Dash shapes, manipulates, and molds the materials herself, as the works becomes something of a physical archive. Through these delicate and time-consuming processes, the artist’s bodily interaction with the material becomes clear, with marks of its making and traces of the artist’s hand embedded in the surface of her quiet compositions.
N. Dash’s minimal abstract works are driven by an interest and engagement with materials. Beginning with an intimate knowledge of her material choices—usual suspects include graphite, jute, twine, wood, and an unusual Adobe clay—Dash creates simple compositions that foreground the qualities of her materials.
Seven family members and a cat all squeezed into the small five-room house, where Motoyuki Daifu grew up in Yokohama...
The photograph Exquisite Eco Living is part of a larger series titled Executive Properties in which he digitally manipulated the images to insert iconic buildings of Kuala Lumpur in the view of derelict spaces also found in the city...
Untitled (Perfect Lovers + 1) by Cerith Wyn Evans takes as its starting point Felix Gonzales-Torres’s seminal work Untitled (Perfect Lovers) , in which two clocks were synchronized and left to run without interference, the implication being that one would stop before the other...
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
Charco portátil congelado (Frozen Portable Puddle, 1994) is a photographic record of an installation of the same name that Gabriel Orozco made at Witte de With Center for Contemporary Art in Rotterdam for the group exhibition WATT (1994)...
Collectors’ Favorites is an episode of local cable program from the mid-1990s in which ordinary people were invited to present their personal collections—a concept that in many ways anticipates current reality TV shows and internet videos...
603 Football Field presents a soccer game played inside a small student apartment in Shanghai...
Ponderosa Pine IV belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that live in Northern California...
Ammo Bunker (2009) is a multipart installation that includes large-scale wall prints and an architectural model...
Golia’s Untitled 3 is an installation in which a mechanical device is programmed to shoot clay pigeons that are thrown up in front of a white wall...
Douglas Gordon’s single-channel video The Left Hand Can’t See That The Right Hand is Blind, captures an unfolding scene between two hands in leather gloves—at first seemingly comfortable to be entwined, and later, engaged in a struggle...
In Thomson’s Untitled (TIME) , every front cover of TIME magazine is sequentially projected to scale at thirty frames per second...
In Monster (1996-97), the artist’s face becomes grotesque through the application of strips of transparent adhesive tape, typical of Gordon’s performance-based films that often depict his own body in action...
The video Swimming in rivers of Glue is composed of various images of nature, exploring the themes of exploration of space and its colonization...
In the work titled The Glossies (1980), an affinity for photography manifested itself before McCollum actually began to use photography as a medium...
The White Album (2008) presents a compilation of one hundred issues of Artforum magazine released between 1970 and 1979...