VFGY9

1979 - Drawing & Print (Drawing & Print)

Larry Bell

location: Venice, California
year born: 1939
gender: male
nationality: American
home town: Chicago, Illinois

Like many of Larry Bell’s works, VFGY9 deals primarily with the viewer’s experience of sight. The blocks resemble a stone carving, or slabs of wood shaped into a simple organic composition whose overall sheen is varied through a thin layer of aluminum vapor. Yet, the real material of Bell’s piece is actually light, formed within the viewer’s eye into masses as present as stone.


Often associated with the Light and Space movement—which as also includes James Turrell, Robert Irwin, and John McCracken—Larry Bell has been an important figure and influence in the West Coast contemporary art scene since the early 1960s. Less interested in the material, concrete qualities of the object than in heightening awareness of the environment in which it is situated, his abstract geometric sculptural works possess a certain mystical aspect and engage the viewer in a myriad of perceptual experiences.


Colors:



Other related works, blended automatically

Untitled (Construction)
© » KADIST

Larry Bell

2007

Untitled (Construction) recalls the series of glass cubes that gained Bell international recognition in the 1960s...

Tree on Keystone
© » KADIST

Lucas Blalock

2011

Compositions such as Tree on Keystone (2011) become hyperreal versions of their real-world equivalents...

three, three, three
© » KADIST

Lucas Blalock

2013

Blalock resists the immediacy that we have come to expect from photography—that each photograph should communicate its message without delay...

Untitled
© » KADIST

Martin Kippenberger

1989

Untitled is a work on paper by Martin Kippenberger comprised of several seemingly disparate elements: cut-out images of a group of dancers, a japanese ceramic vase, and a pair of legs, are all combined with gestural, hand-drawn traces and additional elements such as a candy wrapper from a hotel in Monte Carlo and a statistical form from a federal government office in Wiesbaden, Germany...

West (Flag 1) (Flag 3) (Flag 6)
© » KADIST

Alexandre da Cunha

2011

The series West (Flag 1), West (Flag 3), and West (Flag 6) continues da Cunha’s ongoing exploration of the form’s various vertical, horizontal, and diagonal stripes...

Untitled
© » KADIST

Martin Kippenberger

1988

Martin Kippenberger’s late collages are known for incorporating a wide range of materials, from polaroids and magazine clips to hotel stationery, decals, and graphite drawings...

Armless
© » KADIST

Chloe Piene

2005

The figure in Armless tapers away...

Telescopic Pole (Tennis Balls Red) and (Tennis Balls)
© » KADIST

Chadwick Rantanen

2010

Telescopic Pole is an adjustable telescopic pole that extends vertically from floor to ceiling and is held up by its own internal pressure...

Sound of Ice Melting
© » KADIST

Paul Kos

1970

Sound of Ice Melting is based on the ancient Zen Buddhist koan about the sound of one hand clapping...

Collapse
© » KADIST

Will Rogan

2007

Shot in the streets of Tokyo, Collapse , is a meditation on the passing of time and on the complicated way in which we are smashed between the past and the future...

Stone Deaf (Drawing)
© » KADIST

Milena Bonilla

2009

Milena Bonilla’s discursive practice explores connections among economics, territory, and politics through everyday interventions...

Laissez-Faire (Rainbow Flag)
© » KADIST

Alexandre da Cunha

2010

In Laissez-Faire (Rainbow Flag) da Cunha has turned a beach towel into both a painting and a flag...

Untitled
© » KADIST

John McCracken

Though not strictly representational, some objects in Untitled (1962) are recognizable: a flower, an egg, a foot...

Hand Palm Echo 1
© » KADIST

Christine Sun Kim

2022

Hand Palm Echo 1 is a digital animation based on Christine Sun Kim’s staircase mural at The Drawing Center in New York (10 March – 22 May, 2022)...

Sleeping Elephant in the Axis of Yogyakarta Series
© » KADIST

Wimo Ambala Bayang

2011

Composed of four images, the series Sleeping Elephant in the Axis of Yogyakarta (2011) explores the artist’s observation of how Javanese mythology and cosmology have marked the geography of Yogyakarta, the cultural centre of Indonesia...

Sirens
© » KADIST

Paul Kos

1977

Taking its title from the eponymous mythological creature—famously featured as sea nymphs in Homer’s Odyssey...

Color of History, Sweating Rocks
© » KADIST

Ranu Mukherjee

2011

Conceived as a large-scale mural-like projection, Color of History, Sweating Rocks is a neo-futuristic, hybrid film that combines cinematic language, collage, animation, and inventive forms to highlight the plight of the peoples of the Sahara—and refugees in general—who have been displaced by oil-mining....