Ha Tae-Bum’s “White” series, started in 2008, begins with photographic images from the mainstream media depicting sites of conflict or crisis. The artist eliminates human presence, miscellaneous details, and all color from the images, then “rebuilds” them into quiet, achromatic models with thin white paper. Once complete, the models are photographed in a nearly identical composition as the original image. Terrorist attack International University Islamabad, Pakistan (2010) depicts the aftermath of the 2009 International Islamic University suicide bombing in Islamabad. Here the color white symbolizes lost memory of the sympathy and the covering of the fear. Artificially transformed, the casted buildings and scene appear dreamy, fixed in time, and aesthetically attractive. The Palestine Wall depicts the structure separating Israel from the West Bank, a barrier that restricts the movement of people and goods to the other side. The visual and semantic distinctions surrounding its meaning and dimensionality are stark, pointing to the power that pictures and their linguistic counterparts have to both inform and elude.
Ha Tae-Bum (b. 1974, lives in South Korea) was trained as a sculptor in South Korea and Germany. His practice spans photography, sculpture, performance, installation, and animation. Ha’s work often reflects on the force of social conceptions such as discrimination and shame.
buZ Blurr, One Telling of the “Origin Story” at Straat Museum Amsterdam | Brooklyn Street Art BROOKLYN STREET ART LOVES YOU MORE EVERY DAY In the shifting culturescapes of urban contemporary art, STRAAT Museum’s latest exhibition, “Moniker: An Origin Story,” emerges as a poignant narrative that bridges the transient heritage of hobo monikers with the vibrant pulse of today’s street art scene...
In Play , the image comes from a fashion magazine from the 1950’s (USA) whose theme is costume sportswear from the 19th century...
Hiroshi Sugimoto’s Time-Traveling Lens Skip to content Hiroshi Sugimoto, "Lake Superior, Cascade River" (1995), gelatin silver print (all photos AX Mina/Hyperallergic) LONDON — The first image at the Hayward Gallery’s show of work by Japanese photographer Hiroshi Sugimoto is a pair of upright apes walking through a volcanic landscape...
Hand Study (Making in Whiteness) IIII by Carmen Winant is part of a series of five collages...
Intentionally Left Blanc alludes to the technical process of its own (non)production; a procedure known as retro-reflective screen printing in which the image is only fully brought to life through its exposure to flash lighting...
The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...
The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...