The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale. These photographs present a series of urban landscapes and assembled Foucauldian structures of the present. Du sees the Tower of Babel as a continually reinvented narrative that warns people of “dangerous tendencies in the present time.” Du’s Babylonian towers resurrect from fallen rubbles of religious history in grand scale to focus on modern crises of civilization. Though the theme began with the struggle of monotheism over linguistic and geographic diversity in early human history, Babel in Du’s work has become a contemporary vision of catastrophic threat to the future of humanity.
Born in 1961, Du was trained as a painter and sculptor at the Institutes of Arts and Trades in Shanghai and the Fine Arts College at the University of Shanghai and garnered M.A. from the Regional School of Fine Arts of Rennes, France in 1999. Despite his classical training, Du became one of the first generation of artists to incorporate digital technologies into art pieces, producing interactive installations and describing digital media to be “a way of working on the dimension of power inherent to a society of information and new technologies.” Du’s works explore themes of “Modern Man” and human tragedy. Specifically, he highlights the ecstasy of human behavior in light of suffering and challenges in conveying what he calls the “universal human condition.”
603 Football Field presents a soccer game played inside a small student apartment in Shanghai...
Golia’s Untitled 3 is an installation in which a mechanical device is programmed to shoot clay pigeons that are thrown up in front of a white wall...
Cinthia Marcelle’s video work Automóvel (2012) re-edits the mundane rhythms of automotive traffic into a highly compelling and seemingly choreographed meditation on sequence, motion, and time...
Golden Bridge is part of “Golden Journey”, a series of site-specific performances and installations created during Lin’s residency at Kadist San Francisco...
In the work titled The Glossies (1980), an affinity for photography manifested itself before McCollum actually began to use photography as a medium...
Unregistered City is a series of eight photographs depicting different scenes of a vacant, apparently post-apocalyptic city: Some are covered by dust and others are submerged by water...
A Portrait: Covering and Cleaning is an installation of six black-and-white video projections...
The image is borrowed from protests during Civil Rights where African Americans in the south would carry signs with the same message to assert their rights against segregation and racism...
South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race....
Like many of his other sculptural works, the source of I am the Greatest is actually a historical photograph of an identical button pin from the 1960s...
Peasant Sensation Passing Through Flesh – 3 consists of a massage chair fixed to a wall...
The central point of Vanishing Point is the most direct physiological reaction of the body to the environment...
Bread and Roses takes its name from a phrase famously used on picket signs and immortalized by the poet James Oppenheim in 1911...
Pak created New York Public Library Projects (NYPLP) (2008) during a residency in New York, using public libraries as exhibition spaces and the books they house as raw materials...