Central Station, Alignment, and Sumo are “situation portraits” that present whimsical characters within distorted and troubling worlds. These portraits explore the relationship between the psyche and contemporary social environments, focusing on isolation, identity, and distress. The figure in Alignment slouches with his head in his hands in a gesture of failure or despair, speaking to the difficult task of balancing individual freedom and societal rules.
Central Station, Alignment, and Argument are “situation portraits” that present whimsical characters within distorted and troubling worlds. These portraits explore the relationship between the psyche and contemporary social environments, focusing on isolation, identity, and distress. The two characters in Argument interact in an ambiguous gesture of conflict or embrace as the world around them pulsates in agitated waves.
Central Station, Alignment, and Sumo are “situation portraits” that present whimsical characters within distorted and troubling worlds. These portraits explore the relationship between the psyche and contemporary social environments, focusing on isolation, identity, and distress. Central Station shows a character reaching to wipe a tear from her face as the blues of her wardrobe seem to blend in with the dismal blue of the background.
At first glance, This Day by Imran Qureshi appears to be an energetic, gestural painting reminiscent of Action Painting from the mid-20th century. But upon closer inspection, highly detailed floral elements reveal themselves amongst the bold red brushstrokes. The botanical motifs in Qureshi’s work represent life and regeneration while the red paint refers to death and mortality.
Working independently, Herndon experimented at the forefront of a now-canonical method—appropriation—by painting additions into found images from magazines such as Life and Sports Illustrated in a way that imbues the resulting works with mythical significance. Associated with the Beat movement, her work is integral to that part of the history of San Francisco. White Angel (1962), painted in the year of Marilyn Monroe’s death, portrays the actress in a process of devolution.
Hybridized drawing is a continued exploration in Moshekwa’s practice, integrating elements of graffiti, thread and yarn to enrich his abstract drawings of maps and space. Through the combination of ready-found materials with drawing, in the case of “Landed / Untitled XII (orange string)”, employing string, Moshekwa’s creates tension lines across the image, both physical and metaphysical to explore the traumatic events of South Africa and more specifically the passing of his grandmother. Referencing gestural painting of the 1940s and 50s, “Landed / Untitled XII (orange string)” is a disfigured and layered mapping of both the African and psychological landscape.
Drawing & Print (Drawing & Print)
Untitled is a work on paper by Martin Kippenberger comprised of several seemingly disparate elements: cut-out images of a group of dancers, a japanese ceramic vase, and a pair of legs, are all combined with gestural, hand-drawn traces and additional elements such as a candy wrapper from a hotel in Monte Carlo and a statistical form from a federal government office in Wiesbaden, Germany. Text cut out from a Newspaper spells out in German “Egg hunting in the Bavarian forest” and an additional piece of text reads in all capitals “BIN DABEI DU AUCH” (“I’m here too” in English). Together, all the messages and geographies from the separate elements suggest an alternative, highly stylized portrait of the artist; in this case, a fragmented, fluid, and itinerant sense of identity.
The title of the painting refers to the fact that the figure’s behind is raised upwards and the face is found at the bottom of the painting, thus inverting the way in which people are normally seen. Bottom’s up is also a pun, a nod to the English toast. Quarles draws on a number of sources of inspiration, including comic book imagery, the influence of which sits alongside elements of her practice informed by life drawing classes.
Vivian Suter paints her canvases and then allows them to come in contact with natural elements. For thirty years she has lived in isolation in the Guatemalan jungle, accumulating canvases, sometimes leaving them out for long periods of time. As a result, Suter does not title or date her paintings.
There was a tragedy in Sialkot, Punjab, in August 2010, when two adolescents were murdered by vigilantes who were apparently in connivance with the police. Struck by this blunder revealing police corruption, the started a series of paintings on paper, You who are my love and my life’s enemy too, in which he expressed his reaction to this murder. At first glance the work appears to be a splash of blood like the one in this killing, but, close up, the composition reveals itself as meticulous floral motifs typical of the art of miniature painting which the artist teaches.
Contrast to the bustling and unrelenting experience of a city such as Hong Kong, Chris Huen Sin Kan paints the tranquil interiors of his apartment, where he leads a modest and almost hermit-like life. He does not try to capture a particular moment, but rather the simultaneously changes that occur before him in time, exploring the nuances of light and reflections and recording movements in his apartment, his dog’s behavior and reactions, the way his plant change over time, all in an attempt to find a visual expression of his cognitive experience. Doodood and John are the names of his dog and the plant.
Ambiguous Gestures takes as its point of origin a film Gmelin discovered in his father’s archive. Filmed from a fixed point, it portrays his father in an intimate performance of body painting with a woman unknown to Felix Gmelin. The discovery of this footage was obviously disturbing.
This triptych is based on a Tesla whose interior the artist customized on the Tesla website. The width of the work when the panels are closed is the exact width of a Tesla, thus one designed to hold two bodies side by side. In Mexico City the car is used as a social space and, for young people, one not controlled by parents.
wombmate! by Mithu Sen is part of a project called AºVOID. In this fragmented mental map, the landscape is fleeting, embossed, and ethereal; there are moments of recognition and also a near-violent sudden emptying of memory.
home, a temporary place by Mithu Sen is part of a project called AºVOID. In this fragmented mental map, the landscape is fleeting, embossed, and ethereal; there are moments of recognition and also a near-violent sudden emptying of memory. Bodies are skeletal, nature is in entropy, context is removed.
Ken Okiishi’s work Being and/or Time consists of every image taken with Okiishi’s iPhone over the period of three years in his hometown of New York. Flickering in chronological order at 24 images per second with 25,000 images in total. A visual diary of the digital age it simultaneously stages the city itself as a time-image continuously remade by its own resident-users.
Like the film Le Mouton noir, this dimension is counterbalanced by a burlesque element. The piece of fabric on the rat’s paw or ‘graft’ becomes a patchwork made out of colorful geometric shapes recalling a Harlequin costume, thus referring directly to the burlesque tradition. This leitmotiv creates a contrast with the dull colors, the humility of the countryside, and makes the figurative scene look unreal to reveal its superficiality.
These photographs document the hand and facial gestures in Moe Satt’s performance F n’ F (Face & Fingers) . Whistling and wearing minimal clothing within a bare gallery space, Moe Satt performed a choreographed sequence of gestures based upon those he observed on the streets of Yangon, Myanmar. Each photograph is simple, showing only the artist’s face and hands with a title and caption that describes the meaning of the documented gesture.
Eric Dizambourg’s film presents a bucolic and ludicrous world used as a background for a character who is an actor as well as a performer. This character comes and goes throughout the countryside, the barn and an urban setting, a world of odds and ends where objects often seem to be used for other purposes than their original ones.
Tropical Siesta begins in a rural landscape of Vietnam. Very quickly, painted images of students sleeping on their school benches appear. A text speaking of how the communist regime has placed agriculture at the center of its economy reads alongside the images.
Hands Around in Yangon is both a secular and religious exploration of the meaning of hands in Myanmar. Moe Satt’s father is Muslim, while his mother is Buddhist. In the Buddhist context, hand gestures or mudras are often important in signifying the identity of deities.
In Action no. 1 Yang Guangnan reflects on the interiority and exteriority of human-technological experience with mechanical gestures that are semi-human and semi-machine. A hanged shirt mounted upon the artist’s machine rhythmically bounces and rotates in a way that suggests a skeletal interior.
Drawing & Print (Drawing & Print)
In his paper-based work, Medellin-New York , Rojas uses coca leaves and dollar bills to spell out the words of the two cities, tied together through the illicit exchange of materials used to make the word, gesturing towards the uncomfortable reality of the drug trafficking trade and the complicity of both America and Colombia within that economic system.
In One Must , an image of a pair of scissors, accompanied by the words of work’s title, poses an ominous question about the relationship between the image and the text. The otherwise banal scissors become suggestively violent in relation to the text, which was originally the title of a print in Francisco de Goya’s Disasters of War series. However, Baldessari is less interested in the logical relationships between text and image than he is with the conceptual leaps that the viewer makes with the limited information provided.
Leila Weefur’s two-channel video installation Between Beauty & Horror focuses on the sensorial and somatic experiences that give Blackness a distinct and inherently racialized materiality. The narrative structure of Between Beauty & Horror operates on dream logic; interspersed among the dream sequences of the video are moments that fluidly shift between violence, playfulness, tenderness, and of course, beauty and horror. Weefur’s work poses many questions about the Black experience, but it offers no easy answers.
Although seemingly unadorned at first glance, Yang Xinguang’s sculptural work Phenomena (2009) employs minimalist aesthetics as a means of gesturing towards the various commonalities and conflicts between civilization and the natural world. Comprised of rudimentary planks of wood hammered together into a rectangular form, Yang’s work uses reclaimed materials from everyday life and seems deliberately in conversation with Arte Povera, the art movement that originated in Italy during the late 1960s where practitioners produced art from found and common materials as an act of resistance against the decided commercialization of the art world through market economies. Yang, by extension, pays close attention to his materials in attempt to release the forms within them rather than impose his own.
On September 22, 1940 the French signed an accord, which granted Japanese troops the right to occupy Indochina. The Japanese presence in Indochina lasted until the end of World War II and during the occupation, jute supplies from India were interrupted. Jute was used to make sacks as well as gunpowder, a crucial material for the war industry.
Arms & Legs (Specif. Elbows & Knees), etc. : Arm (with Bottle) belongs to Baldessari’s most recent series of paintings in which the artist brings together photographic, painted, and three-dimensional elements, to juxtapose unlikely body fragments such as noses and ears, elbows and knees, or eyebrows and foreheads.
A series of works from 2016 document his neighborhood, replicating buildings and businesses he frequents within four blocks of his New York apartment. Made out of foam, paper, glue, and paint, these miniaturized buildings (a bank, a bar, a Laundromat, and the Rite Aid building where Buffon shops) impart a tenderness and a nostalgia that outsizes their diminutive scale. Like works by other artists who recreate objects or elements from their everyday life, Buffon’s storefronts are perfectly imperfect, the wobbled lines reiterating their handmade quality.
Drawing & Print (Drawing & Print)
The voids in Baldessari’s painted photographs are simultaneously positive and negative spaces, both additive and subtractive. In Person with Pillow: Desire, Lust, Fate , a woman’s facial expression is obscured by such void, leaving only her posture to suggest her emotional state. The two images stacked above the woman can be read as comic-style thought bubbles, intimating that she has lust, desire, and fate on her mind.
The collaborative work of Fabien Giraud and Raphael Siboni is part of a reflection on the history of cinema, science, and technology...
Pratchaya Phintong’s works often arise from the confrontation between different social, economic, or geographical systems...
Photographer and filmmaker Joanna Piotrowska explores issues such as the female condition, family dynamics, and post-Soviet Poland, through black and white images that depict the quotidian...
The photographic artwork of Santu Mofokeng (b...
Born in 1977 in the city of Governador Valadares, Minas Gerais, Paulo Nazareth now lives as a global nomad...
Firenze Lai is a Hong Kong painter known for her atmospheric portraits that explore the ways in which contemporary life causes people to adjust to their surrounding conditions in disturbing ways...
Moe Satt is a Burmese visual and performance artist who uses his own body as a symbolic field for exploring self, identity, embodiment, and political resistance...
Working primarily in painting and video, Eric Dizambourg merges the burlesque with the rustic, blurring the boundaries between reality and representation...
Mithu Sen’s writing is central to her practice, as a poet from West Bengal, a region of great Indian literary history, poetic and visual tropes giving ground to her challenge of semiotics...
Colectivo Tercerunquinto develops work related to the urban, the boundaries between public and private space...
Bani Abidi’s practice deals heavily with political and cultural relations between India and Pakistan; she has a personal interest in this, as she lives and works in both New Delhi and Karachi...
Kaoru Arima experiments with painting in order to discover new expressive forms...
Pakistani artist Imran Qureshi’s practice revives 16th century Mughal miniature painting...
Working with various mediums, from sculpture to installation, site-specific interventions, and readymades, Leonardo Engel addresses issues related to the climate, nature, traditional crafts, architecture, and popular culture of the Caribbean...
Laura Gannon works across a range of media: painting, drawing, sculpture and video...
Nandan Ghiya is an emerging whose practice explores the disjunction between various forms of image-based media...
Working in paint, performance, and small, diorama-like wall sculptures, Seattle transplant Nicholas Buffon responds to his context through intimate gestures, examinations, and recreations...
For Colombian artist Miguel Ángel Rojas, issues of economic and social inequality in his native country provide fodder to his artistic practice...
Christoph Keller’s works function between science and art and have a practical as well as an aesthetic application...
Christian Nyampeta’s works investigate how individuals and communities negotiate forms of socially-organized violence...
Prinz Gholam is a Berlin-based artist duo consisting of Wolfgang Prinz and Michel Gholam...
Expressionists | Tate Modern Discover the story of the friendships that made modern art Explore the groundbreaking work of a circle of friends and close collaborators known as The Blue Rider ...
Elizabeth Hazan: Playful visionary – Two Coats of Paint Elizabeth Hazan, Glade, 2022, oil on linen, 66 x 55 inches Contributed by Patrick Neal / Elizabeth Hazan’s exhilarating oil paintings, on view at Hesse Flatow gallery in Chelsea, marry old-school color field abstraction and loopy, gestural shorthand...
8 Must-See Solo Gallery Shows in February 2024 - Galerie Subscribe Art + Culture Interiors Style + Design Emerging Artists Discoveries Artist Guide More Creative Minds Life Imitates Art Real estate Events Video Galerie House of Art and Design Subscribe About Press Advertising Contact Us Follow Galerie Sign up to receive our newsletter Subscribe Installation view, Brian Rochefort...
Tesfaye Urgessa will represent Ethiopia at the 2024 Venice Biennale...
Eddie Martinez will represent San Marino at the 2024 Venice Biennale...
Hauser & Wirth Opens New Gallery Hong Kong Space with Zhang Enli Show Skip to main content By Reena Devi Plus Icon Reena Devi View All January 26, 2024 5:00pm Hauser & Wirth's new street-level gallery space in Hong Kong...
The Art We’re Obsessed with in January 2024 | Artsy Skip to Main Content Advertisement Art The Art We’re Obsessed with in January 2024 Artsy Editorial Jan 24, 2024 4:23PM “The Art We’re Obsessed With” is a new monthly series paying homage to the artworks Artsy staff members can’t stop thinking about, and why...
Joan Snyder’s brilliant command of chaos – Two Coats of Paint Joan Snyder, Burlap Bars, 2022, oil, acrylic, rosebuds, twigs, burlap on linen, 54 × 66 inches Contributed by Abshalom Jac Lahav / “ComeClose,” Joan Snyder’s current exhibition at Canada , testifies to her enduring brilliance and evolving artistic language...
10 Artists to Discover in Foundations Winter 2024 | Artsy Skip to Main Content Art 10 Artists to Discover in Foundations Winter 2024 Artsy Editorial Jan 23, 2024 2:00PM Foundations is Artsy’s seasonal online fair spotlighting fresh works from galleries known for spotting and nurturing rising talent...
Ruth Gonzales & Lorien Suárez-Kanerva: The Embrace of Nature advertise donate post your art opening recent articles cities contact about article index podcast main December 2023 "The Best Art In The World" "The Best Art In The World" December 2023 Ruth Gonzales & Lorien Suárez-Kanerva: The Embrace of Nature Eric Minh Swenson Art Films: Ruth Gonzales & Lorien Suárez Kanerva, The Embrace of Nature Exhibition Curator Narration by Peter Frank...
Elizabeth Gilfilen: De-defining the gesture – Two Coats of Paint Elizabeth Gilfilen, Territory 1, 2023, oil on canvas, 48 x 40 inches Contributed by Vittorio Colaizzi / “I vehemently reject the claim that mark making by itself harbors any potential.” This was Isabelle Graw in conversation in 2010 with Achim Hochdörfer ...
Brice Marden’s valedictory courage – Two Coats of Paint Brice Marden, Blue Painting, 2022-2023, oil on linen, 72 x 96 inches Contributed by David Rhodes / Brice Marden died at the age of 84 in August 2023...
Andrew Woolbright & Gitte Maria Möller: A dreaming hand, wounded by thorns at Rachel Uffner Gallery, NYC (Review) - ArteFuse Installation view of A dreaming hand, wounded by thorns ...
The Best Public Art of 2023 | Artsy Skip to Main Content Advertisement Art The Best Public Art of 2023, according to Curators Artsy Editorial Dec 11, 2023 5:20PM Phyllida Barlow, installation view of jape, 2022–23, in “Prank” presented by Public Art Fund in City Hall Park, New York City, 2023...
9 Must-See Artworks at Art Basel Miami Beach - Galerie Subscribe Art + Culture Interiors Style + Design Emerging Artists Discoveries Artist Guide More Creative Minds Life Imitates Art Real estate Events Video Galerie House of Art and Design Subscribe About Press Advertising Contact Us Follow Galerie Sign up to receive our newsletter Subscribe Art Basel Miami Beach...
Cityscapes, Landscapes, and Figure Paintings by Mitchell Johnson on View in Menlo Park Skip to content Mitchell Johnson, “Brooklyn Bridge (Martha)” (2023), oil on canvas, 24 x 36 inches Flea Street restaurant in Menlo Park, California, presents an exhibition of paintings by Bay Area artist Mitchell Johnson ...
Highlights from Art Basel Miami Beach 2023 | Observer The art world is a cold place; Miami is even colder...
The 10 Best Booths at Art Basel in Miami Beach 2023 | Artsy Skip to Main Content Advertisement Art Market The 10 Best Booths at Art Basel in Miami Beach 2023 Maxwell Rabb Dec 7, 2023 6:23PM Interior view of Art Basel in Miami Beach, 2023...
Why Folding Screens Are Popping Up in Contemporary Artists’ Work | Artsy Skip to Main Content Art Why Folding Screens Are Popping Up in Contemporary Artists’ Work Josie Thaddeus-Johns Dec 6, 2023 4:36PM Ghada Amer never intended to make folding screens for “ Paravent Girls ,” her show on view at New York’s Tina Kim Gallery through December 9th...
The 10 Best Booths at Untitled Art, Miami Beach 2023 | Artsy Skip to Main Content Advertisement Art Market The 10 Best Booths at Untitled Art, Miami Beach 2023 Maxwell Rabb Dec 6, 2023 6:28PM Exterior view of Untitled Art, Miami Beach, 2023...
10 Art Books to Add to Your Shelf This December Skip to content Kareem Khubchandani's Decolonize Drag , Sonya Clark's newest catalogue, and more books we're reading this December (photo Lakshmi Rivera Amin/ Hyperallergic ) If you’re shamefully counting the titles you didn’t get around to reading this year, know that you are not alone...
Artblog | Five Decades of Abstraction in a revelatory exhibit at Susquehanna Art Museum, Harrisburg Artblog Celebrating 20 Years! Support Us Today! Features Reviews News Community About Advertise Donate Contact Features Reviews News Community About Advertise Donate Contact Five Decades of Abstraction in a revelatory exhibit at Susquehanna Art Museum, Harrisburg By Dereck Stafford Mangus November 30, 2023 Artblog contributor Dereck Mangus, who is based in Baltimore, visits the Susquehanna Art Museum in Harrisburg and finds excellence in a wide-ranging exhibit of modern and contemporary abstract art....
Emilio Vedova: Venice’s Abstract Expressionist – Two Coats of Paint M9 Museum: Emilio Vedova, Rivoluzione Vedova, 2023, Installation View (photo courtesy of M9) Contributed by David Carrier / Emilio Vedova (1919–2006), who lived and worked in Venice, was once aptly dubbed the Jackson Pollock of the barricades...
Artblog | How to Tickle the Mind, David Kettner’s Selected Works at Spruance Gallery, Arcadia University Artblog Celebrating 20 Years! Support Us Today! Features Reviews News Community About Advertise Donate Contact Features Reviews News Community About Advertise Donate Contact How to Tickle the Mind, David Kettner’s Selected Works at Spruance Gallery, Arcadia University By Sharon Garbe November 28, 2023 Sharon Garbe sees works by David Kettner at Arcadia University that keep the eye and mind engaged with their psychologically puzzling imagery dealing with childhood, memory, and the hidden depths that can lie below a simple surface....
Katie Graham at Major Pop Gallery – ARTOMITY 藝源 Katie Graham A Deep Sense Nov 9 – 19, 2023 Major Pop Gallery G/F, 54 Sai Street Sheung Wan, Hong Kong +852 6639 9903 Tuesday – Sunday, 1pm – 7pm @bykatiegraham.com Katie Graham’s paintings made of silk, ink, linen and thread, have a deep sense of layered and tactile artistry...
Points de Vue 2023 / Bayonne, France / Part I | Brooklyn Street Art BROOKLYN STREET ART LOVES YOU MORE EVERY DAY From October 18 to 22, 2023, the Points de Vue Festival celebrated its seventh year in the realm of public art...
BOMB Magazine | Peter Gronquist Interviewed Necessary (Required) Cookies that the site cannot function properly without...
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At the Modern, Artist Jammie Holmes’ Solo Exhibition Stokes a Revolution In the Everyday - D Magazine Skip to content Menu Search One brand, four magazines...
Podcast 94: The Singapore Trilogy by The Second Breakfast Company | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints The Second Breakfast Company July 19, 2021 In the episode of the ArtsEquator theatre podcast, Nabilah Said, Matthew Lyon and Naeem Kapadia discuss The Singapore Trilogy by The Second Breakfast Company, which ran from March 11 to March 21 2021...
“People often asked if they could pose with the Kodak advertisement where a full scale woman is featured with a camera offering Kodak rolls...
Working independently, Herndon experimented at the forefront of a now-canonical method—appropriation—by painting additions into found images from magazines such as Life and Sports Illustrated in a way that imbues the resulting works with mythical significance...
“People often asked if they could pose with the Kodak advertisement where a full scale woman is featured with a camera offering Kodak rolls...
“People often asked if they could pose with the Kodak advertisement where a full scale woman is featured with a camera offering Kodak rolls...
Having a press card allowed Viktor Kochetov to photograph freely in public places, access to which was strictly regulated for amateurs...
In the work titled The Glossies (1980), an affinity for photography manifested itself before McCollum actually began to use photography as a medium...
In Habito/Habitante , the suspended material renders the wall a prison and the participant a prisoner...
Since the global capital expansion, billboards have been the medium of communication between the rulers and the residents of townships...
Drawing & Print
Untitled is a work on paper by Martin Kippenberger comprised of several seemingly disparate elements: cut-out images of a group of dancers, a japanese ceramic vase, and a pair of legs, are all combined with gestural, hand-drawn traces and additional elements such as a candy wrapper from a hotel in Monte Carlo and a statistical form from a federal government office in Wiesbaden, Germany...
Mofokeng’s experiences during the turbulent time of the 1980s in South Africa led to a turn in his practice, opting to turn to the crowd, focusing on individual faces and bodies within the masses to tell a story of the collective resistance that is present in the daily life and surroundings of South African townships...
Drawing & Print
The voids in Baldessari’s painted photographs are simultaneously positive and negative spaces, both additive and subtractive...
In One Must , an image of a pair of scissors, accompanied by the words of work’s title, poses an ominous question about the relationship between the image and the text...
Drawing & Print
BF15 is a preparatory study for the collective’s intervention at the BF15 gallery in Mexico, near Monterrey...
The Simpson Verdict is a three-minute animation by Kota Ezawa that portrays the reading of the verdict during the OJ Simpson trial, known as the “most publicized” criminal trial in history...
Solo (2003) is a video exhibited as a video/sound installation depicting shots of drum, voice, guitar, clavier/synthesizer, and a melodica player cut into segmented fragments from the perspective of a studio recording set...
A cat, standing like a human being, is looking at us with round and dazed eyes and holds a gun...
Hybridized drawing is a continued exploration in Moshekwa’s practice, integrating elements of graffiti, thread and yarn to enrich his abstract drawings of maps and space...
Ambiguous Gestures takes as its point of origin a film Gmelin discovered in his father’s archive...
Tino Sehgal’s This Exhibition requires an interpreter (in this particular piece, a gallery attendant) to faux faint each and every time a visitor enters into a given space...
Drawing & Print
Shooshie Sulaiman’s pictures of unidentified figures initially appear alien and even monstrous: rendered hairless in unusual and even sickly colors, they stand in stark contrast to the aesthetic ideals of conventional portraiture...
Mario Garcia Torres films a game of Charades among professional actors guessing the former North Korean dictator’s favorite Hollywood films...
En Guard Souvenir is composed of a group of eleven elements (ten paintings on paper and a sculpture) which deconstructs and recomposes the context of Tienanmen Square in Beijing...
Escultura publica en la periferia urbana de Monterrey is a public sculpture on the periphery of the city of Monterrey...
Coué 1 is an animated sculpture that hypnotically highlights the self-motivating leitmotiv of the ‘Coué Method’: “Every day, in every way, I’m getting better and better.”This is the mantra that is repeated by different male and female voices in the soundtrack – first in an incomprehensible painfully slow slur, becoming clear and speeding up into a drilling hilarious sounding high pitching spin, as if helium had been inhaled...
Ein Ding Mehr , or ‘one more thing,’ is part of a long-term collaborative performance series by artists Wolfgang Prinz and Michel Gholam, which consist of the pair embodying an array of material through holding various poses for extended periods of time...
In order to make If I dig a very deep hole (2007) the artist looked for the extreme geographical opposite of Paris when drawing a straight line throughout the globe...
Golia’s Untitled 3 is an installation in which a mechanical device is programmed to shoot clay pigeons that are thrown up in front of a white wall...
Message to the Extraterrestrials consists of a slide projector beaming images into the side of the telescope...
The threshold in contemporary Pakistan between the security of private life and the increasingly violent and unpredictable public sphere is represented in Abidi’s 2009 series Karachi ...
366 Liberation Rituals is a series that gathers a number of actions related to the artist’s micro-politics...
Pak created New York Public Library Projects (NYPLP) (2008) during a residency in New York, using public libraries as exhibition spaces and the books they house as raw materials...
The threshold in contemporary Pakistan between the security of private life and the increasingly violent and unpredictable public sphere is represented in Abidi’s 2009 series Karachi ...
Drawing & Print
The White Album (2008) presents a compilation of one hundred issues of Artforum magazine released between 1970 and 1979...
Although seemingly unadorned at first glance, Yang Xinguang’s sculptural work Phenomena (2009) employs minimalist aesthetics as a means of gesturing towards the various commonalities and conflicts between civilization and the natural world...
Phinthong made four photographs depicting fragments of meteorites of which the faces have been polished to reflect the sky...
Phinthong provided 5,000 Euros to exchange for Zimbabwean dollars, the most devalued and worthless currency in the world...
Like the film Le Mouton noir, this dimension is counterbalanced by a burlesque element...
Eric Dizambourg’s film presents a bucolic and ludicrous world used as a background for a character who is an actor as well as a performer...
Tanaka’s unique understanding of objects and materials is reflected in the four photographs that document his Process of Blowing Flour ...
There was a tragedy in Sialkot, Punjab, in August 2010, when two adolescents were murdered by vigilantes who were apparently in connivance with the police...
Drawing & Print
In his paper-based work, Medellin-New York , Rojas uses coca leaves and dollar bills to spell out the words of the two cities, tied together through the illicit exchange of materials used to make the word, gesturing towards the uncomfortable reality of the drug trafficking trade and the complicity of both America and Colombia within that economic system....
Drawing & Print
These photographs are installation shots of the exhibition De A à B, de B à P at Bielefelder Kunstverein (13 November 2010-30 January 2011)...
Lydia Gifford composes her work between pictorial expression and its inscription within an exhibition space...
In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form...
As with so many other colonized geographies, the ways in which violence has become a natural and expected component of Santo Domingo reflects the forced friendship between the beneficiaries and residues of Modernism...
Untitled (Women) (2011) presents a startlingly succinct history of violently romanticized femininity...
Shaun O’Dell’s paintings, installations, videos, sculptures, and music explore the overlapping realities of human and natural structures...
Ciprian Muresan asked a group of protagonists to wear a monk’s robe and copy a certain number of artworks and texts from exhibition catalogues...
With Roca Carbón (Charcoal Rock, 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks...
With Roca Carbon ( Charcoal Rock , 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks...
The Chair (2012) foregrounds media-based tensions between analog and digital imaging technologies as a means of challenging the continued circulation of visual ephemera from India’s colonial past...
The lengthy titles in Chen Xiaoyun’s work often appear as colophons to his photographs that invite the viewer to a process of self realization through contemplating the distance between word and image...
Central Station, Alignment, and Sumo are “situation portraits” that present whimsical characters within distorted and troubling worlds...
Central Station, Alignment, and Argument are “situation portraits” that present whimsical characters within distorted and troubling worlds...
Central Station, Alignment, and Sumo are “situation portraits” that present whimsical characters within distorted and troubling worlds...
Contrast to the bustling and unrelenting experience of a city such as Hong Kong, Chris Huen Sin Kan paints the tranquil interiors of his apartment, where he leads a modest and almost hermit-like life...
On September 22, 1940 the French signed an accord, which granted Japanese troops the right to occupy Indochina...
Burak Delier’s sculpture Homage to Balotelli’s Missed Trick is a symbol of resistance to the demand for success and performance...
The installation “East Side Story” is based on events that took place in the streets of Belgrade in 2001 and Zagreb in 2002, during the Gay Pride demonstrations, where the participants were the victims of verbal and physical injury by neo-Nazi groups and other citizens...
Angelica Mesiti’s piece, The Calling (2013-14) is a poignant exploration of ancient human traditions evolving and adapting to the modern world...
Drawing & Print
“School of the seven Bells (SOTSB)” is based on a series of hands games in which an object is passed from hand to hand...
Blindseye Arranger (Max) (2013) features a greyscale arrangement of rudimentary shapes layered atop one another like a dense cluster of wood block prints, the juxtaposition of sharp lines and acute angles creating an abstracted field of rectangular and triangulated forms composed as if in a cubist landscape...
– In which he changes the rules of the game and all imitations are suddenly interrupted – Third episode of The Unmanned series and replicating the editing structure of “1834 – La Mémoire de Masse”, “The Outlawed” takes place in August 1953 on the island of Corfu, in Greece, at the Club Méditerranée resort where Alan Turing spent his last summer...
– Thisstoryoffriedrichkurzweiliwanttotellit- myselfhowhelivedinthisroomandh – Inspired by the writings of the feral child Kaspar Hauser and told by the young Friedrich, both father and son of Ray Kurzweil, this story unfolds on the microscope images of a blade cutting through metal...
The Unmanned, is composed of several 26min episodes, it is a fictional documentary about the history of humanity faced with technology acceleration...
– In which defeated he leaves the scene and the stage is left in search of its scale – Second episode of The Unmanned series, “The Brute Force” reconstructs the minutes following Garry Kasparov’s defeat against the IBM Deep Blue computer on 11 May 1997...
Lara uses things readily at hand to create objects and situations that interrogate the processes of art and the spectrum of roles that art and artists play in society...
There is no there by Gabriella and Silvana Mangano is a black and white looped video with sound, in conjunction with a live performance...
This selection of photographs taken between 2014 and 2019 focus on Piotrowska’s long-term preoccupation with issues of domesticity and containment...
Her work Al final del arcoiris (At the end of the rainbow, 2015) is a bundle of bills from Chile, Venezuela, Brazil, Colombia, Nicaragua, and Costa Rica, arranged by color to form a tight spiraling rainbow held close with a rubber band...
This selection of untitled photographs taken between 2014 and 2019 focus on Joanna Piotrowska’s long-term preoccupation with issues of domesticity and containment...
This selection of photographs taken between 2014 and 2019 focus on Piotrowska’s long-term preoccupation with issues of domesticity and containment...
Arima’s free brushstrokes gesture towards traditions in Expressionist painting, and Ticket could be seen as an attempt at “pure painting” in which the aesthetics of the medium supersede content...
Her 2015 work Orión is a black flag-like cloth with glow-in-the-dark symbols embroidered in the shape of the constellation...
-In which predicting its past it lives working and dies fighting- Fifth episode of The Unmanned , “La Mémoire de Masse” unfolds during the second Canuts revolts in Lyon in 1834...
Drawing & Print
The series of drawings Cancha Abierta (Yellow Series) derive from a project in which Jesús ‘Bubu’ Negrón worked with the community of El Rosario, located in the region of Beni, Bolivia, approximately 500 meters away from the Mamoré River...
A series of works from 2016 document his neighborhood, replicating buildings and businesses he frequents within four blocks of his New York apartment...
The installation Self Tracking (the five stages of grief) was realized from a performance that is to be re-activated...
Plane is an inflatable sculpture in the shape of an aeroplane made from numerous pieces of plastic bags assembled by an iron...
At first glance, This Day by Imran Qureshi appears to be an energetic, gestural painting reminiscent of Action Painting from the mid-20th century...
This triptych is based on a Tesla whose interior the artist customized on the Tesla website...
In 2011, Mounira Al Solh began a series of drawings that documented her meetings and conversations with displaced Syrian refugees in Lebanon and various European countries...
Drawing & Print
The series Nightmare Wallpapers represents a shift if Chuen’s practice, allowing the artist to immerse himself in an “artistic pilgrimage of self healing” following the failure of the 2014 Umbrella Movement...
The impressionistic surface of Wild Money (2017) recalls the 1950s paintings of Philip Guston...
Following a series of related works, Brutalismo Americano by Marlon de Azambuja is a site-specific sculptural installation produced during the artist’s residency at Kadist, San Francisco in 2017...
Satirizing an airport security checkpoint, The Ecdysiast – Molt (Body Inspection) by Yao Qingmei offers a comedic and critical inquiry into the logics underpinning collective control and surveillance culture...
– In whiche a lemyng starre returneth in the yeer foretolde and alle thing that spak to us turneth ayeyn to silence – Sixth episode of The Unmanned and sharing the same camera movements as the episode “1997 – The Brute Force”, “Mil troi cens quarante huyt” refers to the appearance of a comet in 1759 – thus validating the computation and rational prediction of its return by the British astronomer and mathematician Edmond Halley...
The title of the painting refers to the fact that the figure’s behind is raised upwards and the face is found at the bottom of the painting, thus inverting the way in which people are normally seen...
Leila Weefur’s two-channel video installation Between Beauty & Horror focuses on the sensorial and somatic experiences that give Blackness a distinct and inherently racialized materiality...
Following Bruce Nauman’s seminal performance Walking in an Exaggerated Manner Around the Perimeter of a Square (1967) – which sees the artist carefully trace a small delimited area of his studio exaggerating the movements of his hips as he places one foot in front of the other – Idir reproduces these performative gestures in Algiers, Algeria...
Untitled (Ring) consists of two prominent elements contained in water filled glass sphere...
– In which an intelligence going back to its place of origin discovers the agony of gods on which it thrives – Seventh and last episode of The Unmanned , “a flood” is set in 1542 as the first conquistadors enter the land later to be known as the Silicon Valley...
Monteverdi Ici by Laure Prouvost is a non-narrative video work that depicts the back of the artist’s naked body standing, with her back towards the camera in a field...
You have given the world your songs by Francisca Benítez is a poem in American Sign Language (ASL)...
The film Sometimes It Was Beautiful by Christian Nyampeta poetically addresses the systemic conditions leading and emerging from the 1994 Rwandan genocide, which had lasting and profound effects on Rwanda and neighbouring countries like Congo...
Silhouette in the Graveyard is part of a suite of animated videos by Chitra Ganesh titled The Scorpion Gesture ...
Hopf’s works reference the effects that developments in economics and technology have had on our bodily and mental composition...
Unhealed by Tenzing Rigdol is a photograph of the artist’s back tattooed with a map of Tibet with the dates of important political events...
This selection of photographs taken between 2014 and 2019 focus on Piotrowska’s long-term preoccupation with issues of domesticity and containment...
In the video Color Strip by Elsa Werth two-dimensional versions of all the national flags of the world (197 in all) are compiled into a long horizontal strip...
Randa Maroufi’s Bab Sebta , is named after a Spanish enclave in Morocco, Ceuta...
Wura-Natasha Ogunji’s recent drawing of cutout figures on architectural tracing paper takes a statement by Leoluca Orlando, the Mayor of Palermo, as a point of departure for the work...
Enrique Ramirez’s La Memoria Verde is a work of poetry, politics, and memory created in response to the curatorial statement for the 13th Havana Biennial in 2019, The Construction of the Possible ...
Las Bambas by Elena Tejada-Herrera takes the name of a copper mine in the Andean department of Apurímac, Peru...
Incompatibles (Unitas) is made from discarded samples of the yarns that are exported from Croatia and not actually available in the local market...
Drawing & Print
On Fire by Runo Lagomarsino comprises twenty pieces of parchment, each of which has had the contours and map of Brazil burned in stages...
Landslides is a cinematographic essay/poem by Caroline Déodat in which fictional images are the result of research into the memories of a Mauritian dance born during colonial slavery, the Sega...
Leyla Stevens’s two-channel video Patiwangi, the death of fragrance is an immersive video installation that addresses erased histories...
Anne Imhof’s video work Untitled (Wave) creates resonances between the feminine, adoration, and immateriality, while also referring to the history of art and aesthetics, in particular the concept of the sublime...
Sofía Córdova’s film dawn_chorusiii: the fruit they don’t have here / coro_del_albaiii: la fruta que no tienen aquí weaves together six California migration stories that resist dominant social narratives that flatten the experience of migrants...
Radical Digital Paintings is a collection of 239 works that were painted from 2016–2021; one exemplary image from the series is #98 ...
Noticing the lack of archives on the queens of various African kingdoms, artist Ishola Akpo created several series of work that retrace their history...
Pratchaya Phinthong’s work has explored the mineral and karmic economies of Laos, a country that shares language, beliefs, and a long border with his own native region of Isaan (Northeast Thailand)...
Pratchaya Phinthong’s work has explored the mineral and karmic economies of Laos, a country that shares language, beliefs, and a long border with his own native region of Isaan (Northeast Thailand)...
Scaffold by Lotus Laurie Kang features a seemingly disjointed amalgamation of materials between flat fabrics and lumps of aluminum...