Untitled (Construction)

2007 - Sculpture (Sculpture)

Larry Bell

location: Venice, California
year born: 1939
gender: male
nationality: American
home town: Chicago, Illinois

Untitled (Construction) recalls the series of glass cubes that gained Bell international recognition in the 1960s. Resembling a black-mirrored box, this recent iridescent piece produces an uncanny effect in which the interior planes seem to enclose a mysterious light. Although austere in form, Bell’s works are far from simple: he uses technology like a vacuum-coating process, to accurately control the different levels of opacity and transparency on the surface of his immaculate glass works.


Often associated with the Light and Space movement—which as also includes James Turrell, Robert Irwin, and John McCracken—Larry Bell has been an important figure and influence in the West Coast contemporary art scene since the early 1960s. Less interested in the material, concrete qualities of the object than in heightening awareness of the environment in which it is situated, his abstract geometric sculptural works possess a certain mystical aspect and engage the viewer in a myriad of perceptual experiences.


Colors:



Other related works, blended automatically

VFGY9
© » KADIST

Larry Bell

1979

Like many of Larry Bell’s works, VFGY9 deals primarily with the viewer’s experience of sight...

Tree on Keystone
© » KADIST

Lucas Blalock

2011

Compositions such as Tree on Keystone (2011) become hyperreal versions of their real-world equivalents...

three, three, three
© » KADIST

Lucas Blalock

2013

Blalock resists the immediacy that we have come to expect from photography—that each photograph should communicate its message without delay...

Reborn
© » KADIST

Desiree Holman

2010

Reborn, 2010 is a three-channel video by Desiree Holman that questions ideas of motherhood and the maternal instinct...

Glaze (Savana)
© » KADIST

Alexandre da Cunha

2005

Glaze (Savana) (2005) is an assemblage of found materials: a car wheel, a tire, and a wooden plinth of the type traditionally used to display sculpture...

Untitled
© » KADIST

Martin Kippenberger

1989

Untitled is a work on paper by Martin Kippenberger comprised of several seemingly disparate elements: cut-out images of a group of dancers, a japanese ceramic vase, and a pair of legs, are all combined with gestural, hand-drawn traces and additional elements such as a candy wrapper from a hotel in Monte Carlo and a statistical form from a federal government office in Wiesbaden, Germany...

Telescopic Pole (Tennis Balls Red) and (Tennis Balls)
© » KADIST

Chadwick Rantanen

2010

Telescopic Pole is an adjustable telescopic pole that extends vertically from floor to ceiling and is held up by its own internal pressure...

Towhead n’Ganga enclosed in darkness, lorded over by the sexualized folded high priestless form
© » KADIST

Mike Kelley

1996

Towhead n’Ganga, enclosed in darkness, lorded over by the sexualized folded high priestless form reflects many of Kelley’s works, in both its compositional and semantic qualities...

Untitled
© » KADIST

John McCracken

Though not strictly representational, some objects in Untitled (1962) are recognizable: a flower, an egg, a foot...

Silencer #16 & #17
© » KADIST

Will Rogan

2010

MUM , the acronym used to title a series of Rogan’s small interventions on found magazines, stands for “Magic Unity Might,” the name of a vintage trade magic publication...

Color of History, Sweating Rocks
© » KADIST

Ranu Mukherjee

2011

Conceived as a large-scale mural-like projection, Color of History, Sweating Rocks is a neo-futuristic, hybrid film that combines cinematic language, collage, animation, and inventive forms to highlight the plight of the peoples of the Sahara—and refugees in general—who have been displaced by oil-mining....

Bunny’s Sofa
© » KADIST

Gimhongsok

2007

To explore the boundaries between artwork and audience, Gimhongsok created a series of sculptural performances in which a person wearing an animal costume poses in the gallery...

Eraser
© » KADIST

Will Rogan

2014

Will Rogan’s video Eraser (2014) shows a hearse parked in a clearing amidst leaf barren trees...

Never Leave Home Without It
© » KADIST

Aaron Young

2007

The artist describes the work as “very performative video-pieces but they take on a more sculptural feel...

Sleeping Elephant in the Axis of Yogyakarta Series
© » KADIST

Wimo Ambala Bayang

2011

Composed of four images, the series Sleeping Elephant in the Axis of Yogyakarta (2011) explores the artist’s observation of how Javanese mythology and cosmology have marked the geography of Yogyakarta, the cultural centre of Indonesia...

Deck Painting I
© » KADIST

Alexandre da Cunha

2005

His Deck Painting I recalls the simplistic stripes of conceptual artist Daniel Buren, or the minimal lines of twentieth century abstract painting, but is in reality a readymade, fashioned from repurposed fabric of deck chairs...

Lightning
© » KADIST

Paul Kos

1976

Parked on the shoulder of a single lane highway running through a desert landscape, Marlene looks over her shoulder from inside the car at a fierce storm looming over a distant horizon...

Untitled
© » KADIST

Martin Kippenberger

1988

Martin Kippenberger’s late collages are known for incorporating a wide range of materials, from polaroids and magazine clips to hotel stationery, decals, and graphite drawings...