Like many of Larry Bell’s works, VFGY9 deals primarily with the viewer’s experience of sight. The blocks resemble a stone carving, or slabs of wood shaped into a simple organic composition whose overall sheen is varied through a thin layer of aluminum vapor. Yet, the real material of Bell’s piece is actually light, formed within the viewer’s eye into masses as present as stone.
Often associated with the Light and Space movement—which as also includes James Turrell, Robert Irwin, and John McCracken—Larry Bell has been an important figure and influence in the West Coast contemporary art scene since the early 1960s. Less interested in the material, concrete qualities of the object than in heightening awareness of the environment in which it is situated, his abstract geometric sculptural works possess a certain mystical aspect and engage the viewer in a myriad of perceptual experiences.
Though not strictly representational, some objects in Untitled (1962) are recognizable: a flower, an egg, a foot...
This series of small drawings is executed with varying materials—pen, ink, colored pencil, charcoal, and masking tape—on architect’s tracing paper...
In Suspension a young man is hanging in the air, falling, or perhaps drifting through time and space...
Compositions such as Tree on Keystone (2011) become hyperreal versions of their real-world equivalents...
Blalock resists the immediacy that we have come to expect from photography—that each photograph should communicate its message without delay...
In the six-minute single-channel video Higher Horse , Kate Gilmore perches herself on top of a tall pile of plaster blocks, in front of a pink colored wall with vein-like streaks of red...
Untitled is a work on paper by Martin Kippenberger comprised of several seemingly disparate elements: cut-out images of a group of dancers, a japanese ceramic vase, and a pair of legs, are all combined with gestural, hand-drawn traces and additional elements such as a candy wrapper from a hotel in Monte Carlo and a statistical form from a federal government office in Wiesbaden, Germany...
Untitled (Construction) recalls the series of glass cubes that gained Bell international recognition in the 1960s...
Compositions such as Tree on Keystone (2011) become hyperreal versions of their real-world equivalents...
Blalock resists the immediacy that we have come to expect from photography—that each photograph should communicate its message without delay...
In the six-minute single-channel video Higher Horse , Kate Gilmore perches herself on top of a tall pile of plaster blocks, in front of a pink colored wall with vein-like streaks of red...
Gated Commune , a video by Camel Collective, is a critique of the complex, and often obtuse, language used to describe sustainable development projects...
5901 NW 2nd Ave., Miami, FL 33127 (Botanica) is a series of paintings that artist Eddie Arroyo created over an extended period of time, depicting the same site as it appeared from 2016 to 2018...
San Pedro is a seaside city, part of the Los Angeles Harbor, sitting on the edge of a channel...
Untitled (Construction) recalls the series of glass cubes that gained Bell international recognition in the 1960s...
Though not strictly representational, some objects in Untitled (1962) are recognizable: a flower, an egg, a foot...
The stained glass windows of Chloé Quenum’s Les Allégories evoke the sacred and describe the movement of a rooster in the form of patterns extracted from a wax fabric found in Benin...