The Tower of Babel: Independence of the country

2010 - Photography (Photography)

Du Zhenjun

The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale. These photographs present a series of urban landscapes and assembled Foucauldian structures of the present. Du sees the Tower of Babel as a continually reinvented narrative that warns people of “dangerous tendencies in the present time.” Du’s Babylonian towers resurrect from fallen rubbles of religious history in grand scale to focus on modern crises of civilization. Though the theme began with the struggle of monotheism over linguistic and geographic diversity in early human history, Babel in Du’s work has become a contemporary vision of catastrophic threat to the future of humanity.

Born in 1961, Du was trained as a painter and sculptor at the Institutes of Arts and Trades in Shanghai and the Fine Arts College at the University of Shanghai and garnered M.A. from the Regional School of Fine Arts of Rennes, France in 1999. Despite his classical training, Du became one of the first generation of artists to incorporate digital technologies into art pieces, producing interactive installations and describing digital media to be “a way of working on the dimension of power inherent to a society of information and new technologies.” Du’s works explore themes of “Modern Man” and human tragedy. Specifically, he highlights the ecstasy of human behavior in light of suffering and challenges in conveying what he calls the “universal human condition.”

Colors:

• power.n.01
• tower_of_babel.n.01
• catastrophe.n.02
• future.n.01
• civilization.n.01
• urban.a.01
• china
• color photography
• contemporary conceptualism
• contemporary participation
• cultural commentary
• chinese