Mesopotamia Women’s Cooperative
2020 - Textile (Textile)
84 x 147 cm
Asli Çavusoglu
In the exhibition Pink as a Cabbage / Green as an Onion / Blue as an Orange , Asli Çavusoglu pursues her work on color to delve into an investigation into alternative agricultural systems and natural dyes made with fruits, vegetables, and plants cultivated by the farming initiatives she has been in touch with. Yet, rather than formulating the history of a particular color, the artist thinks through color, bringing together the various stories and models numerous farming initiatives in Turkey. The fabrics – each corresponding to a unique initiative – evoke the question: How have the social uprisings in Turkey during the last decade shaped the way we reimagine sites of everyday resistance? Can planting seeds constitute a political act? Following the Gezi uprisings in 2013, the artist noted the formation of numerous urban guerilla gardens reclaiming neglected land and the establishment of ecological farming initiatives in rural Turkey advocating for sustainable and community-supported agriculture. Interested in the different models of resistance these initiatives proposed, her work takes the form of an installation of numerous fabrics whose different sizes, textures, patterns and rhythmic surfaces introduce a mapping exercise about their stories. Mesopotamia Women’s Cooperative , 2020 For the textile associated with the initiative of Mesopotamia, the artist combines screen printed motifs of peppers — their specialty, alongside the shape of a uterus to represent the feminist model the collective adheres to (of women-only membership), which is unusual in the conservative environment of Urfa.
Asli Çavusoglu’s projects examine how cultural and historical facts are transformed, represented, and interpreted by individuals. Working across various media, Cavusoglu often assumes the role of interpreter, writer, or facilitator in her projects in order to highlight the precarious and subjective nature of our shared stories, questioning those who frame these experiences for the wider public.
Colors:
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Asli Çavusoglu
2020In the exhibition Pink as a Cabbage / Green as an Onion / Blue as an Orange , Asli Çavusoglu pursues her work on color to delve into an investigation into alternative agricultural systems and natural dyes made with fruits, vegetables, and plants cultivated by the farming initiatives she has been in touch with...
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© » KADIST
Asli Çavusoglu
2020In the exhibition Pink as a Cabbage / Green as an Onion / Blue as an Orange , Asli Çavusoglu pursues her work on color to delve into an investigation into alternative agricultural systems and natural dyes made with fruits, vegetables, and plants cultivated by the farming initiatives she has been in touch with...
© » KADIST
Asli Çavusoglu
2018Future Tense (2017), a 16-page diary, is a project in the form of a newspaper that brings together 50 oracles by people from various political opinions and ethnicities who consulted sand, lead, tarot cards, coffee grounds, blank sheets of A4 paper, dreams, water, clairvoyance, astrology, pendulums and horoscopes in order to reveal the point that Turkey has reached in news casting...
© » KADIST
Asli Çavusoglu
2020In the exhibition Pink as a Cabbage / Green as an Onion / Blue as an Orange , Asli Çavusoglu pursues her work on color to delve into an investigation into alternative agricultural systems and natural dyes made with fruits, vegetables, and plants cultivated by the farming initiatives she has been in touch with...
Related artist(s) to: Asli Çavusoglu » Alex Reynolds, » Andrea Fraser, » Asier Mendizabal, » Fermin Jimenez Landa, » Hinrich Sachs, » Ibon Aranberri, » Itziar Barrio, » Itziar Okariz, » Jon Mikel Euba, » María Ruido
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How have the social uprisings in Turkey during the last decade shaped the way we reimagine sites of everyday resistance? Can planting seeds constitute a political act? These questions mark the starting point of Pink as a Cabbage / Green as an Onion / Blue as an Orange , Asli Çavusoglu (Istanbul, 1982)’s first solo exhibition in France which stems from her residency at KADIST in the beginning of 2020...
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