Untitled

2013 - Sculpture (Sculpture)

N. Dash

location: New Mexico & New York
year born: 1980
gender: female
nationality: American
home town: Miami Beach, Florida

Dash shapes, manipulates, and molds the materials herself, as the works becomes something of a physical archive. Through these delicate and time-consuming processes, the artist’s bodily interaction with the material becomes clear, with marks of its making and traces of the artist’s hand embedded in the surface of her quiet compositions.


N. Dash’s minimal abstract works are driven by an interest and engagement with materials. Beginning with an intimate knowledge of her material choices—usual suspects include graphite, jute, twine, wood, and an unusual Adobe clay—Dash creates simple compositions that foreground the qualities of her materials.


Colors:



Other related works, blended automatically

Untitled (Family Project)
© » KADIST

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Exquisite Eco Living (executive Properties series)
© » KADIST

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© » KADIST

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Wherein one nods with political sympathy and says I understand you better than you understand yourself, I’m just here to help you help yourself
© » KADIST

Yee I-Lann

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Sarcastically titled to call attention to the problematic notions underlying colonialism, this photograph shows hundreds of Native Malaysians seated quietly behind one of their colonial oppressors...

Ponderosa Pine IV
© » KADIST

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Ponderosa Pine IV belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that live in Northern California...

Untitled (TIME)
© » KADIST

Mungo Thomson

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In Thomson’s Untitled (TIME) , every front cover of TIME magazine is sequentially projected to scale at thirty frames per second...

The Making of Monster
© » KADIST

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In Monster (1996-97), the artist’s face becomes grotesque through the application of strips of transparent adhesive tape, typical of Gordon’s performance-based films that often depict his own body in action...

Black Hands, White Cotton
© » KADIST

Hank Willis Thomas

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Shot in black and white and printed on a glittery carborundum surface, Black Hands, White Cotton both confronts and abstracts the subject of its title...

Tree on the Former Site of Camera Obscura
© » KADIST

Rodney Graham

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Tree on the Former Site of Camera Obscura (1996) belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that lives in Northern California...

Ammo Bunker
© » KADIST

Mario Ybarra Jr.

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Ammo Bunker (2009) is a multipart installation that includes large-scale wall prints and an architectural model...

Sexy
© » KADIST

Yan Xing

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Sexy shows Yan Xing unsuccessfully trying to reach orgasm in freezing temperatures among the falling rocks and howling winds of a precarious canyon...

Tree on Keystone
© » KADIST

Lucas Blalock

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Compositions such as Tree on Keystone (2011) become hyperreal versions of their real-world equivalents...

Wall Window or Bar Sign (Insanity is Doing the Same Thing Over and Over and Expecting Different Results)
© » KADIST

Mungo Thomson

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Starting with Bruce Nauman’s iconic artwork, The True Artist Helps the World by Revealing Mystic Truths (Window or Wall Sign) , Mungo Thomson’s neon sign is one of a series that replaces Nauman’s quixotic mini-manifesto with aphorisms from ‘recovery’ culture, especially those made popular by alcoholics anonymous...

Blind Spencer (Mirror)
© » KADIST

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Blind Spencer is part of the series “Blind Stars” including hundreds of works in which the artist cut out the eyes of Hollywood stars, in a symbolically violent manner...

Nothing New
© » KADIST

Oded Hirsch

2012

Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel...

Untitled (Perfect Lovers + 1)
© » KADIST

Cerith Wyn Evans

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Untitled (Perfect Lovers + 1) by Cerith Wyn Evans takes as its starting point Felix Gonzales-Torres’s seminal work Untitled (Perfect Lovers) , in which two clocks were synchronized and left to run without interference, the implication being that one would stop before the other...

Untitled #1 #2 #3
© » KADIST

Piero Golia

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Golia’s Untitled 3 is an installation in which a mechanical device is programmed to shoot clay pigeons that are thrown up in front of a white wall...