Landed / Untitled XII (orange string)

2004 - Painting (Painting)

140 x 100 cm

Moshekwa Langa


Hybridized drawing is a continued exploration in Moshekwa’s practice, integrating elements of graffiti, thread and yarn to enrich his abstract drawings of maps and space. Through the combination of ready-found materials with drawing, in the case of “Landed / Untitled XII (orange string)”, employing string, Moshekwa’s creates tension lines across the image, both physical and metaphysical to explore the traumatic events of South Africa and more specifically the passing of his grandmother. Referencing gestural painting of the 1940s and 50s, “Landed / Untitled XII (orange string)” is a disfigured and layered mapping of both the African and psychological landscape. With a sunburnt orange background, the light blue, green and pink strings delicately weave and interlace suggesting constant movement and flux.


The oeuvre of Moshekwa Langa (b. South Africa, 1975) is a study on media and technique: gouaches, collages, expansive installations, and videos. Langa avoids aesthetic harmony, denying a generalization for themes, contexts and subjects in his oeuvre. The mapping of a complex diasporic identity from his rural South African beginnings, to Johannesburg and his current situation in Northern Europe permits Langa to negotiate territorial hegemony, exploitation, identity and social mechanisms of inclusion and exclusion with a nuanced understanding of place. Gaining recognition first for his New Visual Atlas series, Langa embraces ordinary found objects––photographs, balance sheets and invoices––to rethink our familiar surroundings. While initially experimenting with text and drawing, Langa later expanded into sculptures of corrugated iron and cement bags, which stirred his investigation into alternative media. After moving to Johannesburg to work as a contributing producer for the SABC, Langa left Africa in 1997 to attend the Rijksakademie in the Netherlands.


Colors:



Other related works, blended automatically  
» see more

Untitled (Speech Bubbles-Lebo)
© » KADIST

Moshekwa Langa

2006

In “Untitled II (Mapping text)”, 2009, Langa abstracts language in an attempt to change the familiar into the absurd...

Related works sharing similar palette  
» see more

In Pieces
© » LENS CULTURE

In Pieces - Photographs by Sophia Bulgakova, Lia Dostlieva, Ola Lanko, Katia Motyleva and Kateryna Snizhko | Book review by Sophie Wright | LensCulture Feature In Pieces In this imaginative collection of photobooks “made with a child in mind,” five artists of Ukrainian descent explore the everyday heroism of life in wartime...

Conversation avec Nalini Malani
© » KADIST

The artist lived in Paris around May 68...

Carl Dobsky: Prophet of the West
© » MUTUALART

The Los Angeles-based artists paints dark scenes of a society destined for doom, all the while selling his art to the subjects of his creations....

Bab Sebta (Ceuta’s Gate)
© » KADIST

Randa Maroufi

2019

Randa Maroufi’s Bab Sebta , is named after a Spanish enclave in Morocco, Ceuta...

Other works by: » Moshekwa Langa  
» see more

Untitled (Speech Bubbles-Lebo)
© » KADIST

Moshekwa Langa

2006

In “Untitled II (Mapping text)”, 2009, Langa abstracts language in an attempt to change the familiar into the absurd...

Related works found in the same semantic group  
» see more

Perpetual Motion Two
© » KADIST

Diana Thater

2005

In Perpetual Motion (2005) the seemingly erratic flight of the bright orange Monarch butterfly—filmed in its winter habitat of Michoacán, Mexico—is intensified by the artist’s editing in which frames are randomly dropped and the film is sped up...

Podcast 64: The Orange Production 2019
© » ARTS EQUATOR

Podcast 64: The Orange Production 2019 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Gabriel Chia September 1, 2019 Duration: 37 min In this latest podcast, ArtsEquator editor Nabilah Said and theatre reviewer Naeem Kapadia discuss the productions We Were So Hopeful Then (written by Ellison Tan and directed by Alvin Tan) and Acting Mad (with texts by Haresh Sharma, Harris Albar and Maryam Noorhimli and directed by Haresh Sharma), presented as part of The Orange Production 2019 by The Necessary Stage...

Sarta
© » KADIST

Reyes Santiago Rojas

2015

The work Sarta (String) by Reyes Santiago Roja is part of a larger series of works that examine the commercialization of the tobacco plant and its relationship to the meaning and use of tobacco by Native American tribes such as the Mayas, Aztecs, Incas or Tainos, which attributed spiritual qualities to tobacco such as the smoke carrying one’s thoughts and prayers to the sprits...

Work On Felt (Variation 2) and (Variation 11) Black
© » KADIST

Naama Tsabar

2018

Naama Tsabar’s sculptural works are developed serially...