmental degradation and geonational balkanization is taken as a starting point for WA’AD by YOUNG-HAE CHANG HEAVY INDUSTRIES. The work’s premise is a confessional narrative emerging from a Palestinian astronaut on a desperate international flight mission to colonize Mars. That there is also an Israeli astronaut on the same mission plays into the complexities of the landed history of ethnic antagonism between Israel and Palestine, which has stretched on for centuries.

Festival of Gratitude: Muammar Gaddafi
© » KADIST

Walid Raad

NFT (NFT)

For his first NFT release artist Walid Raad made a series of animated birthday cakes, titled Festival of Gratitude , for some of the world’s most toxic and larger-than-life leaders. The series of looping three-dimensional animated videos are only seconds long—a timespan familiar to gif and online meme culture—and feature global dictators, strongmen and strongwomen, kings and queens, princes and princesses, emirs, sheikhs and sheikhas, sultans, shahs, emperors and empresses, popes, ayatollahs, presidents, prime ministers, CEOs, and GOATs. The subject of cakes has a specific personal meaning for Raad, whose first job as an adolescent was photographing pastries at a bakery in Beirut.

Student Bodies
© » KADIST

Ho Rui An

Film & Video (Film & Video)

Embracing the conflicting negative and positive affect of the horror genre, Ho Rui An’s film Student Bodies is a self-described work of “pedagogical horror,” that organizes social, political, and economic events in Asia around the motif of the student body. Bound together by a suspenseful, eerie soundtrack, the film temporally cycles through its separate, though thematically interrelated, phenomena and events centering Asian students. Using the student body motif as a human signifier of varied connotations, the film follows phenomenon ranging from the Ch?sh?

Mesoamericana (new grand civilizations), Economic activities
© » KADIST

Edgardo Aragón

Drawing & Print (Drawing & Print)

Mesoamericana (Economic activities) is part of a larger project titled Mesoamerica: The Hurricane Effect, which includes a video as well as series of hand drawn maps -based on historical cartography- that examine the effects of foreign power in Mexico today. Mesoamerica was home to a rich civilization that emerged around 10,000 years BC and out of which grew the rich Maya, Aztec and Zapotec cultures, among many others. These cultures were destroyed by the Spanish, who arrived in the 15th and 16th centuries.

22022021, Yawnghwe Office in Exile
© » KADIST

Sawangwongse Yawnghwe

Sculpture (Sculpture)

22022021, Yawnghwe Office in Exile by Sawangwongse Yawnghwe belongs to a body of work made in response to the Myanmar military coup that began in February 2021. The work employs traditional Burmese textiles, which have been employed by protesters harnessing the power of old Myanmar lore. It is said that women’s bodies and the garments that cover them sap men of their power.

Mud Man
© » KADIST

Chikako Yamashiro

Film & Video (Film & Video)

The film installation Mud Man by Chikako Yamashiro is set on Okinawa and South Korea’s Jeju Islands, two locations at the center of local controversies surrounding the presence of the United States military. Japanese and Korean languages are mixed (a combination of unclear Japanese — Uchinaaguchi , fragments and mumbles in Korean and onomatopoeic sound effects to complement the narration), and the landscape of the two islands (Okinawa and Jeju Island) juxtaposed. The film tells the story of a community visited by bird droppings that resemble clumps of mud falling from the sky.

I can’t believe we are still protesting
© » KADIST

Wong Wai Yin

Photography (Photography)

Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages. The artist used found images from the internet, including a viral photo of an elderly woman who took part in the 2016 “Black Monday” strike against a proposed anti-abortion law in Poland, and another image taken the same year of a group of protestors in the United Kingdom, rallying for the Black Lives Matter movement. Drawing parallels with Hank Willis Thomas’s I Am a Man (2013) painting in the KADIST Collection, Wong employs the visual language and terminology of mass media, specifically borrowing images from protests on civil rights issues.

Sentimentite (Invasion of Ukraine 38/100, from Chapter 4: Reshaping World Order)
© » KADIST

Agnieszka Kurant

NFT (NFT)

For Sentimentite Agnieszka Kurant collaborated with Justin Lane, CEO and Co-Founder of CulturePulse, to gather global sentiment data that has been harvested from millions of Twitter and Reddit posts related to 100 seismic events in recent history. Kurant’s fictional mineral-currency is at once data visualization, a sly commentary on global markets, and a speculative narrative about the connection between technology and geology (for example ‘conflict minerals’ used in smartphones). Inspired by the way natural forces shape rocks, landscape, and planets over time, Sentimentite ’s evolving forms are shaped by dynamic social and political ruptures in the 21st century.

I can’t believe we are still protesting
© » KADIST

Wong Wai Yin

Photography (Photography)

Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages. The artist used found images from the internet, including a viral photo of an elderly woman who took part in the 2016 “Black Monday” strike against a proposed anti-abortion law in Poland, and another image taken the same year of a group of protestors in the United Kingdom, rallying for the Black Lives Matter movement. Drawing parallels with Hank Willis Thomas’s I Am a Man (2013) painting in the KADIST Collection, Wong employs the visual language and terminology of mass media, specifically borrowing images from protests on civil rights issues.

In Search of Vanished Blood
© » KADIST

Nalini Malani

Film & Video (Film & Video)

Malani draws upon her personal experience of the violent legacy of colonialism and de-colonization in India in this personal narrative that was shown as a colossal six channel video installation at dOCUMENTA (13), but is here adapted to single channel. The video is largely silent until violent crashes and female voices overwhelm the viewer, portraying the inner voice of a woman who is brutally gang raped. Malani addresses the fatal place of women in Indian society and the geo-politics of national identity.

Sawangwongse Yawnghwe

Sawangwongse Yawnghwe comes from the Yawnghwe royal family of Shan...

Xyza Cruz Bacani

Xyza Cruz Bacani is a Filipina author and photographer who uses documentary-style photography to call attention to less visible, erased, and under-reported global events...

Wong Wai Yin

Wong Wai Yin is an interdisciplinary artist who experiments with a variety of media ranging from painting, sculpture, collage, performance, video, installations and photography...

Victor & Sergiy Kochetov

Viktor Kochetov became engaged in photography in 1968 and was also a professional photographer in film and photo laboratories...

Bady Dalloul

Bady Dalloul cunningly employs collage across various media: texts, drawings, video, and objects to produce powerful works commenting on the past and the present...

Hong Hao

Spanning photography, painting, installation, as well as behavior and performance art, Hong Hao’s artistic exploration is informed by the many cultural, political, and economic shifts in his lifetime...

Nikita Kadan

Trained in large-scale painting, Nikita Kadan’s artistic practice encompasses installation, graphics, painting, wall drawing, and urban postering, sometimes in collaboration with architects, human rights activists, and sociologists...

Agnieszka Kurant

Mona Marzouk

Mona Marzouk is an artist whose practice is deeply rooted in a keen sense for architecture...

Marwan Rechmaoui

Che Onejoon

Che Onejoon started working with photography in mandatory military service as an evidence photographer for the South Korean Combat Police recording different incidents for proof...

Sharif Waked

Sharif Waked is a Palestinian artist who’s work enages with with Islamic culture and history, and its interaction with the Israeli occupation and hegemonic Jewish culture in Palestine...

Gilad Ratman

Gilad Ratman’s videos and installations address the apparently untenable aspects of human behavior by exploring the need for community and by showing forms of resistance and the borders of self...

Nalini Malani

Runo Lagomarsino

Charwei Tsai

Aslan Goisum

Chechen artist Aslan Goisum’s work engages with memories–collective and personal, political and cultural–to unearth clues about colonial realities, how they have been endured, and how they might be undone...

Ghita Skali

Ghita Skali is a visual artist that uses odd news, rumors and propaganda to disrupt institutional power structures such as the western contemporary art world, state oppression and government politics...

Wendy Cabrera Rubio

Wendy Cabrera Rubio is part of a generation of artists that has been invested in revisiting the history of Mexican arts and crafts with a multidisciplinary and pedagogical approach...

Claudia Joskowicz

Claudia Joskowicz is a video and installation artist working at the intersection of landscape, history, and memory...

Lawrence Abu Hamdan

What are the political implication of our sounds and voices? How is it heard and used for or against us? These are questions posed by Lawrence Abu Hamdan (b...

Tony Cokes

Since the 1990s, Tony Cokes’s video works generate complex layers of meaning through the juxtaposition of basic elements such as language and sound...

Bo Wang

Through new media, installation, and video and film, Bo Wang’s practice embodies sociopolitical and cultural subjects in contemporary China and beyond...

Harm van den Dorpel

Harm van den Dorpel’s practice focuses on emergent systems and the role technology plays in their development and meaning...

Kwan Sheung Chi

Kwan Sheung Chi obtained a third honor B.A...

Majd Abdel Hamid

Palestinian artist Majd Abdel Hamid’s work is akin to an archeology of violence and trauma from which he unearths the materials that weave a web of new imagination...

Minouk Lim

Otobong Nkanga

Visual artist and performer, Otobong Nkanga’s (b...

Michael Rakowitz

Michael Rakowitz uses the novel charm of everyday things to excite new and oblique approaches to loaded geopolitical subject matter...

Julien Creuzet

The work of Julien Creuzet reveals painful stories – both personal and political – making it impossible separate one from the other...