Drawing & Print (Drawing & Print)
Haendel’s series Knights (2011) is a set of impeccably drafted, nine-foot-tall pencil drawings depicting full suits of armor. The series riffs on previous investigations by the artist such as his meticulous depictions of masculine political figures, which included a headless J. Edgar Hoover and a Hitler head floating vulnerably in the center of a white expanse (Hitler’s iconic mustache was crafted from the artist’s pubic hair). Rendered in soft graphite, the imposing Knights embody the ostensibly conflicting ideals of chivalrous deference and invulnerable masculinity.
Drawing & Print (Drawing & Print)
MUM , the acronym used to title a series of Rogan’s small interventions on found magazines, stands for “Magic Unity Might,” the name of a vintage trade magic publication. In the series, Rogan alters the magazine’s pages by erasing the image of the magicians doing their tricks, leaving only the background of their performances on view. These contexts range from the more overtly staged scenario in Silencer #16 —the erased magician is about to perform a trick on his assistant trapped on an odd, almost dada looking box—to the more “colloquial” Silencer #17 in which the absent magician’s silhouette appears in what seems to be a children’s hospital.
Will Rogan’s video Eraser (2014) shows a hearse parked in a clearing amidst leaf barren trees. The steely grey sky stands in stark contrast to the vehicle’s luminously pristine white finish and makes this already deathly object seem even more ghostly. The grass underneath is half-turned brown and further marks this as a lifeless landscape.
The two large-scale stereoscopic photographs in That’s That’s Alright Alright Mama Mama depict a recreation of Elvis Presley’s recording studio in Memphis, Tennessee. This study in doubles is underscored by its title, which repeats and doubles Elvis’s original song title. The images are hung in a specially angled wall and the viewers are provided special 3-D glasses in order to contemplate the image.
After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective. This “return to origin” reveals an interesting critical reflection on the interactive relation between outside change and internal reflection, and the possibility for more experimental approaches that revive “traditional media.” For Ink Diary , Chen recorded his daily life and impressions within a rapidly-changing urban setting in ink wash paintings which he then turned into an animated film. The complex result of this simple process is both highly innovative and reflective of modernization.
After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective. This “return to origin” reveals an interesting critical reflection on the interactive relation between outside change and internal reflection, and the possibility for more experimental approaches that revive “traditional media.” Chen’s series Collective Memories depicts some of the most important architectural works and urban sites in modern Chinese society, especially those related to the history of revolutions. Instead of reproducing the images himself, Chen invited the public to participate in their making by using their fingers to paint directly on the paper or canvas.
Shot in the streets of Tokyo, Collapse , is a meditation on the passing of time and on the complicated way in which we are smashed between the past and the future. The video follows a moped carrying a woman holding a very large mirror. The mirror is large enough that she can’t see what lies ahead, she can only see what has already come as reflections in the mirror.
In the eight-channel video installation Movement , Li Ming uses his body as a prop to interact with different means of transportation. Each channel features footage of the artist moving forward, jumping between various modes of transportation that weave in and out of the frame in a carefully orchestrated choreography. As the artist descends from the loader bucket of a moving construction tractor, he jumps onto a skateboard which he then discards as he lays on top of a suitcase that continues rolling forward.
Drawing & Print (Drawing & Print)
Shot in black and white and printed on a glittery carborundum surface, Black Hands, White Cotton both confronts and abstracts the subject of its title. As with many of his works, the artist has taken a found image and manipulated it to draw out and dramatize the formal contrast between the black hands holding white cotton. Cotton, of course is one of the most familiar fabric sources to us, and becomes incredibly soft once processed.
Drawing & Print (Drawing & Print)
Thomas’ lenticular text-based works require viewers to shift positions as they view them in order to fully absorb their content. Meaning, therefore, changes depending on one’s perspective—and in the case of Thomas’ installation, only emerges when one knows that there is always something hidden, always more to one of his works than immediately meets the eye. This lenticular print with text shifts as you walk in front of it from its title, “Black Imitates White” to the inverse, “White Imitates Black”(and some other possibilities in between) emphasizing that there are always at least two perspectives to the same scenario, and thereby encouraging us as viewers to consider them all together rather than trying to identify with any one subjectivity.
White Minority , is typical of Capistran’s sampling of high art genres and living subcultures in which the artist subsumes an object’s high art pedigree within a vernacular art form. Here, Capistran humorously remixes the form and style of Frank Stella’s Black Paintings with California punk rock band Black Flag’s song title and logo (created by artist Raymond Pettibon). White Minority , then, appropriates, recontextualizes, and riffs on language and visual signs to unmoor notions of identity, power, and revolution.
Karla Black is a Scottish artist living in Glasgow . Her work draws from a multiplicity of artistic traditions from expressionist painting, land art performance, to formalism. Her large-scale sculptures incorporate modest everyday substances, along with very traditional art-making materials to create abstract forms.
In the video Blanco sobre Blanco (White on White) , we see a white man appearing in a white screen embedded into a white wall— alluding to Malevich’s White on White series. Analogously, in Castro’s related work Negro sobre Negro (Black on Black) all we see is a completely black screen on a monitor that is recessed into a wall, also painted black. Gradually, the face of a man becomes visible as he steps out of the darkness and closer to the camera.
In the video Negro sobre Negro (Black on Black) all we see is a completely black screen on a monitor that is recessed into a wall, also painted black. Gradually, the face of a man becomes visible as he steps out of the darkness and closer to the camera. As suggested by Castro, the color of this man’s skin allows him to pass unnoticed perhaps literally, but also metaphorically as he alludes with certain humor to the iconic work Black Square by Suprematist artist Kazimir Malevich, often referred to as the “zero point of painting” in Western art-historical discourses.
Off-White Tulips is an intimate, meditative, and tender essay-film composed as a fictional exchange between Black gay writer James Baldwin and the artist, Aykan Safoglu. The work is primarily structured around Magdalena J. Zaborowska’s scholarly reconstitution of Baldwin’s self-imposed exile in Istanbul, Ankara, and Bodrum between 1961 and 1971, as well as autobiographical notes and intimations gathered throughout the years. Safoglu produced Off-White Tulips early on in his career when he was in the process of acquiring permanent residency in Germany.
Working independently, Herndon experimented at the forefront of a now-canonical method—appropriation—by painting additions into found images from magazines such as Life and Sports Illustrated in a way that imbues the resulting works with mythical significance. Associated with the Beat movement, her work is integral to that part of the history of San Francisco. White Angel (1962), painted in the year of Marilyn Monroe’s death, portrays the actress in a process of devolution.
White Corner (2006) is a video installation, projected on two protruding perpendicular walls. On one level the work constitutes a self-portrait of the artist, whose image is projected on both walls, separated by the corner. Yet while facing, they don’t quite confront each other.
The triptych Black Star Press is part of the series ‘The Black Star Press project’ initiated in 2004 by the American artist Kelley Walker. The images in this series are taken from a photo essay on the struggle for civil rights in Alabama, directed by Charles Moore in 1962 (and published by the magazine ‘Life’) which showed the repression of the black population and persistent inequalities in the southern United States. The title “Black Star Press” is taken from the name of the news agency where Charles Moore worked, and it refers to the young black man shot fighting for the rights of his community.
Drawing & Print (Drawing & Print)
The White Album (2008) presents a compilation of one hundred issues of Artforum magazine released between 1970 and 1979. As with Will Rogan’s MUM series, also included in the Kadist Collection, vital information is now missing: All of all the articles and features have been removed, leaving only ten years of advertisements. In an unusual way, The White Album reminds us that this important New York-focused magazine was originally founded in 1962 in San Francisco to promote Bay Area artists before it moved to Los Angeles in the mid-1960s in search of a wider advertising base.
Ha Tae-Bum’s “White” series, started in 2008, begins with photographic images from the mainstream media depicting sites of conflict or crisis. The artist eliminates human presence, miscellaneous details, and all color from the images, then “rebuilds” them into quiet, achromatic models with thin white paper. Once complete, the models are photographed in a nearly identical composition as the original image.
Tun Win Aung and Wah Nu initiated the series 1000 Pieces (of White) in 2009, as a way to produce objects and images as a portrait of their shared life as partners and collaborators. Interweaving public and private, personal anecdote and pop cultural appropriation, their work attests to the poetry of the everyday. In addition to found and original materials, the artists have occasionally incorporated drawings and sketches by artist friends, and even by their own daughter into the ongoing work.
Black Ocean by Liu Yujia portrays a desert landscape in a state of both destruction and construction, revealing the desert’s simultaneous fragility and indestructibility. The structure of the storytelling of this film was inspired by Italian writer Italo Calvino’s novel, Invisible Cities (1972). Several chapters from the book are interwoven in the film incorporating the discussions of cities and landscapes narrated by Marco Polo and Kublai Khan in the novel.
In the “Black Paintings” series, although the human body is only suggested, it plays an important role. Some body parts are absent, mostly the faces which are usually an affirmation of the individual. The characters recall ghosts testifying as to the traumas of war.
Beyond the White Walls , with a commentary written and spoken by Jeremy Deller, is often wryly amusing. The artist narrates the many projects he has completed or which are in progress beyond the gallery walls. It is beyond the gallery where Deller is at his most effective and where his art reaches out to and into people’s lives.
Mandy El Sayegh grew up in a medicalized environment, surrounded by anatomy, biology and psychology publications; these books inspire the figures that appear throughout her work. The work White Grounds 12 offers a bird’s eye view of a skull open from the front, belonging to a patient diagnosed with dementia who is suffering from self-inflicted wounds. White Grounds 10 depicts the body of an injured worker in China.
Wong Wai Yin is an interdisciplinary artist who experiments with a variety of media ranging from painting, sculpture, collage, performance, video, installations and photography...
Photographer Sabelo Mlangeni’s black and white images capture the intimate, everyday moments of communities in contemporary South Africa...
Javier Castro was born in the in the neighbourhood of San Isidro in the heart of Habana Vieja, Cuba, where he lives and works...
Em’kal Eyongakpa was born in Cameroon in 1981...
Trevor Paglen’s work combines the knowledge-base of artist, geographer and activist...
Santiago Borja’s work explores improbable connections between different thought systems, thus emphasizing the cannibalistic nature of modernism, and its inherently esoteric, yet seemingly “rational”, character...
Jarrett Key’s work addresses their concerns about the state of their freedom in America...
Nguyen Thai Tuan was born in 1965, he studied at the school of Fine Arts of Hue where he studied propaganda art, which he got bored of very quickly...
Lenora de Barros studied linguistics and started her artistic career in the 1970s...
Liz Cohen is a photographer and performance artist best known for her project Bodywork , in which she transformed a German car into a lowrider while simultaneously transforming her own body, with the help of a fitness instructor, to become a bikini model at lowrider shows...
Dread Scott is an interdisciplinary artist who for three decades has made work that encourages viewers to re-examine cohering ideals of American society...
Emma Wolukau-Wanambwa is an artist, researcher, and convenor of the collective the Africa Cluster of the Another Roadmap School, a project fostering conversations about art and education in Africa...
Nathan Lewis’s unfeigned drawings have evolved out of the nine years he worked as a critical care nurse at a Washington, D.C...
Brazilian artist Luciano Figueiredo works with color, form, volume, and light in his exquisite wall-bound compositions...
Thea Djordjadze was born in 1971 in Tiflis, Georgia...
Charlotte Moth has been constituting an image bank since 1999...
Born in Singapore, raised in Malaysia, and based in Canada, artist and curator Mark Soo’s practice is concept-driven and research-based...
Uncovering Britain’s Groundbreaking Black-British Women Photographers | AnOther February 05, 2024 Text Elodie Saint-Louis Lead Image Eileen Perrier, ‘Untitled’ from the series Afro Hair and Beauty Show, 1998, from Shining Lights by Joy Gregory (ed.) (MACK, 2024) Courtesy of the artist and MACK In Shining Lights , the “first critical anthology to bring together the groundbreaking work of Black women photographers active in the UK during the 1980s and 1990s ”, a constellation of rarely-seen stars finally take their rightful place in the sky...
10 Exhibitions to See During Black History Month | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
Black History and Love Intertwine at February Bay Area Concerts | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint Arts & Culture Black History and Love Intertwine at These February Bay Area Concerts Andrew Gilbert Feb 7 Save Article Save Article Failed to save article Please try again Email Mary Stallings performs at Keys Jazz Bistro on Feb...
ArtTable Survey Sheds Light on Hardships Faced by Arts Workers of Color Skip to content Protesters outside the since-removed Roosevelt statue in front of the American Museum of Natural History in a 2017 protest (photo Hrag Vartanian/ Hyperallergic ) It’s no secret that women and non-men, especially those of color, have historically been subjected to structural pay inequities...
A Pop-Up Black History Museum Receives $2 Million to Find a Home in Redwood City | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint Arts & Culture A Pop-Up Black History Museum Receives $2 Million to Find a Home in Redwood City Sarah Hotchkiss Feb 6 Save Article Save Article Failed to save article Please try again Email Carolyn Hoskins, third from left, holds a ceremonial check from Senator Josh Becker (center) at the Domini Hoskins Black History Museum...
From monographs by Awol Erizku and Deana Lawson, to collections on fashion, community, and power, here are essential titles to read this Black History Month....
29 Emerging Black Artists to Discover This Black History Month, Part 1 | Artsy Skip to Main Content Art 29 Emerging Black Artists to Discover This Black History Month, Part 1 Isis Davis-Marks Feb 1, 2024 4:57PM To recognize Black History Month, Artsy is spotlighting 29 emerging Black artists—one for each day of this important month...
Léon Wuidar at White Cube Hong Kong – ARTOMITY 藝源 Léon Wuidar / Jan 17 – Mar 16, 2024 / White Cube Hong Kong / 50 Connaught Road, Central / Hong Kong / +852 2592 2000 / Tuesday – Saturday, 11am – 7pm / whitecube.com Marking the artist’s inaugural show in Asia, White Cube is pleased to present a solo exhibition of paintings and works on paper by Léon Wuidar (b...
It’s “Not So Black And White” Outside Scope with STRAAT | Brooklyn Street Art BROOKLYN STREET ART LOVES YOU MORE EVERY DAY NOT SO BLACK AND WHITE SCOPE WALLS 2023 A decade ago, spotting a fire extinguisher tag at a high-profile art fair was as rare as stumbling upon a unicorn...
Conversations: Tracey Emin and Courtney Willis Blair | White Cube – A Shaded View on Fashion On the occasion of Tracey Emin’s exhibition ‘Lovers Grave’ at White Cube New York, the artist was joined in conversation with Courtney Willis Blair, US Senior Director, White Cube, at The Prince George Ballroom in Manhattan...
Mickalene Thomas Imagines the Lives of 19th-Century Black Sitters Skip to main content By Lucia Olubunmi R...
In her short lifetime, Frida Kahlo (1907-1954) collected an incredibly vast archive of photographs...
Charles Lee at SF Camerawork: Black Cowboys and Their Horses | KQED Skip to Nav Skip to Main Skip to Footer The Do List SF Camerawork Show Honors the Relationship Between Black Cowboys and Their Horses Nia Coats Dec 13 Save Article Save Article Failed to save article Please try again Facebook Share-FB Twitter Share-Twitter Email Share-Email Copy Link Copy Link An installation view of Charles Lee's show 'sweat + dirt' at SF Camerawork...
Bram Bogart at White Cube Hong Kong – ARTOMITY 藝源 Bram Bogart / Signs / Nov 24, 2023 – Jan 6, 2024 / Opening: Thursday, Nov 23, 6pm – 8pm / White Cube Hong Kong 50 Connaught Road, Central Hong Kong +852 2592 2000 Tuesday – Saturday, 11am – 7pm whitecube.com White Cube Hong Kong is pleased to present the first exhibition in Asia of the late Dutch-born Belgian artist Bram Bogart (1921–2012)...
American sculptor Richard Hunt is now represented by White Cube...
These hand-drawn illustrations, vibrant digital prints and meaningful paintings are just waiting to be displayed in your home....
Isaac Julien’s installation at the Barnes Foundation highlights the museum’s African sculptures even as it questions the ethics of their acquisition....
Toronto art collector has concentrated exclusively on Black artists, and established the Wedge Gallery in Toronto to showcase their work...
The Tony-nominated actor and comedian discusses his love for overalls, citrus trees and trying to sell his teenage daughter on Frank Sinatra....
The Los Angeles home of Arthur Lewis, creative director of UTA Fine Arts and UTA Artist Space, is a showcase of influential artists of the African diaspora....
Howardena Pindell on the Exclusion of Black Artists in the 1980s – ARTnews.com Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All January 14, 2021 1:13pm ©ARTnews Over the past several years, museums and galleries have made concerted efforts to show work by Black artists, responding to growing calls for equity...
Curator Lauren Haynes Revisits ARTnews’s 1966 Profile of Spiral Group – ARTnews.com Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All November 4, 2020 5:15pm ©ARTnews I n 1963, 14 Black artists in New York formed the Spiral group...
Tangled and tackled: Black Ties at Sydney Festival 2020 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Garth Oriander January 31, 2020 By Maria Herminia Graterol Garrido (550 words, 4-minute read) The challenges of fusing and representing more than one culture while planning and executing a memorable wedding are well-known to us in real life and in fiction...
In the past, Wayne White injected his anachronistic phrases into existing, vintage lithographs...
"Ayer Hitam: A Black History of Singapore": On The Edges of History | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Irfan Kasban February 3, 2019 By Iwani Mawocha (1020 words, five-minute read) The sound of djembe drums filtered out into the courtyard of Centre 42 — the signal to take our seats before the production started...
"Binary – International Artist Showcase" at M1 Contact 2018: The Colour of the Sun is Black | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Crispian Chan Left: "Vestige" by Astrid Boons; "Black Velvet" by Shamel Pitts August 8, 2018 By Chloe C...
Drawing & Print
Untitled (Disneyland Opens) is a collage by Jess that refers back to the inauguration of Disneyland in Anaheim, California in 1955, and suggests an alternate, more sinister version of events...
Working independently, Herndon experimented at the forefront of a now-canonical method—appropriation—by painting additions into found images from magazines such as Life and Sports Illustrated in a way that imbues the resulting works with mythical significance...
Untitled (City Limits) is a series of five black-and-white photographs of road signs, specifically the signs demarcating city limits of several small towns in California...
Susan Sontag, the author of On Photography and Regarding the Pain of Others, was captured through Hujar’s now-iconic photograph in a relaxed yet pensive pose...
This ephemeral installation by Jirí Kovanda, documented in the same way as his performances with a photograph and a text, belongs to a body of works that took place in his apartment/studio...
David Goldblatt’s “Boksburg series” is a telling portrait of the small town that became a notorious symbol of racism in South Africa...
Kovanda’s street interventions are always documented according to the same format as the actions: a piece of A4 paper, a typewritten text giving a precise location and date, and a photograph...
Kovanda’s street interventions are always documented according to the same format as the actions: a piece of A4 paper, a typewritten text giving a precise location and date, and a photograph...
Since the global capital expansion, billboards have been the medium of communication between the rulers and the residents of townships...
Drawing & Print
Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints...
The photographic quality of the film Baobab is not only the result of a highly sophisticated use of black and white and light, but also of the way in which each tree is characterized as an individual, creating in the end a series of portraits...
Blind Spencer is part of the series “Blind Stars” including hundreds of works in which the artist cut out the eyes of Hollywood stars, in a symbolically violent manner...
Drawing & Print
The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...
The triptych Black Star Press is part of the series ‘The Black Star Press project’ initiated in 2004 by the American artist Kelley Walker...
White Minority , is typical of Capistran’s sampling of high art genres and living subcultures in which the artist subsumes an object’s high art pedigree within a vernacular art form...
A short video about Tate Modern by Emma Wolukau-Wanambwa depicts just two shots, both featuring the artist...
In the mid to late 70s David Haxton turned to photography, and similarly to his output in film, his photographs show reverberations of his perspective as a painter...
In her masterpiece 8 Possible Beginnings or The Creation of African-America , Walker unravels just that, the story of struggle, oppression, escape and the complexities of power dynamics in the history following slave trade in America...
In this work, Saâdane Afif quotes André Cadere’s round wooden batons using the copy share and remix principles...
Mario Garcia Torres films a game of Charades among professional actors guessing the former North Korean dictator’s favorite Hollywood films...
After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...
White Corner (2006) is a video installation, projected on two protruding perpendicular walls...
After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...
Shot in the streets of Tokyo, Collapse , is a meditation on the passing of time and on the complicated way in which we are smashed between the past and the future...
Untitled is a black-and-white photograph of a wave just before it breaks as seen from the distance of an overlook...
In the video Negro sobre Negro (Black on Black) all we see is a completely black screen on a monitor that is recessed into a wall, also painted black...
Drawing & Print
The White Album (2008) presents a compilation of one hundred issues of Artforum magazine released between 1970 and 1979...
In the “Black Paintings” series, although the human body is only suggested, it plays an important role...
Memory Mistake of the Eldridge Cleaver Pants was created for the show Paul McCarthy’s Low Life Slow Life Part 1 , held at California College of the Arts’s Wattis Institute in 2008 and curated by McCarthy himself...
Priola pays particular attention to otherwise unnoticed details in the cityscape, a quality that not only recurs throughout his oeuvre, but which also places his work in line with a strong tradition of California documentary photography...
Edinburgh Castle on the Bin Bag features a model of the Edinburgh castle constructed by using shiny black cards placed on top of an open, full black plastic trash bag...
In this work the artist stages a humorously violent “intervention” against male-dominated cultures of art production in present-day China...
During a residency in 2009 at L’appartement 22 in Rabat, the artist traveled in Morocco and Senegal on the traces of the German sculptor Arno Breker...
Drawing & Print
MUM , the acronym used to title a series of Rogan’s small interventions on found magazines, stands for “Magic Unity Might,” the name of a vintage trade magic publication...
Ha Tae-Bum’s “White” series, started in 2008, begins with photographic images from the mainstream media depicting sites of conflict or crisis...
The Mohawk, the emblematic Frontier river in the period of American colonisation, is here a cable of data transmission, and the 7 Sultans Casino is a virtual destination, one of the three hundred online casinos hosted by the servers located in Kahnawake, a small native american indian reserve to the south of Montreal...
War Footage is a series of wall-mounted works composed of 16mm film leader, tightly bound to flag-shaped panels by the artist...
To the syncopations of a jazzy soundtrack, Korean words in white against a black background flashes between an English dialogue in black text against white ground...
In his series Tsugi no yoru e (Onto the next night) , 2010, Yamatani gives viewers access to the wild world of young rockers and skaters...
The sculpture And Shadows Will Follow is an angle piece that articulates a space since its appearance highly changes depending on the point of view...
Drawing & Print
Haendel’s series Knights (2011) is a set of impeccably drafted, nine-foot-tall pencil drawings depicting full suits of armor...
Tun Win Aung and Wah Nu initiated the series 1000 Pieces (of White) in 2009, as a way to produce objects and images as a portrait of their shared life as partners and collaborators...
A Portrait: Covering and Cleaning is an installation of six black-and-white video projections...
Drawing & Print
These photographs are installation shots of the exhibition De A à B, de B à P at Bielefelder Kunstverein (13 November 2010-30 January 2011)...
Drawing & Print
Thomas’ lenticular text-based works require viewers to shift positions as they view them in order to fully absorb their content...
Beyond the White Walls , with a commentary written and spoken by Jeremy Deller, is often wryly amusing...
Cosmic Tautology I and II are two textile pieces representative of Santiago Borja’s practice and long-standing interest in disrupting universalist assumptions of minimalism by connecting them with other, non-Western or esoteric references...
The Caste Portraits Series by Leah Gordon investigates the practice of grading skin color from black to white, which marked the extent of racial mixing in 18th century Haiti...
Bread and Roses takes its name from a phrase famously used on picket signs and immortalized by the poet James Oppenheim in 1911...
It is with the eye of a sculptor that Charlotte Moth records modernist architecture and its copies which she encounters during her trips and residences...
Defined as entropy, the second law of thermodynamics proposes that energy is more easily dispersed than it is concentrated...
Drawing & Print
Intentionally Left Blanc alludes to the technical process of its own (non)production; a procedure known as retro-reflective screen printing in which the image is only fully brought to life through its exposure to flash lighting...
The black-and-white photograph Men (055, 065) (2012) depicts two similarly built young men – young and slim, with dark tousled hair and a square jaw line – seated aside one another in identical outfits...
Poetry Light Stool evokes the spirit of Fluxus, the intermedia movement that encouraged artmaking to be simple, fun, and address everyday life...
Off-White Tulips is an intimate, meditative, and tender essay-film composed as a fictional exchange between Black gay writer James Baldwin and the artist, Aykan Safoglu...
Will Rogan’s video Eraser (2014) shows a hearse parked in a clearing amidst leaf barren trees...
Drawing & Print
Shot in black and white and printed on a glittery carborundum surface, Black Hands, White Cotton both confronts and abstracts the subject of its title...
In the video Blanco sobre Blanco (White on White) , we see a white man appearing in a white screen embedded into a white wall— alluding to Malevich’s White on White series...
In his White Discharge series (2002 to today), arguably his best known works, Kaneuji assembles old toys and plastic scarps into dramatic mounded heaps and covers the surface with white plastic resin, drawing on allusions to landfills, commodity fetishism, and creative repurposing...
Drawing & Print
Converting is a piece about the Orang Laut, often called Sea Nomads, that inhabited the Riau archipelago...
As a visual activist for the rights of Lesbian, gay, bisexual, transgender, queer and intersex (LBGTQI), Muholi’s photographs radically transgress the conventional perception of lesbian and transgender communities in South Africa...
As a visual activist for the rights of Lesbian, gay, bisexual, transgender, queer and intersex (LBGTQI), Muholi’s photographs radically transgress the conventional perception of lesbian and transgender communities in South Africa...
As a visual activist for the rights of Lesbian, gay, bisexual, transgender, queer and intersex (LBGTQI), Muholi’s photographs radically transgress the conventional perception of lesbian and transgender communities in South Africa...
Drawing & Print
“Relation between Black and blood” explores the connection between performance, installation and representation...
There is no there by Gabriella and Silvana Mangano is a black and white looped video with sound, in conjunction with a live performance...
Drawing & Print
As she traces the same shape again and again, Ojih Odutola’s lines become darker and deeper, sometimes pushed to the point where their blackness becomes luminous...
(Untitled) Nimoa and Me: Kiriwina Notations by Newell Harry brings together a litany of contemporary politics—mobilization around enduring racism, the legacies of Indigenous and independence struggle, and the prospects of global solidarity against neocolonialism and social injustice...
In “And so it is” shows the image of a faceless man before a microphone, ready to deliver an important message...
Figueiredo’s succinct forms are rendered in bright hues of yellow, red, green, and blue, with white and black defining positive and negative spaces within the overall geometry...
Lucas’s quadroquadro (círculo) employs familiar materials for the artist: wood, paper, and glass...
In Linda, Lee & Dorsey, Louis (1988~, 2018) Marcel Pardo Ariza draws on Bay Area queer histories that have been uncovered from local archives and queer organizations, and connects them to people currently living in the Bay, where Ariza is also based...
On January 7th, 2020, artist D’Angelo Lovell Williams was diagnosed with HIV...
The black-and-white projection, Araf by Didem Pekün, begins, as a lithe man stands high up in the middle of the grand, rebuilt 16th-century Ottoman bridge in Mostar, in Bosnia and Herzegovina...
Mandy El Sayegh grew up in a medicalized environment, surrounded by anatomy, biology and psychology publications; these books inspire the figures that appear throughout her work...
Addressing the legacy of colonialism, The Guestbook by Musquiqui Chihying and Gregor Kasper is a slow-paced, black-and-white film exploring the German colony of Togoland, now the Republic of Togo...
The Royal House of Allure is a name of a safe house on mainland Lagos where members of the queer community in need of boarding, due to various circumstances, live together...
Park Chan-Kyong’s otherworldly film Belated Bosal primarily follows two women as they navigate their way up a spectral mountain and through what appears to be a history museum or nuclear disaster bunker...
The Royal House of Allure is a name of a safe house on mainland Lagos where members of the queer community in need of boarding, due to various circumstances, live together...
The Royal House of Allure is a name of a safe house on mainland Lagos where members of the queer community in need of boarding, due to various circumstances, live together...
Calvin Warren calls it an ‘ontological equation’/or methods of estimating the odds to rise in the coming centuries by Kameelah Janan Rasheed is part of A Casual Mathematics , a series of interpretive art diagrams, which revisit W...
The Royal House of Allure is a name of a safe house on mainland Lagos where members of the queer community in need of boarding, due to various circumstances, live together...
This painting is the direct result of the artist’s research into her roots...
Natura Negra , which translates to “Black Nature”, is a black-and-white photographic series by Chanell Stone that explores the connection between the Black body and nature within man-made environments...
The Black Canyon Deep Semantic Image Segments by Trevor Paglen merges traditional American landscape photography (sometimes referred as ‘frontier photography’ for sites located in the American West) with artificial intelligence and other technological advances such as computer vision...
Jarrett Key’s practice combines several modes of production into a single frame, incorporating sculpture, painting, and performance...
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
Drawing & Print
Nathan Lewis has always made figurative and abstract drawings, which are related to anatomical textures and patterns he encountered when working as an ICU nurse...
Lenora de Barros’s poetics are known for setting in motion an intimate relationship between image and the written word...
Yétúndé Olagbaju’s On becoming a star series recuperates the figure of ‘Mammy’, a stereotype rooted in American slavery that typically depicts a larger, dark skinned woman as a maternal presence, often within a domestic setting, and typically taking care of white children...
In conjunction with his first NFT sale of White Male Dread Scott made and circulated a poster titled Whites For Sale ...
In the process of creating this deeply personal body of work, titled Recollecting Memories , artist Hitesh Vaidya repeatedly visited the site of his ancestral home that was destroyed during the devastating earthquakes in Nepal in 2015...