7 x 7 in.
7″ Single ‘Pop In’ by Martin Kippenbergher consisting of a vinyl record and a unique artwork drawn by the artist on the record’s sleeve. In the foreground of the album’s cover, a drawing of an empty, round vessel is framed underneath the text “POP IN”, suggesting an invitation to listen to the record, a nod to pop music, or perhaps a literal proposal to enter the vessel or the work. In the background, partly hidden by the round form, Kippenberger’s hand-drawn self portrait glares back at the viewer. Rather than an actual attempt at becoming a musician or to create music, this work presents a means to play and experiment within an expanded set of conditions: an opportunity to perform a different self, a musician, a drummer, a punk. 7″ Single ‘Pop In’ joins the flood of ephemera—books, catalogues, posters, invitation cards—that sprang from Kippenberger’s notion of ubiquity via artistic engagement, while at the same time revealing the kinship and affinity Kippenberger felt with the punk music enfants terribles of the time.
Martin Kippenberger is widely regarded as one of the most talented German artists of his generation. Although he was incredibly prolific in a diverse range of media—drawings, collage, sculpture, performance, painting, photography, installations, prints, ephemera.—his best-known works are paintings, many of them self-portraits. Kippenberger was a very polarizing figure, known by many for being a provocateur and for making politically charged work as artworld commentary. Often taking on different art historical tropes, his work tested the boundaries of authorship and originality. He was known to hire others to paint for him under a pseudonym, or use work by other artists to create new work. Examples include restaging a photograph of Pablo Picasso; turning a monochrome by Gerard Richter into a coffee table; and claiming an installation of his as the last chapter of an unfinished novel by Franz Kafka. One of his key concerns was to try to understand the artist’s place in the modern world, and how their essence and personality can become apparent in the objects that they create.
The types of objects Feldmann is interested in collecting into serial photographic grids or artist’s books are often also found in three dimensional installations...
The types of objects Feldmann is interested in collecting into serial photographic grids or artist’s books are often also found in three dimensional installations...
Ponderosa Pine IV belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that live in Northern California...
The types of objects Feldmann is interested in collecting into serial photographic grids or artist’s books are often also found in three dimensional installations...
The types of objects Feldmann is interested in collecting into serial photographic grids or artist’s books are often also found in three dimensional installations...
Tanaka’s unique understanding of objects and materials is reflected in the four photographs that document his Process of Blowing Flour ...
Martin Kippenberger’s late collages are known for incorporating a wide range of materials, from polaroids and magazine clips to hotel stationery, decals, and graphite drawings...
The types of objects Feldmann is interested in collecting into serial photographic grids or artist’s books are often also found in three dimensional installations...
The types of objects Feldmann is interested in collecting into serial photographic grids or artist’s books are often also found in three dimensional installations...
Tanaka’s unique understanding of objects and materials is reflected in the four photographs that document his Process of Blowing Flour ...
To make Minimal Secret (2012), Jarpa created sculptures based on pages of declassified CIA information about the United States’ involvement in Chile...
At 90, Photographer Fred Baldwin Still Has ‘So Much Work Left to Do’ - The New York Times Lens | At 90, Photographer Fred Baldwin Still Has ‘So Much Work Left to Do’ https://www.nytimes.com/2019/05/29/lens/fred-baldwin-photography.html Give this article Share Advertisement Continue reading the main story Fred Baldwin reckons he could have become a writer — if the manual Olivetti typewriter he used while studying at Columbia in 1955 had spell-check...
To produce the series of sculptures collectively titled Utarand , Prabhakar Kamble relocated his studio to Kolhapur, Maharashtra, near the village where he was born into a family of daily wage earners...
Martin Kippenberger’s late collages are known for incorporating a wide range of materials, from polaroids and magazine clips to hotel stationery, decals, and graphite drawings...
Untitled is a work on paper by Martin Kippenberger comprised of several seemingly disparate elements: cut-out images of a group of dancers, a japanese ceramic vase, and a pair of legs, are all combined with gestural, hand-drawn traces and additional elements such as a candy wrapper from a hotel in Monte Carlo and a statistical form from a federal government office in Wiesbaden, Germany...
Aja Monet, Suzanne Ciani and Dehd Join Noise Pop 2024 Lineup | KQED Skip to Nav Skip to Main Skip to Footer The Do List Aja Monet, Suzanne Ciani and Dehd Join Noise Pop 2024 Lineup Nastia Voynovskaya Dec 12 Save Article Save Article Failed to save article Please try again Facebook Share-FB Twitter Share-Twitter Email Share-Email Copy Link Copy Link Aja Monet performs during 2022 BRIC celebrate Brooklyn at Lena Horne Bandshell at Prospect Park on July 08, 2022 in New York City...
Matthew Sheeran on Composing Electronic Music With Acoustic Instruments - The New York Times Music | How Do You Get Acoustic Instruments to Play Electronic Music? https://www.nytimes.com/2024/02/11/arts/music/sheeran-microtonal-acoustic.html Share full article Advertisement SKIP ADVERTISEMENT If you start at the middle C of a piano and strike every key on your way up to the next C on the keyboard, you will play each of the 12 notes that make up an octave...