Untitled (Details from fictional realities)
2018 - Drawing & Print (Drawing & Print)
260 x 150 cm.
Matt Mullican
Mullican’s Stick Figure Drawings depict characters reduced to their most basic graphic representation. Glen is a simple silhouette, genderless and inspired by a found photo of a crime scene, in whom we recognize the generic sign of the universal symbol of a self-portrait. Mullican continually projects himself, sometimes physically, into the silhouette that he has created, allowing the artist to pass from one reality to another. Most recently Glen can be found in the project Representing the work, which comprises a collection of collages, drawings and drapes all of which feature his most iconic characters. Again, the artist brings us into a space of presentation and representation, questioning the difference between the work, and the representation of the work. The large white sheets also function as objects, allowing for imagined projections. Given the centrality of performance in his work, we might also read such elements as a reference to both the unconscious and the body.
Since the 1970s Matt Mullican has been developing an encyclopedic practice that borders on the obsessive. Working within the conceptual art tradition, the Californian artist seeks to work within the parameters of systems in order to better overcome traditional frameworks. From reality and fiction, subject and object, consciousness and unconscious, his work oscillates between different antagonisms in order to develop a notion of perception through a cosmology based on the symbolism of representation, creating a multiplicity of signs, including photographs, pictograms and schemas. His research into consciousness has also led the artist to investigate the possibilities of hypnosis as way of reaching beyond representation and introducing chaos to order. These trances gave way the appearance of That Person , the artist’s alter ego, first presented in New York in 1982,through whom he explores the borders of reality and representation.
Colors:
Related works sharing similar palette
© » KADIST
Gala Porras-Kim
2017The graphite drawing 4 mourners on a mantel by Gala Porras-Kim is part of a larger installation and body of research, entitled An Index and Its Settings (Un Índice y Sus Entornos) , in which the artist reconsiders 235 ancient burial figures (from circa 200 BCE – 50 CE) from what is now Mexico’s Pacific coast that are part of the Proctor Stafford Collection held by the Los Angeles County Museum of Art (LACMA)...
© » SLASH PARIS
Hommage à Vera Molnar — Cruciformes — MAC VAL Musée d'art contemporain du Val-de-Marne — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Hommage à Vera Molnar — Cruciformes — MAC VAL Musée d'art contemporain du Val-de-Marne — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Hommage à Vera Molnar — Cruciformes Exposition Techniques mixtes Vue de l’exposition Cruciformes — Hommage à Vera Molnar , MAC VAL 2024 Photo © Aurélien Mole Hommage à Vera Molnar Cruciformes Encore environ 2 mois : 5 janvier → 8 avril 2024 Le 5 janvier 2024, Vera Molnar aurait eu cent ans...
© » KADIST
Reza Aramesh
2016The photographed plaster heads set against the idyllic landscapes of the south of England, subvert the process of image production and memory...
© » KADIST
Chen Shaoxiong
2007After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...
© » KADIST
Ha Tae-Bum
2010Ha Tae-Bum’s “White” series, started in 2008, begins with photographic images from the mainstream media depicting sites of conflict or crisis...
© » ARTS EQUATOR
ArtsEquator's Top 10 Picks at the Performing Arts Meeting 2019 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles José Maceda, Cassettes 100, 1971, Photo by Nathaniel Gutierrez, Courtesy of UP Center for Ethnomusicology and Ringo Bunoan January 10, 2019 Established in 1995, the Tokyo Performing Arts Market (TPAM) was created to be a platform to network Japanese artists with producers and funders...
© » BROOKLYN STREET ART
buZ Blurr, One Telling of the “Origin Story” at Straat Museum Amsterdam | Brooklyn Street Art BROOKLYN STREET ART LOVES YOU MORE EVERY DAY In the shifting culturescapes of urban contemporary art, STRAAT Museum’s latest exhibition, “Moniker: An Origin Story,” emerges as a poignant narrative that bridges the transient heritage of hobo monikers with the vibrant pulse of today’s street art scene...
© » ARTS EQUATOR
Gloomy outlook for Vietnamese cinema, literature scene: workshop (via Tuoi Tre News) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo: Tuoi Tre December 27, 2018 Attendees at a national workshop held in Hanoi on Wednesday to discuss the multitude of issues plaguing the Vietnamese film and literature industries were not shy about voicing disdain for the current state of literary and cinematic art in Vietnam...
© » ARTS EQUATOR
Orang Phebien: Telling the story of the Baweanese | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Illustration: Hadi Osni August 5, 2020 Lesser known narratives involving migration in Singapore are in the spotlight with The Arts House’ latest edition of LumiNation ...
© » KADIST
Allen Ruppersberg
1970Untitled (City Limits) is a series of five black-and-white photographs of road signs, specifically the signs demarcating city limits of several small towns in California...
© » AFC
Zombie Figuration Isn’t a Thing: A Critical Autopsy with Antwaun Sargent About AFC Board AFC Editions Donate Art F City Zombie Figuration Isn’t a Thing: A Critical Autopsy with Antwaun Sargent by Paddy Johnson and William Powhida on August 4, 2020 Explain Me + Podcast Tweet Jordan Casteel, “Within Reach”, New Museum installation view, 2020...