Forking Sprawl

1971 - Drawing & Print (Drawing & Print)

Robert Smithson

year born: 1938
gender: male
nationality: American
home town: Passaic, New Jersey

Artist Robert Smithson is best known as a major proponent of Land Art, visiting quarries, industrial sites, and abandoned wastelands in New Jersey and its surrounding states throughout the late 1960s. He would go on to work in the deserts of the Southwest, with his seminal Spiral Jetty , a land sculpture made of mud, salt crystals, and basalt rocks, produced on the northern shore of Utah’s Great Salt Lake. While his early work largely consisted of paintings and drawings, he later began to produce Minimalist sculpture before producing more monumental work, moving earth and land in order to create interventions that would alter the landscape. Alongside his visual practice, Smithson wrote a number of theoretical texts outlining the influence of temporal considerations and the relationship between a work of art and the surrounding environment to his work.


Colors:



Untitled
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John McCracken

Though not strictly representational, some objects in Untitled (1962) are recognizable: a flower, an egg, a foot...

This Exhibition
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Tino Sehgal

2004

Tino Sehgal’s This Exhibition requires an interpreter (in this particular piece, a gallery attendant) to faux faint each and every time a visitor enters into a given space...

Untitled (City Limits)
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Allen Ruppersberg

1970

Untitled (City Limits) is a series of five black-and-white photographs of road signs, specifically the signs demarcating city limits of several small towns in California...

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Untitled
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Gabriel Sierra

2010

Untitled consists of a small wooden sculpture that leans against a wall...

Excerpt (Sealed) (Brown)
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Stephen G. Rhodes

2010

For his series of digital collages Excerpt (Sealed)… Rhodes appropriated multiple images from mass media and then sprayed an X on top of their glass and frame...

Two Eyes Two Mouth
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Erika Verzutti

2015

Made in cast bronze, Two Eyes Two Mouths provokes a strong sense of fleshiness as if manipulated by the hand of the artist pushing her fingers into wet clay or plaster to create gouges that represent eyes, mouths and the female reproductive organ...

Other related works, blended automatically  
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Untitled
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Gabriel Sierra

2010

Untitled consists of a small wooden sculpture that leans against a wall...

Knotty Spell in Windy Drapes
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Haegue Yang

2016

A steel clothing rack adorned with turbine vents, Moroccan vintage jewelry, pinecones and knitting yarn, these heterogeneous elements are used here to create an exotic yet undefined identity within the work...

Two Eyes Two Mouth
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Erika Verzutti

2015

Made in cast bronze, Two Eyes Two Mouths provokes a strong sense of fleshiness as if manipulated by the hand of the artist pushing her fingers into wet clay or plaster to create gouges that represent eyes, mouths and the female reproductive organ...

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Going Our Way at George Adams Gallery
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Documentation of Going Our Way at George Adams Gallery, New York is featured on Contemporary Art Daily....

Podcast 63: Rei Poh and Attempts
© » ARTS EQUATOR

Podcast 63: Rei Poh and Attempts | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Courtesy of Attempts August 25, 2019 Duration: 30 min In this latest episode of our Fresh Blood podcast, Nabilah Said speaks to Singaporean theatremaker Rei Poh on the new collective Attempts, which focuses on creating theatrical experiences based on the principles of participatory theatre and gameplay...

Lengüitas sagradas (Blessed Little Tongues)
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Juliana Góngora

2020

Lengüitas sagradas (Blessed Little Tongues) by Juliana Góngora is the result of a careful creative job between Juliana Góngora and the Koreguaje community and their workshop Masipai...

Warder
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Lydia Gifford

2011

Lydia Gifford composes her work between pictorial expression and its inscription within an exhibition space...