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"Antiquity as Subject"

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100 Boots
© » KADIST

Eleanor Antin

Photography (Photography)

Comprised of fifty-one photographic postcards, Antin’s 100 Boots is an epic visual narrative in which 100 black rubber boots stand in for a fictional “hero” making a “trip” from California to New York City. Over two-and-a-half years, Antin photographed the boots against different backdrops across the U. S., and then turned the pictures into postcards, which she then mailed to approximately 1,000 people around the world. In conjunction with the boots’ “arrival” in New York City, the postcards were exhibited at the Museum of Modern Art.

Study for a Recycling Device
© » KADIST

Pedro Reyes

In Reyes’s words, “We should be able to extract the technological nutrients before we excrete our waste. There is a missing organ in our social metabolism which would work as a stomach or intestines. The Recyclone is a device made of plastic containers that fit into each other.

Los Mutantes
© » KADIST

Pedro Reyes

Installation (Installation)

Pedro Reyes’s Los Mutantes ( Mutants , 2012) is composed of 170 plates that combine characters from ancient and modern mythologies. As in a periodic table, animals and objects are combined with humans (male or female), providing a rational framework for the irrational products of human imagination. A Cartesian matrix such as this must follow certain rules.

Untitled (Set of Six Drawings)
© » KADIST

Adrian Villar Rojas

Drawing & Print (Drawing & Print)

Based on historical prophecies and fantasy, the artist creates apocalyptic scenarios that posit an enigmatic world plagued by social, political, and environmental upheaval. Untitled (Set of Six Drawings) (2012) is an intricate watercolor of a child sitting cross-legged with its head stuck inside a giant mask resembling a duck head covered with eyes. It looks like a scene snatched from science fiction or a surreal dream; it is tempting to see in it some kind of warning sign, or an ominous vision of the future.

From the series Las Mariposas Eternas (the Eternal Butterflies)
© » KADIST

Adrian Villar Rojas

The two drawings in the Kadist Collection are part of a larger series entitled Las Mariposas Eternas (The Eternal Butterflies). They are studies for two large sculptures that explore the role of monuments and emblems in the configuration of Latin American national identities. The first drawing reproduces an equestrian statue of Juan Lavalle, one of Argentina’s independence heroes.

Geomtric Construction of Antiquity, 6
© » KADIST

Christopher Badger

Painting (Painting)

In mathematics, the so-called geometric problems of antiquity are shapes that elude the classical tools of an unmarked straightedge and compass. In Geometric Construction of Antiquity, 6 (2011), Badger doggedly sets out to represent one such form. Each of six circles grazes its opposite and crosses the other five.

Subject, Silver, Prism
© » KADIST

Brian Jungen

Sculpture (Sculpture)

There are several elements to Subject, Silver, Prism . Silver ink is applied to blocks of black foam. A simple stand, reminiscent of cheap furniture, supports a drum constructed from deer hide stretched over plastic cooking bowls and held taut by the hide and twine.

The Antique Gem
© » KADIST

Jess

Drawing & Print (Drawing & Print)

The Antique Gem is a collage by Jess comprised of eight fantastical scenes featuring the Cupid as its central protagonist. The title of the work and the oval shape of these scenes, refer to ancient engraved gems, a form of fine art dating back thousands of years B. C. Underneath each of the scenes we can also see lines from a poem, which the artist cut out of the book Gems: Selected from the Antique — a 1804 publication by British painter and illustrator Richard Dagley that is considered an important document for the study of engraved gems and a historical artifact itself. The original poem, as Dagley explains in the publication, is an ancient Greek epigram by Aulus Licinius Archias found engraved in a sardonyx (a variety of rock-forming mineral) gem depicting the figure of Cupid curbing a lion.

Larkstone
© » KADIST

Daniel Boccato

Sculpture (Sculpture)

Birdstones is a series of flat concrete slabs made from moldings of different shapes, each with two small holes. They stand vertically in space in a precarious stance. Heavy by the density of the concrete, they are also airy and floating.

Eight Views of Xiao and Xiang V
© » KADIST

Hao Liang

Painting (Painting)

Eight Views of Xiao and Xiang is a series of landscapes in the Xiaoxiang region in the modern day Hunan Province, China, and was a popular subject of poems, drawings and paintings during the Song Dynasty (960–1279). Liang follows tradition by interpreting the historical subjects by classical Chinese artists including Dong Yuan (934–962 AD), Mu Xi (died in 1281 AD), Wen Weiming (1470–1559 AD). This reinterpretation represents the meeting point of the Xiang River and the Dongting Lake.

Charles Baudelaire
© » KADIST

Mary Reid Kelley

Photography (Photography)

Kelley’s 2015 portrait of the poet Charles Baudelaire is one of a series of poets, rappers, and other thinkers who have influenced the artist’s ideas about beauty, creativity, and expression. As a challenging artist who marches to her own drum, Mary Reid Kelley is in the vanguard of a generation that blends the digital and the analog to dialogue with history. From 2009 to the present, she has made videos that fuse live performance, animation, drawing, sculpture, and digital design.

Europa Enterprise-0 (EE-0)
© » KADIST

Lala Rašcic

Film & Video (Film & Video)

In Greek mythology, Arachne was a talented mortal weaver who challenged Athena, goddess of wisdom and crafts, to a weaving contest; this hubris resulted in her being transformed into a spider. EE-0 is the first episode of the Europa Enterprise project which looks into new, feminist readings of established Eurocentric myths and reconsiders the meaning of cultural heritage and the production of artifacts for the future. In EE-0 , the Greek myth of Arachne is re-contextualized through a poetic script, taking an imaginative leap from antiquity into science fiction.

Negligee
© » KADIST

Jeff Burton

Photography (Photography)

Negligee (2013) serves as an example of this tension, with its artful angle and play with shadow and light upon the sensual subject, rendering the image ambiguous. Like much of Burton’s work, Negligee reflects both his experience as a commercial photographer and his interest in the voyeurism, desire, vulnerability, and power of the photographic act.

Susan Sontag
© » KADIST

Peter Hujar

Photography (Photography)

Susan Sontag, the author of On Photography and Regarding the Pain of Others, was captured through Hujar’s now-iconic photograph in a relaxed yet pensive pose. A friend and supporter of his work as well as his subject, Sontag wrote the introduction for Hujar’s only book published during his lifetime: Portraits in Life and Death.

Ante la imagen
© » KADIST

Oscar Munoz

Photography (Photography)

In Ante la imagen (Before the Image, 2009) Muñoz continues to explore the power of a photograph to live up to the memory of a specific person. Since a photograph is fixed, it cannot encapsulate the spirit of someone who is gone. Muñoz etched onto the surface of a mirror an appropriated historical image, a daguerreotype from 1839.

American Flag (Scratch)
© » KADIST

Collier Schorr

Photography (Photography)

Collier Schorr’s prints upend conventions of portrait photography by challenging what it means to “document” a subject. American Flag (Scratch) (1999), for example, depicts an unidentified male subject clad in an American flag-print singlet. With his head and extremities out of frame, the camera focuses on his flush-red torso, his left nipple protruding from the singlet’s strap.

Wrong Currency (Monday, Tuesday, Wednesday, Thursday, Friday)
© » KADIST

Sanya Kantarovsky

Drawing & Print (Drawing & Print)

Wrong Currency (Monday, Tuesday, Wednesday, Thursday, Friday) by Sanya Kantarovsky uses the stylistic vernacular of five separate artists to create a series of five lithographs, dealing with a series of apparently unrelated happenings, each staged as one “day.” The series takes up Kantarovsky’s theme of embarrassment across a variety of scenes, each populated by multiple figures, set in a disjunctive relation. The visual forms are brought into conversation through their shared emotional cadence. Kantarovsky proposes an affective affinity beyond style or subject matter.

The Carpenter
© » KADIST

Jeffry Mitchell

Sculpture (Sculpture)

Poised with tool in hand, Jeffry Mitchell’s The Carpenter (2012) reaches forward, toward his workbench. It is difficult to tell whether the work represents just any carpenter or Christ, the most famous member of the profession and the subject of innumerable parables and artworks. His stilted pose is not too Messianic; drips of ochre glaze render his handiwork and hammer equally soft.

Something Other Than What You Are
© » KADIST

Camel Collective

Film & Video (Film & Video)

Something Other Than What You Are by Camel Collective is formed by two works: a multi-channel video installation with controlled lighting, and a single-channel version with stereo sound. In both works, the 36 minute video depicts a narrative taking place outside of a live theater performance in the form of monologues that moves between the production and technical crew. There is a set of three different characters—a lighting technician, a lighting designer, and a professor all played by the same actress who share in their personal experiences and attitudes the precariousness of their work, the problems and myths of collaboration, and the obsolescence of theatrical technology.

Rotation (Moiré, Rome)
© » KADIST

Asier Mendizabal

Photography (Photography)

Rotation presents the image of a crowd, a re-appropriation of 19th or beginning of 20th century photographs published in newspapers and magazines. This artwork is composed of the same image repeated four times with different resolutions. The last image in Rotation is less focused than the original one.

Untitled (Butterfly)
© » KADIST

Mark Grotjahn

Drawing & Print (Drawing & Print)

This particular drawing, like many of Grotjahn’s works, presents a decentered single-point perspective. Unlike the traditional vanishing point, the rays here emanate from the surface’s middle and hover around an indefinite and impossible convergence. The resulting fluttering of the image’s sections animates the drawing in relationship to its named subject, the butterfly.

In the Collage II (Marie)
© » KADIST

Collier Schorr

Photography (Photography)

In the Collage II (Marie) (2013), Shorr seems to have an ostensibly clear subject, a female subject identified in the work’s title as “Marie,” a slim but athletic woman with brown hair pictured reclining atop a brilliantly white sheet draped against a marbled tan-and-white backdrop. Although photographed topless, Marie is depicted in slightly contorted poses that emphasize the curves of her figure while also obstructing the viewer’s gaze. Printed on high gloss paper, Marie’s portrait has the polished veneer of magazine spread, and the two portraits on display offer different vantages of the same subject.

font VII
© » KADIST

Catalina Ouyang

Sculpture (Sculpture)

font VII by Catalina Ouyang is part of an ongoing series of ‘fonts’, or sculptures, inspired by Catholic holy water vessels. This particular iteration from the series combines hand-carved soapstone, a stop loss trap, horse hair, fermented egg, and other elements to create an artwork that defies categorization. The work’s most notable feature is a small cavity that cradles a naked egg—a translucent, flaccid egg without its outer shell.

Lift with care
© » KADIST

Hu Yun

Installation (Installation)

This research-based artwork acts as a memorial to early twentieth century European exploration of China. An antique open suitcase reveals a pile of rubbings and an air-dried peony, while projected photographs of the Chinese landscape appear as a slideshow on the gallery wall. The artifacts refer to a 1908-1909 expedition of naturalists, missionaries, and colonists to the west of China, which ended abruptly with the death of one of the travelers by unusual circumstances.

Silver & Gold
© » KADIST

Nao Bustamante

Film & Video (Film & Video)

Silver & Gold combines video, performance, and original costumes into a self-proclaimed “filmformance” that evokes the legendary filmmaker Jack Smith and his tribute to 1940s Dominican movie starlet Maria Montez in a magical and joyfully twisted exploration of race, glamour, sexuality, and the silver screen. Taking Smith’s interest in Hollywood’s obsession with the reproduction of the exotic as a point of departure, Bustamante embodies Miss Montez. Here, video and the body function as both material and subject in her bizarre search for the new bejeweled body part that is at once her curse and oracle.

As Far As We Could Get
© » KADIST

Iván Argote

Iván Argote’s As Far As We Could Get comprises a series of video chapters made in the municipality of Palembang, Indonesia and the small town of Neiva, Colombia. The two cities are exact antipodes. The geographical usage of the term antipode – designating points diametrically opposite one another on the globe – stems from the ancient belief that the other side of the earth held a kind of netherworld, where everything was inverted, causing the men who lived there to walk backwards.

Collaborative Mt. Tamalpais Drawings #1-8
© » KADIST

Etel Adnan and Lynn Marie Kirby

Drawing & Print (Drawing & Print)

In conjunction with KADIST’s 2017 exhibition If Not Apollo, the Breeze , artist and filmmaker Lynn Marie Kirby performed Transmissions , a video and live reading created with longtime collaborator Etel Adnan. Inspired by time spent together in Paris, the piece incorporated open-ended conversation about the oracle, Mount Tamalpais (a subject of long-standing fascination for Adnan and the subject of hundreds of works), and a suite of collaborative drawings. The drawings, made in India ink and created spontaneously, are remarkable evidence of two lives, minds, and hands in dialogue.

Raymond Pettibon

Pedro Reyes

Joanna Piotrowska

Photographer and filmmaker Joanna Piotrowska explores issues such as the female condition, family dynamics, and post-Soviet Poland, through black and white images that depict the quotidian...

Bani Abidi

Bani Abidi’s practice deals heavily with political and cultural relations between India and Pakistan; she has a personal interest in this, as she lives and works in both New Delhi and Karachi...

Fabien Giraud & Raphael Siboni

The collaborative work of Fabien Giraud and Raphael Siboni is part of a reflection on the history of cinema, science, and technology...

Jes Fan

Jes Fan is a Brooklyn-based artist born in Canada and raised in Hong Kong...

Carey Young

Diane Severin Nguyen

Diane Severin Nguyen collects found objects and organic matter to craft the images in her photographs and video works...

Young Min Moon

Young Min Moon is a Korean American artist, curator, critic, and art historian, who migrated to the United States from South Korea as a teenager...

Elad Lassry

Shooshie Sulaiman

Shooshie Sulaiman is one of the leading creative practitioners in Southeast Asia...

Collier Schorr

Mary Ann Aitken

Mary Ann Aitken was known to be very private about her art practice; she was considered somewhat of an outsider by her peers affiliated with the second wave of Detroit’s Cass Corridor arts movement...

Elisheva Biernoff

Sharon Lockhart

Nao Bustamante

California-born and internationally recognized, Nao Bustamante cut her teeth as an artist between 1984 and 2001 in San Francisco where she studied in the New Genres department at the San Francisco Art Institute...

Adrian Villar Rojas

Trevor Paglen

Trevor Paglen’s work combines the knowledge-base of artist, geographer and activist...

Jeffry Mitchell

The Seattle-based sculptor Jeffry Mitchell creates cartoonlike creatures from low-fire earthenware...

Nandan Ghiya

Nandan Ghiya is an emerging whose practice explores the disjunction between various forms of image-based media...

Christopher Badger

Christopher Badger begins with a root fascination—a shape, a landscape, or a sound—and then pursues it methodically to its logical, and usually open-ended, conclusion...

Euan Macdonald

Euan Macdonald’s videos, drawings and sculptures are informed by a wide array of philosophical, musical, and literary references, but return repeatedly to the quotidian occurrence, the everyday as subject...

Marwa Arsanios

Marwa Arsanios is born in 1978 in Washington, United-States...

Asier Mendizabal

Asier Mendizabal explores political subjects and their symbols...

Eleanor Antin

Wimo Ambala Bayang

Working in photography and video, the Indonesian artist Wimo Ambala Bayang embraces the conceptual possibilities of digital image manipulation...

Olaf Breuning

Olaf Breuning’s photographs, videos, performances and installations play with codes of mass production with references to publicity, fashion and cinema and “high” and “low” art...

Julius Koller

Oscar Munoz

© » ART & OBJECT

about 11 months ago (02/12/2024)

Looking at Henry Taylor's Portraits | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...

© » HYPERALLERGIC

about 11 months ago (02/11/2024)

Archaeologists Find Evidence of Hallucinogenic Drug in Ancient Rome Skip to content A bust of Emperor Trajan surrounded by black henbane seends and flowers and a femur discovered by archaeologists (edit Valentina Di Liscia/ Hyperallergic ) Two new archaeological finds suggest Roman subjects at the northern edge of the ancient empire used a hallucinogenic and poisonous plant called black henbane, the effects of which were described by Greek philosopher Plutarch as “not so properly called drunkenness” but rather “alienation of mind or madness.” Dutch zooarchaeologists Maaike Groot and Martijn van Haasteren and archaeobotanist Laura I...

© » KQED

about 11 months ago (02/09/2024)

A Baby Penguin Boom is Just as Cute as You Hoped | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint Arts & Culture A Baby Penguin Boom at the Academy of Sciences is Just as Cute as You Hoped Sarah Hotchkiss Feb 9 Save Article Save Article Failed to save article Please try again Email African penguin chicks Alice and Nelson...

© » HYPERALLERGIC

about 11 months ago (02/08/2024)

When Book Covers Outshine Their Pages Skip to content Unknown artists, The Whole Booke of Psalmes (1643), binding created by unknown needlewomen (all images courtesy Grolier Club unless otherwise noted) Unknown artists, The Whole Booke of Psalmes (1643), binding created by unknown needlewomen (all images courtesy Grolier Club unless otherwise noted) Unknown artists, The Whole Booke of Psalmes (1643), binding created by unknown needlewomen (all images courtesy Grolier Club unless otherwise noted) The Grolier Club — “America’s oldest and largest society for bibliophiles and enthusiasts” — is situated on the busy Upper East Side intersection of 60th Street and Park Avenue, a few blocks from the Plaza Hotel...

© » HYPERALLERGIC

about 11 months ago (02/07/2024)

Video of Israeli Soldiers Handling Gaza Antiquities Raises Outrage Skip to content A photo of the École Biblique et Archéologique Française de Jerusalem's excavations warehouse in Gaza (image courtesy Jean-Baptiste Humbert) The Israel Antiquities Authority (IAA) drew criticism online on Sunday, January 21, after its Director-General Eli Eskozido posted an Instagram story depicting Israeli soldiers onsite at a storeroom in Gaza filled with apparent antiquities, as well as a photo of a small display of cultural objects in the Knesset (Israeli parliament)...

© » ARTEFUSE

about 11 months ago (02/07/2024)

Daniel Gibson’s Big Sky Exhibition: The Subjective Reality of Place at Almine Rech, NYC (Interview) - ArteFuse Installation view, Daniel Gibson: Big Sky at Almine Rech in Tribeca, NYC, 2024...

© » HYPERALLERGIC

about 11 months ago (02/05/2024)

Arthur Tress Sought the Shadow Side of Photography Skip to content Arthur Tress, "Boy with Root Hands, New York, New York" from the series The Dream Collector (1971) (all photos Ksenya Gurshtein/ Hyperallergic ) LOS ANGELES — The earliest recorded evidence of humans’ fascination with dreams dates to antiquity, when Heraclitus wrote, “When men dream, each has his own world...

© » HYPERALLERGIC

about 11 months ago (02/05/2024)

Return the Stolen Artifact, But Keep the Museum Label Skip to content An empty pedestal of a seized looted artifact at the Rubin Museum of Art in New York City (photo Erin L...

© » ARTSJOURNAL

about 13 months ago (12/18/2023)

What ‘Pocahontas’ Tells Us About Disney, for Better and Worse - The New York Times Movies | What ‘Pocahontas’ Tells Us About Disney, for Better and Worse https://www.nytimes.com/2023/12/16/movies/pocahontas-disney.html Share full article Advertisement SKIP ADVERTISEMENT Disney’s animated achievements — certain ones — are imprinted on our brains, in part because the company reminds us about them seemingly nonstop...

© » HYPERALLERGIC

about 13 months ago (12/15/2023)

A Cleveland Museum’s Bad Bet on a Looted Roman Statue Skip to content “Draped Male Figure” (circa 150 BCE–200 CE) at the Cleveland Museum of Art...

© » COLOSSAL

about 13 months ago (12/14/2023)

Rather than capture a single moment, Jason Chen ( previously ) weaves together photographs taken just seconds apart, creating disjointed portraits that convey movement and the passage of time...

© » THEARTNEWSPER

about 13 months ago (12/13/2023)

Richly detailed crime podcast captures with verve the ‘grubby underbelly’ of the art and antiquities trade Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Podcasts review Richly detailed crime podcast captures with verve the ‘grubby underbelly’ of the art and antiquities trade The Professor: Hunting for the Mafia's Missing Masterpiece follows English antiquities and ancient coins dealer William Veres as he attempts to solve the theft of a work by Caravaggio Ben Lewis 13 December 2023 Share Caravaggio, Nativity with St...

© » AESTHETICA

about 13 months ago (12/13/2023)

Aesthetica Magazine - 10 Questions With.....

© » ARTSJOURNAL

about 13 months ago (12/12/2023)

Stolen Syrian art funds international terrorism – Why aren’t we talking about it? – Annenberg Media Skip to main content Arts, Culture & Entertainment Stolen Syrian art funds international terrorism – Why aren’t we talking about it? Stories about the trafficking of blood antiquities across an international black market don’t often appear in the average person’s news diet; Stories about the terrorist organizations that these antiquity sales fund do, though....

© » ANOTHER

about 13 months ago (12/12/2023)

An Expansive New Exhibition of Robert Mapplethorpe’s Lesser-Known Works | AnOther As a new show dedicated to Robert Mapplethorpe opens in London, gallerist Alison Jacques talks about showcasing the photographer’s less famous portraits and still lifes November 30, 2023 Text Miss Rosen Over the course of his brief but wondrous life, Robert Mapplethorpe was a seminal force in elevating photography to the realms of fine art...

© » THE GUARDIAN

about 13 months ago (12/11/2023)

Drive-by culture: monuments you can see by road, rail or water | Architecture | The Guardian Skip to main content Skip to navigation Skip to navigation The Soviet monument on Mount Buzludzha is the biggest ideological building in Bulgaria...

© » HYPERALLERGIC

about 13 months ago (12/10/2023)

The Grim History of Rome’s Oldest Building Skip to content The Carcer as it appears today, stripped of most of the religious decoration inserted in the 17th and 18th centuries...

© » ARTNEWS REVIEWS

about 13 months ago (12/08/2023)

Private Collections Around Miami Delight as Museum Shows Disappoint – ARTnews.com Skip to main content By Maximilíano Durón Plus Icon Maximilíano Durón Senior Editor, ARTnews View All December 8, 2023 8:00am "Utility," at the Bunker Artspace, featured works from Beth Rudin DeWoody's collection...

© » SOUTH CHINA MORNING POST

about 14 months ago (11/19/2023)

Should human remains be kept in museums? Artist’s work reflects original resting places | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Korean-Colombian artist Gala Porras-Kim’s work examines the relationship between human remains and the museums that house them, and how to better visually reflect the spirits’ original resting places...

© » IGNANT

about 16 months ago (09/07/2023)

In The Studio With Jakub Kubica: Between Minimalist Design And Sci-Fi Archeology - IGNANT Name Jakub Kubica Images Clemens Poloczek Words Marie-Louise Schmidlin With a portfolio that spans minimalist furniture, functional design objects, and futuristic artworks, the practice of Jakub Kubica meets at the intersection of various disciplines...

© » GALERIA FOKSAL

about 21 months ago (03/31/2023)

Witek Orski, What is beautiful I do not know anymore - Galeria Foksal Polski English GALERIA FOKSAL #Las Rzeczy Exhibitions Artists About gallery Contact Witek Orski Witek Orski, What is beautiful I do not know anymore March 31, 2023 Opening of the exhibition: 31.03.2023 (Fri.), 6.00-9.00 pm 31.03...

© » LARRY'S LIST

about 27 months ago (10/05/2022)

City-proud cultural polymath John Waters has bequeathed 375 artworks and objects from his fine-art collection to the Baltimore Museum of Art (BMA), the institution announced yesterday...

© » ARTMARKETMONITOR

about 45 months ago (04/19/2021)

Asian Art Market Continues Rapid Ascent at Sotheby’s $270 M...

© » ARTNEWS RETROSPECTIVE

about 46 months ago (03/19/2021)

Kenneth Clark on the Formation of Western Institutions, in 1954 – ARTnews.com Skip to main content By Kenneth Clark Plus Icon Kenneth Clark View All March 19, 2021 1:37pm Johan Zoffany, Tribuna of the Uffizi , 1772–78...

© » HIGH FRUCTOSE

about 60 months ago (01/21/2020)

Vivian Greven's oil and acrylic paintings, bridging Greco-Roman art and a contemporary sense of depth and space, are studies of intimacy...

© » PAINTERS' TABLE

about 62 months ago (11/26/2019)

Clear as Doubt: Bernardo Siciliano at Aicon Gallery | Painters' Table Skip to main content Clear as Doubt: Bernardo Siciliano at Aicon Gallery Submitted by Margaret McCann on November 25, 2019...

© » HIGH FRUCTOSE

about 62 months ago (11/23/2019)

South African artist Linsey Levendall has a hyper-detailed style that appears at once chaotic and controlled...

© » ARTS EQUATOR

about 65 months ago (09/05/2019)

Weekly Southeast Asia Radar: New Filipina superhero; capturing seniors of Saigon; refugee kids in Penang musical | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Photo: School of The Arts, USM September 5, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...

© » KADIST

about 77 months ago (09/22/2018)

© » KADIST

about 135 months ago (11/20/2013)

© » KADIST
K

about 153 months ago (05/31/2012)

© » KADIST

about 180 months ago (03/30/2010)

© » KADIST

about 180 months ago (03/30/2010)

© » KADIST

about 197 months ago (11/01/2008)

© » KADIST

about 214 months ago (06/06/2007)

© » KADIST

about 218 months ago (01/25/2007)

© » KADIST

about 218 months ago (01/25/2007)