Barry McGee’s Untitled is a collection of roughly fifty, framed photographs, paintings, and text pieces clustered together in corner. Its tiled effect can perhaps be seen as a vertical Carl Andre work and also bears some resemblance to another work in the Kadist Collection, Jedediah Caesar’s JCA-25-SC. McGee’s installation also echoes the votive altars in the chapels he visited during his residency in Brazil in 1993. One almost expects to see candles lit below the work honoring the dead or loved ones in crisis. This is appropriate since the individual elements in Untitled depict and honor the disenfranchised, outcasts, and sometimes ghosts of San Francisco street life.
San Francisco-based artist Barry McGee graduated from the San Francisco Art Institute in 1991 with a concentration in painting and printmaking and is considered a central figure in the Mission School movement. His work is heavily influenced by graffiti, comic books, skateboard culture, green culture, and social activism and usually reflects, with a pessimistic view, upon the urban environment that surrounds him. McGee’s large-scale painting installations often take a particular iconography in which a background of abstract, acid-colored patterns is overlayed with text and figures.
Apartment on Cardboard (2000) is an exterior view of an abstracted apartment building...
Chris Johanson’s paintings, sculptures, and installations break down everyday scenes and commonplace dramas into colorful forms; the darkest sides of humanity are invoked with humor...
The 10 $1 bills that make up From a Whisper to a Scream (2012) read like instructions in origami...
The Breaks reflects Capistran’s interests in sampling and fusing different cultural, social, and historical sources...
In addition to Yang’s signature drying rack and light bulbs, Office Voodoo includes various office supplies like CDs, paper clips, headphones, a computer mouse, a stamp, a hole puncher, a mobile phone charger...
White Minority , is typical of Capistran’s sampling of high art genres and living subcultures in which the artist subsumes an object’s high art pedigree within a vernacular art form...
This work presents the image of an immolated monk engraved on a baseball bat...
Forest Gathering N.2 is part of the series of photographs Beneath the Roses (2003-2005) where anonymous townscapes, forest clearings and broad, desolate streets are revealed as sites of mystery and wonder; similarly, ostensibly banal interiors become the staging grounds for strange human scenarios...
Sign #1 , Sign #2 , Sign #3 were included in “Found Object Assembly”, Copeland’s 2009 solo show at Jack Hanley Gallery, San Francisco...
To make Mickey Mouse (2010), Paul McCarthy altered a found photograph—not of the iconic cartoon, but of a man costumed as Mickey...
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
Memory Mistake of the Eldridge Cleaver Pants was created for the show Paul McCarthy’s Low Life Slow Life Part 1 , held at California College of the Arts’s Wattis Institute in 2008 and curated by McCarthy himself...
Choke documents the artist filming a wrestler “choking out” his teammate until he is unconscious...
A painting reminiscent of a certain “naive primitivism,” Untitled (Colors) and Untitled (Ghost) are representative of McCarthy’s work...
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
The Simpson Verdict is a three-minute animation by Kota Ezawa that portrays the reading of the verdict during the OJ Simpson trial, known as the “most publicized” criminal trial in history...
Chris Johanson’s Untitled (Painting of a Man Leaving in Boat) (2010) pictures a canoe drifting toward an off-kilter horizon line, which demarcates the cobalt sea from the cerulean sky...
Human Quarry is a large work on paper by Leslie Shows made of a combination of acrylic paint and collage...