Monelle

2017 - Film & Video (Film & Video)

13:53 minutes (looped)

Diego Marcon


Monelle by Diego Marcon was filmed at night inside the infamous Casa del Fascio, the headquarters of the local Fascist Party in Como Italy, designed by Giuseppe Terragni under Mussolini’s rule. The building is immersed in darkness and it is initially difficult to recognize the iconic rationalist architecture, flashes of light illuminate languid adolescent girls sleeping amidst the space for just a few seconds at a time. Next to the bodies, strange humanoids are lurking, they are CGI-generated, but the human eye does not have enough time to register their artificiality, they materialize and disappear in a flash like ghosts. Marcon filmed the piece in 35mm using the old recycled equipment of an Italian animation studio, the film explores what form oppression can take and how a place contains vestiges of past violence. This video is usually projected alone in a dark room in exhibitions or in movie theaters and strong sense of danger traverses the full film echoing the dark current political situation in Italy that sees the emergence of neo-fascist movements and a populist glorification of Mussolini, from street gangs to the highest levels of government. The film relies on the double notion of the cinematic shot and the act of violence, bathing us between the single frames in the scary unknown of obscure black.


Diego Marcon uses film, video and installation to investigate the ontology of the moving image, focusing on the relationship between reality and representation. This theoretical approach is used to address more popular forms of image such as horror, slapstick comedy and cartoons. Exaggerating and multiplying the tropes of these genres, his work takes on an uncanny dimension. He addresses historical realities, memory and politics, drawing on analogue film archives which provide him with a basis for a study on the construction of emotions. His characters are often young and melancholy and inhabit the worlds that he creates through the synthesis of old techniques with more recent digital technologies.


Colors:



Other related works, blended automatically  
» see more

Related works sharing similar palette  
» see more

What We Lose When Curating Follows the Money
© » HYPERALLERGIC

What We Lose When Curating Follows the Money Skip to content Gerhard Richter, "Tante Marianne" (1965), oil on canvas (all photos Olivia McEwan/ Hyperallergic ) LONDON — Something feels off from the introductory lines of the exhibition booklet for Tate Modern’s Capturing the Moment ...

Human Quarry
© » KADIST

Leslie Shows

Human Quarry is a large work on paper by Leslie Shows made of a combination of acrylic paint and collage...

Parthenon Sculptures: Sunak Cancels Greek PM Meeting As Tension Builds
© » ARTLYST

Pressures between the British and Greek governments have escalated over the contentious issue of the Parthenon Sculptures, commonly known as the Elgin Marbles...

One Thousand and One Attempts To Be an Ocean
© » KADIST

Yuyan Wang

2022

One Thousand and One Attempts to Be an Ocean by Yuyan Wang reflects on the experience of not being able to see the world with depth perception...

Other works by: » Diego Marcon  
» see more

Untitled (Head Falling 02)
© » KADIST

Diego Marcon

2015

The video animation Falling Head 2 , hand-painted by Diego Marcon in 2015, consists of a close-up of a head caught on the threshold between sleep and wakefulness or maybe from wakefulness to sleep...

Related works found in the same semantic group  
» see more

A Spell to Ward Off the Darkness
© » KADIST

A Spell to Ward off the Darkness is a collaboration between artist-filmmakers Ben Rivers (UK) and Ben Russell (US), presented for the first time as a multi-channel installation (film transferred to video) at Kadist Art Foundation...

Ghost games
© » KADIST

Anri Sala

2002

Ghost Games , follows the enigmatic dance of crabs “steered” by a flashlight in the night of darkness of a South American beach...

João Maria Gusmão and Pedro Paiva: One month without filming
© » KADIST

For the first major exhibition by the duo in Los Angeles, Gusmão and Paiva travelled to Japan to produce a new body of films that approach centuries-old ceremonies that overlap with daily life objects and rituals...

COVID-19 May 2020
© » KADIST

Hikaru Fujii

2020

COVID-19 May 2020 by Hikaru Fujii was filmed during the first months of the Covid-19 pandemic...