Untitled (Set of Six Drawings)

Taking archaeology as her departure point to examine the trajectories of replicated and displaced objects, “Who will measure the space, who will tell me the time?” was produced in Oaxaca for her exhibition of the same title at the Contemporary Museum of Oaxaca (MACO) in 2015...

Mariana Castillo Deball’s set of kill hole plates are part of a larger body of work problematizing archeological narratives, and drawing attention to the conservation process and its role in recreating an imagined object...

Poised with tool in hand, Jeffry Mitchell’s The Carpenter (2012) reaches forward, toward his workbench...

The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television...

The two drawings in the Kadist Collection are part of a larger series entitled Las Mariposas Eternas (The Eternal Butterflies)...

Taking archaeology as her departure point to examine the trajectories of replicated and displaced objects, “Who will measure the space, who will tell me the time?” was produced in Oaxaca for her exhibition of the same title at the Contemporary Museum of Oaxaca (MACO) in 2015...

Mariana Castillo Deball’s set of kill hole plates are part of a larger body of work problematizing archeological narratives, and drawing attention to the conservation process and its role in recreating an imagined object...

Los rastreadores is a two-channel video by Claudia Joskowicz narrating the story of a fictitious drug lord, Ernesto Suarez, whose character is based on the well-known Bolivian drug dealer, Roberto Suárez...

What’s in a sound? And what of a drone? Venerable curator Barbara London is joined in conversation by artist Aura Satz, an interdisciplinary artist based in London, UK with a particular interest in the sustained, ambient, and minimal...

David Gustav Cramer’s are composed of simple, descriptive texts accompanied by found photographs, letters or other materials...

The Art of Fashion and Legacy: Carla Sozzani and Byronesque’s Unique Collaboration – A Shaded View on Fashion https://byronesque.com/fondazione_sozzani/ Dear Shaded Viewers, In a remarkable intersection of art and fashion, Carla Sozzani, the revered figure in the world of fashion, has embarked on a unique collaboration with Byronesque...

Canción para un fósil canoro (Song for a chanting fossil) by Rometti Costales is inspired by the history of the building that currently hosts the Museo de la Solidaridad Salvador Allende (MSSA) in Santiago, Chile...

The two drawings in the Kadist Collection are part of a larger series entitled Las Mariposas Eternas (The Eternal Butterflies)...

Untitled consists of a small wooden sculpture that leans against a wall...

In a society saturated by images, Eric Baudelaire is interested in political events that have not found their representation...

Wright Imperial Hotel (2004) is a sort of bow and arrow made out of feathers, a São Paulo phone book, and other materials...

To make his series Shadows (1980), Gaines subjected 20 potted plants to a uniform procedure...

78% of respondents to an ART+TECH survey had bought art without seeing it in person, but they still mostly craved a personal touch....

In 2008, Grassie was invited by the Whitechapel Gallery to document the transformation of some of its spaces...

– In which an intelligence going back to its place of origin discovers the agony of gods on which it thrives – Seventh and last episode of The Unmanned , “a flood” is set in 1542 as the first conquistadors enter the land later to be known as the Silicon Valley...