Vanishing Point

2014 - Film & Video (Film & Video)

Xiaoyun Chen

location: Hangzhou, China
year born: 1971
gender: male
nationality: Chinese
home town: Hubei Province, China

The central point of Vanishing Point is the most direct physiological reaction of the body to the environment. Chen Xiaoyun has added a written narrative and a poetic quality to his works. Image fragments containing different pieces of information are linked together by the text, their interplay producing a synesthesia effect. The abstract quality of the expressive fragmented pictures and narrative text provide the viewer with an imaginative space that is broader than the one they would experience in a traditional linear narrative. The problem of reality becomes abstract, arousing reflection in the mind and heart. The video’s literary style gives the viewer a sense of reading. Although the questions are silent, the text increases the impact on the mind. By probing reality with poetic metaphor, Chen Xiaoyun’s works present a fragmented landscape that is produced through resistance against the systems of reality.


Chen Xiaoyun studied ink painting at the Chinese Academy of Arts and lived as a writer in Suzhou before becoming part of the Hangzhou video art community. Chen’s works stages scenes of everyday life with elements of the strange and the absurd in order to explore existentialist themes through narratives of visual linearity. Chen is drawn to nighttime scenes of ambiguity, making use of shadows and silhouettes in concert with simple plots and fixed scenery to reconcile disjuncture in gazes and assert connections between the filmic eye and reality.


Colors:



Related works featuring themes of: » China, » Conflict, » Contemporary Surrealistic, » Film/Video, » Chinese  
» see more

Island
© » KADIST

Kan Xuan

2006

In Kan Xuan’s four-channel video Island , a series of objects like nail clippers, hairbrush, toothpaste, and house decorations are shot in close-ups...

Lift with care
© » KADIST

Hu Yun

2013

This research-based artwork acts as a memorial to early twentieth century European exploration of China...

The Tower of Babel: The Carnaval
© » KADIST

Du Zhenjun

2010

The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...

Same Old Crowd
© » KADIST

Li Ran

2016

The four-channel video installation Same Old Crowd departs from the documentation of an unknown city and takes place in an ambiguous temporal and spatial frame...

Other related works, blended automatically  
» see more

Drag
© » KADIST

Xiaoyun Chen

2006

In the video work Drag, a man in a dark room pulls on the end of a rope...

Island
© » KADIST

Kan Xuan

2006

In Kan Xuan’s four-channel video Island , a series of objects like nail clippers, hairbrush, toothpaste, and house decorations are shot in close-ups...

Lift with care
© » KADIST

Hu Yun

2013

This research-based artwork acts as a memorial to early twentieth century European exploration of China...

Tremble
© » KADIST

Jiang Zhi

2009

In the video installation Tremble, Jiang projected the life-size images of seven naked men and women onto seven individual screens...

Related works sharing similar palette  
» see more

Coherent divergence at John Molloy Gallery
© » TWOCOATSOFPAINT

Coherent divergence at John Molloy Gallery – Two Coats of Paint Carter Hodgkin, Dither 12, cut paper collage with acrylic paint, inkjet & protective varnish on canvas over panel, 24 x 24 inches Contributed by Jonathan Stevenson / “Mutability,” a thoughtfully conceived and curated group show at John Molloy Gallery, by its title contemplates the elastic aesthetic capacities of painting, drawing, and sculpture...

One Fine Show: Anida Yoeu Ali’s Performance Pieces at the Seattle Asian Art Museum
© » OBSERVER

Arts Review: “Anida Yoeu Ali: Hybrid Skin, Mythical Presence” | Observer ‘Water Birth, The Red Chador: Genesis I,’ Kaiona Beach, Oahu, USA, 2019, Anida Yoeu Ali, Cambodian American, b...

É Noite na América (It is Night in America)
© » KADIST

Ana Vaz

2022

Ana Vaz describes her film É Noite na América (It is Night in America) as an eco-terror tale, freely inspired by A cosmopolitics of animals by Brazilian philosopher Juliana Fausto; in which she investigates the political life of non-human beings and questions the modern idea of the exceptionality of the human species...

Migrant Ecologies Project: A Grain of Wheat Inside a Salt Water Crocodile
© » ARTS EQUATOR

Migrant Ecologies Project: A Grain of Wheat Inside a Salt Water Crocodile | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Grain of Wheat July 8, 2019 For the benefit of the possible intelligences that may find these treasures after humans have long gone, we have translated one of the photographs of our wheat gleaning ceremony in Singapore into binary code...

Related works from the » 2010's created around » Hangzhou, China  
» see more

5
© » KADIST

Jiang Zhi

2012

5 is a three channel video about the dualities of death and resurrection, reminiscence and fantasy, chronological and retrospective narration...

Mythological Time
© » KADIST

Sun Xun

2016

Sun Xun’s lushly illustrated, dynamic short film Mythological Time is a dreamy chronicle of rapacious industrial development, the mythical qualities of state propaganda, and the constancy of change, as experienced by an unnamed coal mining town...

Portrait: Cover and Clean
© » KADIST

Qiu Anxiong

2011

A Portrait: Covering and Cleaning is an installation of six black-and-white video projections...

A Slap in Wuhan
© » KADIST

Li Liao

2010

A Slap in Wuhan documents Li Liao’s performance in Wuhan, China on January 8, 2011...

Other works by: » Xiaoyun Chen  
» see more

Drag
© » KADIST

Xiaoyun Chen

2006

In the video work Drag, a man in a dark room pulls on the end of a rope...

Regard Eating Every Single Time as a Formal Declaration, My Stomach is Sexy out of Anger
© » KADIST

Xiaoyun Chen

2006

The image of rusted nails, nuts and bolts as shrapnel sandwiched between a fried Chicken burger highlights the contrast between decadence and destruction...

A Little Bit More Virtual Than Reality, A Little Bit Warmer than Craziness, A Little Bit Whiter Than Darkness, A Little Bit Longer than A heavy Sigh
© » KADIST

Xiaoyun Chen

2012

The lengthy titles in Chen Xiaoyun’s work often appear as colophons to his photographs that invite the viewer to a process of self realization through contemplating the distance between word and image...

State Terrorism in Ultimate Form of PreRaphaelite Brotherhood
© » KADIST

Xiaoyun Chen

2006

State Terrorism in the ultimate form of Pre-Raphaelite Brotherhood features a portrait of the artist wearing a zipped utilitarian jacket reminiscent of a worker’s uniform, with one arm behind his back as if forced to ingest a bundle of stick—a literal portrayal to the definition of fascism...

Related works found in the same semantic group  
» see more

Anthony Discenza: Book Release & Reading
© » KADIST

Join us for an evening of live readings, and the release of Anthony Discenza’s new artist book...

A Viewing (The Effect)
© » KADIST

Anthony Discenza

2010

A Viewing (The Effect) by Anthony Discenza is a continuous voiceover loop intended for presentation in a dedicated, light-and-acoustically controlled space...

Anthony Discenza: A Series of Minor Defeats Hinting at Greater Cruelties
© » KADIST

Download the ePub The data set meets guided visualization meets midnight movie: Anthony Discenza’s otherworldy textual artworks have appeared in exhibition venues in a variety of formats—from street signs and audio installations to light-boxes and scrolling LED displays...

Dave
© » KADIST

Mohamed Bourouissa

2018

Dave is part of Mohamed Bourouissa’s project Horse Day , which stemmed from a residency the artist conducted in Philadelphia in 2014...