Untitled (Details from fictional realities)

2018 - Drawing & Print (Drawing & Print)

260 x 150 cm.

Matt Mullican

location: Santa Monica, United States
year born: 1951
gender: male
nationality: American

Mullican’s Stick Figure Drawings depict characters reduced to their most basic graphic representation. Glen is a simple silhouette, genderless and inspired by a found photo of a crime scene, in whom we recognize the generic sign of the universal symbol of a self-portrait. Mullican continually projects himself, sometimes physically, into the silhouette that he has created, allowing the artist to pass from one reality to another. Most recently Glen can be found in the project Representing the work, which comprises a collection of collages, drawings and drapes all of which feature his most iconic characters. Again, the artist brings us into a space of presentation and representation, questioning the difference between the work, and the representation of the work. The large white sheets also function as objects, allowing for imagined projections. Given the centrality of performance in his work, we might also read such elements as a reference to both the unconscious and the body.


Since the 1970s Matt Mullican has been developing an encyclopedic practice that borders on the obsessive. Working within the conceptual art tradition, the Californian artist seeks to work within the parameters of systems in order to better overcome traditional frameworks. From reality and fiction, subject and object, consciousness and unconscious, his work oscillates between different antagonisms in order to develop a notion of perception through a cosmology based on the symbolism of representation, creating a multiplicity of signs, including photographs, pictograms and schemas. His research into consciousness has also led the artist to investigate the possibilities of hypnosis as way of reaching beyond representation and introducing chaos to order. These trances gave way the appearance of That Person , the artist’s alter ego, first presented in New York in 1982,through whom he explores the borders of reality and representation.


Colors:



Related works sharing similar palette

4 mourners on a mantel
© » KADIST

Gala Porras-Kim

2017

The graphite drawing 4 mourners on a mantel by Gala Porras-Kim is part of a larger installation and body of research, entitled An Index and Its Settings (Un Índice y Sus Entornos) , in which the artist reconsiders 235 ancient burial figures (from circa 200 BCE – 50 CE) from what is now Mexico’s Pacific coast that are part of the Proctor Stafford Collection held by the Los Angeles County Museum of Art (LACMA)...

The Syphilis of Sisyphus
© » KADIST

The Syphilis of Sisyphus , a conversation with Mary Reid Kelley and Patrick Kelley A special event in collaboration with Poetry Day, a weekend-long celebration convened by Centre Pompidou in Paris...

Curator Lauren Haynes Revisits a 1966 Profile of Spiral, Pioneering Black Art Collective
© » ARTNEWS RETROSPECTIVE

Curator Lauren Haynes Revisits ARTnews’s 1966 Profile of Spiral Group – ARTnews.com Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All November 4, 2020 5:15pm ©ARTnews I n 1963, 14 Black artists in New York formed the Spiral group...

Action: 174
© » KADIST

Reza Aramesh

2016

The photographed plaster heads set against the idyllic landscapes of the south of England, subvert the process of image production and memory...

The Anamorphic Sculptures of Thomas Medicus
© » HIGH FRUCTOSE

The illusionary works of Thomas Medicus include "What It Is Like to Be," an anamorphic sculpture consisting of 144 hand-painted strips of glass that reveal new images when turned...

Let’s get digital: 12 online efforts by Southeast Asian artists and creatives
© » ARTS EQUATOR

Let’s get digital: 12 online efforts by Southeast Asian artists and creatives | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles April 22, 2020 1...

A Tribute To French-Moroccan Photographer Leila Alaoui
© » ARTREPORT

A Tribute To French-Moroccan Photographer Leila Alaoui – Art Report News ARTISTS Artist Highlights Artist Interviews Studio Visit VIDEOS ART+ Community Listicles No Result View All Result News ARTISTS Artist Highlights Artist Interviews Studio Visit VIDEOS ART+ Community Listicles No Result View All Result No Result View All Result A Tribute To French-Moroccan Photographer Leila Alaoui by Adriana Pauly Jan 23, 2016 in NEWS 0 "Untitled", Leila Alaoui...

Collective Memories: Beijing Hotel
© » KADIST

Chen Shaoxiong

2007

After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...

Decomposing Eternally
© » KADIST

George Pfau

2010

This work exemplifies George Pfau’s interest in zombies and liminal embodiment...

Museum of Proletarian Culture, Give
© » KADIST

Arseny Zhilyaev

His large installation entitled The Museum of Proletarian Culture (2012) looked at the changes in artistic practice that have occurred in Russia throughout the last thirty years – from the amateur art of the late Soviet era to the commercialized post-Soviet cultural practices and the more recent self-expression via contemporary social networks...

Zwillinge
© » KADIST

Vaclav Pozarek

2017

Concerning his objects, Pozarek often relies on chance to guide him...

White Series
© » KADIST

Ha Tae-Bum

2010

Ha Tae-Bum’s “White” series, started in 2008, begins with photographic images from the mainstream media depicting sites of conflict or crisis...

Orang Phebien: Telling the story of the Baweanese
© » ARTS EQUATOR

Orang Phebien: Telling the story of the Baweanese | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Illustration: Hadi Osni August 5, 2020 Lesser known narratives involving migration in Singapore are in the spotlight with The Arts House’ latest edition of LumiNation ...

Swipe
© » KADIST

Eileen Quinlan

2016

Eileen Quinlan’s abstracted images, like Swipe , rely on the manipulation of photographic materials inside the studio itself, and reject the exterior world for complex interrogations of the medium....

Milkwood Tree, Cape Town
© » KADIST

Uriel Orlow

2016

The series The Memory of Trees is specifically about trees, and what trees have witnessed in South Africa: for example, trees that were used as locations for slave trading, or trees that was during the anti-Apartheid struggle as a kind of identifier for a safe house for activists who were fleeing from security forces...

CHINA The Next Generation
© » ARTNEWS CN

CHINA The Next Generation – ARTnews.com Skip to main content By Barbara Pollack Plus Icon Barbara Pollack View All October 6, 2011 10:00am Animal Regulation No...

No More No Less
© » IMA

No More No Less | Exhibition | IMA ONLINE No More No Less 13 February 2020 - 21 March 2020 IMA gallery TAGS IMA gallery Kensuke Koike Thomas Sauvin Share In 2015, French artist Thomas Sauvin acquired an album produced in the early 1980s by an unknown Shanghai University photography student...

Gloomy outlook for Vietnamese cinema, literature scene: workshop (via Tuoi Tre News)
© » ARTS EQUATOR

Gloomy outlook for Vietnamese cinema, literature scene: workshop (via Tuoi Tre News) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo: Tuoi Tre December 27, 2018 Attendees at a national workshop held in Hanoi on Wednesday to discuss the multitude of issues plaguing the Vietnamese film and literature industries were not shy about voicing disdain for the current state of literary and cinematic art in Vietnam...

Mary Jones: Layered histories
© » TWOCOATSOFPAINT

Mary Jones: Layered histories – Two Coats of Paint Mary Jones, American Interior 2023, oil on digitally printed canvas, 52 x 38 inches Contributed by Katy Crowe / “Significant Properties,” the title of Mary Jones’s current exhibition at as-is.la and her first in Los Angeles in some years, aptly suggests real estate worth seeing...