Blalock resists the immediacy that we have come to expect from photography—that each photograph should communicate its message without delay. Within the dark obscurity of three, three, three (2013), he frustrates and complicates this conditioned response to the photographic medium, questioning the photograph’s purpose.
Lucas Blalock received his MFA from the University of California, Los Angeles. In his photographic work he fuses analog and digital technologies, relying on both the tactility of a four-by-five camera and the wide-open possibilities of digital manipulation. While many makers of photographic images may use digital tools while simultaneously burying the fact of that use, Blalock makes his manipulations evident.
The photograph Exquisite Eco Living is part of a larger series titled Executive Properties in which he digitally manipulated the images to insert iconic buildings of Kuala Lumpur in the view of derelict spaces also found in the city...
In Monster (1996-97), the artist’s face becomes grotesque through the application of strips of transparent adhesive tape, typical of Gordon’s performance-based films that often depict his own body in action...
Bread and Roses takes its name from a phrase famously used on picket signs and immortalized by the poet James Oppenheim in 1911...
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
Untitled (Perfect Lovers + 1) by Cerith Wyn Evans takes as its starting point Felix Gonzales-Torres’s seminal work Untitled (Perfect Lovers) , in which two clocks were synchronized and left to run without interference, the implication being that one would stop before the other...
The White Album (2008) presents a compilation of one hundred issues of Artforum magazine released between 1970 and 1979...
In Fordlândia Fieldwork (2012), Tossin documents the remains of Henry Ford’s rubber enterprise Fordlândia, built in 1928 in the Brazilian Amazon to export cultivated rubber for the booming automobile industry...
Untitled (Grate I/II: Shan Mei Playground/ Grand Fortune Mansion) is part of a series drawn from architectural objects that mark the boundary of public and private spaces Wong encountered while strolling in Hong Kong...
Intentionally Left Blanc alludes to the technical process of its own (non)production; a procedure known as retro-reflective screen printing in which the image is only fully brought to life through its exposure to flash lighting...
Clarissa Tossin’s film Ch’u Mayaa responds to Frank Lloyd Wright’s Hollyhock House (constructed 1919–21) in Los Angeles, an example of Mayan Revival architecture...
Sarcastically titled to call attention to the problematic notions underlying colonialism, this photograph shows hundreds of Native Malaysians seated quietly behind one of their colonial oppressors...
Like many of his other sculptural works, the source of I am the Greatest is actually a historical photograph of an identical button pin from the 1960s...
Gabriel Orozco often documents found situations in the natural or urban landscape...