Vallegrande 1967

Empire’s Borders II – Passage and Empire’s Borders II – Workers are from the three-channel film installation Empire’s Borders II – Western Enterprise, Inc...

Empire’s Borders II – Passage and Empire’s Borders II – Workers are from the three-channel film installation Empire’s Borders II – Western Enterprise, Inc...

Mateo Lopez uses paper as a medium to conjure personal experiences...

Herculine’s Prophecy by Juliana Huxtable features a kneeling demon-figure on what appears to be a screen-print, placed on a wooden table, which has then been photographed and digitally altered to appear like a book cover, with a title and subtitle across the top, and a poem written across the bottom...

Los rastreadores is a two-channel video by Claudia Joskowicz narrating the story of a fictitious drug lord, Ernesto Suarez, whose character is based on the well-known Bolivian drug dealer, Roberto Suárez...

Empire’s Borders II – Passage and Empire’s Borders II – Workers are from the three-channel film installation Empire’s Borders II – Western Enterprise, Inc...

Empire’s Borders II – Passage and Empire’s Borders II – Workers are from the three-channel film installation Empire’s Borders II – Western Enterprise, Inc...

The central point of Vanishing Point is the most direct physiological reaction of the body to the environment...

How an opera about Harpo Marx introducing Marmite modernist composer Arnold Schoenberg to Hollywood producer Irving Thalberg went down in Shenzhen, China...

Matteo Nasini “bassa marea” at spazio contemporanea, Brescia — Mousse Magazine and Publishing...

An-My Lê: the artist portraying the inhuman scale of war and small acts of resistance Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Artist interview interview An-My Lê: the artist portraying the inhuman scale of war and small acts of resistance Airlifted out of Vietnam as a teenager when Saigon fell, the Vietnamese American photographer makes no attempt to simplify the unbearably complex, and pits individual agency against huge geopolitical forces Dale Berning Sawa 7 December 2023 Share Installation view of Fourteen Views (2023), which represents a river journey from the Mekong to the Mississippi via Parisian water gardens, encompassing Vietnam, its colonisation by France and the military intervention by the US Photo: Jonathan Dorado, © MoMA In 2021, An-My Lê had an out-of-body experience in the Californian desert...

Despite a government hostile to culture, Budapest’s art scene is flourishing and we've identified some of the key figures leading the way....

Los rastreadores is a two-channel video by Claudia Joskowicz narrating the story of a fictitious drug lord, Ernesto Suarez, whose character is based on the well-known Bolivian drug dealer, Roberto Suárez...

The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television...

Some Dead Don’t Make a Sound (Hay muertos que no hacen ruido) is a single-channel video by Claudia Joskowicz that features the Mexican legend of the Weeping Woman (La Llorona) as its main protagonist...

The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television...

De sino à sina (From Bell to Fate) is a six-channel sound installation by Carla Zaccagnini exploring the relationship between modern Brazil and its colonial past...

Westminster Agua Viva is made from Westminster City Council(‘s) recycling bin bags, glued together, that the artist has painted and cut or cut and painted...

“Films inspired people a lot...

“These are negatives that were scratched because of a jealous husband from the Baqari family, who never let his wife out by herself...

The black-and-white projection, Araf by Didem Pekün, begins, as a lithe man stands high up in the middle of the grand, rebuilt 16th-century Ottoman bridge in Mostar, in Bosnia and Herzegovina...

Designed as an installation timed spent is determined by the viewer, as with classical sculpture, Anthems is a piece that is in place, and in time, and an important genre of video within the collection...

In his performative action Subterranean Doomsday Vendor , Draeger positions himself in the subway system of Mexico City, as part of the common occurrence of bootleg media vendors...

Within the narrative of Sahej Rahal’s The rocks we will find, beings perform absurd acts in derelict corners of the city, emerging into the everyday as if from the cracks of our civilization, transforming them into liminal sites of ritual, and challenging ways in which we experience time and space...