Untitled

2015 - Painting (Painting)

228 x 114 x 2 cm

Maria Taniguchi


Maria Taniguchi works across several media but is principally known for her long-running series of quasi-abstract paintings featuring a stylized brick wall device. Full of subtle gradations and low-key modulations, these are her trademark: a sustained, reiterative practice, steeped in repetition but carefully attuned to the economies and the sculptural presence of painting. Her approach to painting is conceptual. Her point of departure for the series is individual, subjective time. The unified visual grid of the black monochrome acrylic paintings is based on the simplest repeating pattern in masonry, yet when viewed more closely their stark surfaces veer more towards the personal and poetic: glistening patches of irregular shapes and sizes reveal the limits of a days work.


Throughout her paintings, sculptures, and videos, Maria Taniguchi unpacks knowledge and experience—connecting material culture, technology, and natural evolution—and investigates space and time, along with social and historical contexts. Whether with her quasi-abstract brick paintings or with the moving images of plain and everyday objects, Taniguchi enforces the action of viewing upon our senses. The consequence is the reinterpretation of the objects, and the attainment of sensorial and cognitive experiences.


Colors:



Related artist(s) to: Maria Taniguchi » Guan Xiao, » Adriano Pedrosa, » Akram Zaatari, » Asli çavuşoğlu, » Clara Ianni, » Daniela Ortiz, » Dumaguete City, » Emily Jacir, » Haegue Yang, » Hemali Bhuta

David
© » KADIST

Guan Xiao

2013

David is a five-minute pseudo music video that features an upbeat melodic soundtrack with a duet by the artist Guan Xiao and frequent collaborator (and KADIST collection) artist Yu Honglei...

Knotty Spell in Windy Drapes
© » KADIST

Haegue Yang

2016

A steel clothing rack adorned with turbine vents, Moroccan vintage jewelry, pinecones and knitting yarn, these heterogeneous elements are used here to create an exotic yet undefined identity within the work...

"Two young men from Aadloun", Studio Shehrazade, Saida, Lebanon
© » KADIST

Akram Zaatari

1966

“People often asked if they could pose with the Kodak advertisement where a full scale woman is featured with a camera offering Kodak rolls...

"Najm", Studio Shehrazade, Saida, Lebanon
© » KADIST

Akram Zaatari

1956

“People often asked if they could pose with the Kodak advertisement where a full scale woman is featured with a camera offering Kodak rolls...

Office Voodoo
© » KADIST

Haegue Yang

2010

In addition to Yang’s signature drying rack and light bulbs, Office Voodoo includes various office supplies like CDs, paper clips, headphones, a computer mouse, a stamp, a hole puncher, a mobile phone charger...

Maids Rooms
© » KADIST

Daniela Ortiz

2012

In her work, Maids Room (2012) which is part of a series, Daniela Ortiz undertakes an architectural analysis of the houses belonging to the upper class of Lima...

The Rebellion of the Roots (France)
© » KADIST

Daniela Ortiz

2021

The Rebellion of Roots by Daniela Ortiz depicts a series of situations in which tropical plants, held hostage in the botanical gardens and greenhouses of Europe, are protected and nurtured by the spirits of racialized people who died as a result of European racism...

Bayramiç Stone Mill
© » KADIST

Asli Çavusoglu

2020

In the exhibition Pink as a Cabbage / Green as an Onion / Blue as an Orange , Asli Çavusoglu pursues her work on color to delve into an investigation into alternative agricultural systems and natural dyes made with fruits, vegetables, and plants cultivated by the farming initiatives she has been in touch with...

Anonymous. Madani,’s parent’s home. The Studio, 1949-50
© » KADIST

Akram Zaatari

1950

“Other photographers used to send me negatives of cross-eyed people, asking me to retouch them...

"Baqari’s wife", Studio Shehrazade, Saida, Lebanon
© » KADIST

Akram Zaatari

1957

“These are negatives that were scratched because of a jealous husband from the Baqari family, who never let his wife out by herself...

Anonymous, Madani's parents home
© » KADIST

Akram Zaatari

1950

“While taking the picture it was challenging to make the boys sit properly without moving...

A girl and her brother. Studio Sherazade. 1960s
© » KADIST

Akram Zaatari

1960

“When you position your hand on someone’s shoulder, your shoulders become straight and horizontal...

"Anonymous", Studio Shehrazade, Saida, Lebanon
© » KADIST

Akram Zaatari

1970

“People often asked if they could pose with the Kodak advertisement where a full scale woman is featured with a camera offering Kodak rolls...

General Joan Prim i Prats
© » KADIST

Daniela Ortiz

2013

Previously, Ortiz produced a series of photographs related to her research on the position of ‘service architecture’, the vital space given to domestic servants in the modernist architectural houses of South American upper class families...

Mesopotamia Women’s Cooperative
© » KADIST

Asli Çavusoglu

2020

In the exhibition Pink as a Cabbage / Green as an Onion / Blue as an Orange , Asli Çavusoglu pursues her work on color to delve into an investigation into alternative agricultural systems and natural dyes made with fruits, vegetables, and plants cultivated by the farming initiatives she has been in touch with...

Future Tense
© » KADIST

Asli Çavusoglu

2018

Future Tense (2017), a 16-page diary, is a project in the form of a newspaper that brings together 50 oracles by people from various political opinions and ethnicities who consulted sand, lead, tarot cards, coffee grounds, blank sheets of A4 paper, dreams, water, clairvoyance, astrology, pendulums and horoscopes in order to reveal the point that Turkey has reached in news casting...

Anonymous, Studio Sherhazade
© » KADIST

Akram Zaatari

1950

“In the 1980s I started using coloured paper backdrops, one of which was yellow...

Weather Forecast
© » KADIST

Guan Xiao

2016

Mixed clips from her collection of thousands of images found online, the three-channel video Weather Forecast is an inquiry into the necessity of a physical movement (a travel) for our identity to transform or change...