The Individual Is a Mirage

– In which an intelligence going back to its place of origin discovers the agony of gods on which it thrives – Seventh and last episode of The Unmanned , “a flood” is set in 1542 as the first conquistadors enter the land later to be known as the Silicon Valley...

Weekly Picks: Malaysia (18–24 Mar 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do March 18, 2019 For events in Penang this week, go to the Penang Free Sheet ...

The prospective buyer failed to give anything beyond the down payment, the suit alleges, while at the holding warehouse, a string of suspicious custodial transfers began...

As the caption purposely admits, these drawings were made by friends of Ondák’s at home in Slovakia asked to interpret places he has journeyed to...

Ha Tae-Bum’s “White” series, started in 2008, begins with photographic images from the mainstream media depicting sites of conflict or crisis...

In Untitled (Sword) , addressing histories of colonialism with abstraction, a large steel blade extends from the gallery wall...

Presented in collaboration with San Francisco Cinematheque , this video screening event features current Kadist A...

National Academy of Design Presents “Sites of Impermanence” Skip to content Willie Cole, “Five Beauties Rising” (2012), suite of five prints, intaglio and relief (courtesy the artist) The National Academy of Design’s new exhibition , Sites of Impermanence , celebrates the contributions of the 2023 Class of National Academicians: Alice Adams, Sanford Biggers, Willie Cole, Torkwase Dyson, Richard Gluckman, Carlos Jiménez, Mel Kendrick, and Sarah Oppenheimer...

Ukraine is under tension due to the politics of President lanoukovitch since 2010...

NOSOTROS : Iván Argote and Ana Teresa Fernández in conversation Julio César Morales Artists Iván Argote and Ana Teresa Fernández discuss notions of boundaries, borders, and the will to erase distance in an era defined by it...

The series The Memory of Trees is specifically about trees, and what trees have witnessed in South Africa: for example, trees that were used as locations for slave trading, or trees that was during the anti-Apartheid struggle as a kind of identifier for a safe house for activists who were fleeing from security forces...

Kovanda’s ‘discreet’ actions (leaving a discussion in a rush, bumping into passers-by in the street, making a pile of rubbish and scattering it, looking at the sun until tears come…) are always documented according to the same format: a piece of A4 paper, a concise typewritten text, and sometimes a photograph taken by someone else...

Following Bruce Nauman’s seminal performance Walking in an Exaggerated Manner Around the Perimeter of a Square (1967) – which sees the artist carefully trace a small delimited area of his studio exaggerating the movements of his hips as he places one foot in front of the other – Idir reproduces these performative gestures in Algiers, Algeria...

50 Years Ago, Barbara Nessim Broke Illustration’s Glass Ceiling Skip to content Barbara Nessim, “A Maze From Above” (1970), pen and ink and watercolor on paper, 14 x 10 1/4 inches (all images courtesy Derek Eller Gallery unless noted otherwise) Artist, illustrator, and designer Barbara Nessim is one of very few women who found full-time work in the American editorial and commercial arts sphere during the 1960s...

Philippe Hoerle-Guggenheim's art-world pedigree comes into question as he is sued for non-delivery of works by Renoir, RETNA, and Cévé....

The Brown University graduate has always had a love for contemporary art...

The Cloud of Unknowing (2011) is titled after a 14th-century medieval treatise on faith, in which “the cloud of unknowing” that stands between the aspirant and God can only be evoked by the senses, rather than the rational mind...

6pm – Les Statues Meurent Aussi (1953) 7pm – It for Others (2013) The second in a monthly series of double features exploring the relationship between cinema and contemporary video and performance art, Kadist screens Chris Marker and Alain Resnais’ 1953 film, Les Statues Meurent Aussi (Statues Also Die) (1953) and Duncan Campbell’s Turner Prize -winning film It for Others (2013)...

Co-hosted with the Gwangju Biennale, The Kyoto School and Far East Network mark the launch of Frequency of Tradition , a three-year series of programs in Asia curated by Hyunjin Kim and initiated by KADIST...

Natasha Wheat’s Kerosene Triptych (2011) is composed of three images, one each from the digital files of the Library of Congress, the Smithsonian Institution, and the Field Museum tropical research archive...