370 x 240 cm
The Lion’s Hunt by Matthew Lutz-Kinoy is a large format painting that recalls Delacroix’s paintings and tapestries from the 19th century, where the painterly surface became a garden invaded by wild beasts. In Lutz-Kinoy’s painting, two ferocious lions appear to be preying on several horses. Accentuated by luminous browns and yellows, the lions evoke imperialist fantasies. The horses are segmented into mirage-like fragments. The heads and the legs are recognized, but the artist uses bright whites and the positive and negative space of his stencil technique to show their lack of expression, as they seem to be losing the battle. By creating theatrical scenarios that mix figurative elements with mythological characters and narratives, Lutz-Kinoy works pay homage to the histories, traditions, and techniques of representation while exploring identity, gender, visibility, and pleasure.
Matthew Lutz-Kinoy has a multifaceted practice, vacillating from painting to poetry, theater performance to ceramics. He is best known for his large-scale paintings often installed like decorative tapestries on walls or suspended from the ceiling, which physically immerse viewers. Performance-based production is an essential element of Lutz-Kinoy’s practice. The artist is deeply influenced by histories of collaborative and queer practice, as well as studying dance, which has helped him to better understand how people maneuver their bodies as they move in specific spaces. Lutz-Kinoy’s research-based performances manifest as dance productions, traveling dinner parties, and programmed events within his exhibitions. He often collaborates with other artists to explore new horizons : Tobias Madison, James English Leary, Natsuko Uchino or Chelsea Culp.
Human Quarry is a large work on paper by Leslie Shows made of a combination of acrylic paint and collage...
450 Hayes Street (excavation site) by Marcelo Cidade is a large scale photograph documenting the artist’s excavation of a parking lot located at 450 Hayes Street in San Francisco, a former section of the city’s Central freeway and current condominium site...
Drowned Wood Standing Coiled (2011) consists of two sculptures, inextricably linked...
Monelle by Diego Marcon was filmed at night inside the infamous Casa del Fascio, the headquarters of the local Fascist Party in Como Italy, designed by Giuseppe Terragni under Mussolini’s rule...
For this floor based work, Gomes has taken two lengths of bamboo and tied them together using linen thread...
Romain Best — Coulissements par frictions — Frac île-de-france, le Plateau — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Romain Best — Coulissements par frictions — Frac île-de-france, le Plateau — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Romain Best — Coulissements par frictions Exposition Installations, sculpture, techniques mixtes Romain Best, Coulissements par frictions, 2023 © Romain Best Romain Best Coulissements par frictions Encore 27 jours : 9 novembre 2023 → 7 janvier 2024 Présenté dans la Project Room du Plateau, Romain Best est né en 1995 à Lyon...
Untitled (Wheelchair Drawing) is a ten-foot photo transfer of the image of a wheelchair with burning embers in its seat...
The working processes of artists: Sabrina Poon | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles April 27, 2020 Singaporean filmmaker Sabrina Poon, better known as Spoon, talks about her work and the value of storytelling by breaking down three of her short films – Sylvia , Hello Uncle and Pa ...
The Ballad of Special Ops Cody by Michael Rakowitz is a serio-comic stop motion animated film in which an everyday African-American G...