Dimensions vary
With a habit of reading eight to ten books at the same time, Chong paints his two-foot tall novel covers through referencing an extensive reading list (accessible on Facebook) he has kept since 2006. Entitled “Bibliography (1): The Lonely Ones,” the list outlines representations of solitude that has been imposed on individuals or communities. Chong divides these archetypes into three over-arching notions: the Hide-away, the Castaway and the Prisoner. A novella from Stephen King’s Different Seasons collection, Rita Hayworth And Shawshank Redemption tells a story of assumed identities and prisoners’ escape to reflect on the economic infrastructures inside and outside prison as well as the thin boundaries separating the two—in this case, a Rita Hayworth poster concealing a hole in the prison wall dug for jailbreak.
Heman Chong is an artist, curator, and writer who creates texts, objects, installations, and situations in order to investigate the manner through which individuals form associations between objects in their environments. Chong’s works have been considered “archetypally conceptual” and recall frameworks of the 1960s in their potential to address collective visions of futuristic utopias. Based largely on books, Chong’s works are striking in their creation of visual order as a means to draw out the “inevitably mnemonic nature of the conceptual object.”
The work Calendars is composed of 1001 images of deserted public areas in Singapore printed on pages of a calendar set from the year of 2020 until 2096...
The first iteration of Flutter was specifically conceived for the Pro Arts Gallery space in Oakland in 2010, viewable from the public space of a sidewalk, and the version acquired by the Kadist Collection is an adaptation of it...
Relying on repetition and repurposed materials, Soares works to interrogate time—its measurement, its passing, and its meaning...
Pablo Rasgado’s paintings and installations serve as a visual record of contemporary urban human behavior...
With Roca Carbon ( Charcoal Rock , 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks...
Tino Sehgal’s This Exhibition requires an interpreter (in this particular piece, a gallery attendant) to faux faint each and every time a visitor enters into a given space...
After being cast, the resulting resin block used in JCA-25-SC was cut into thin slices obtaining a series of rectangular shapes that resemble ceramic tiles...
Clarissa Tossin’s film Ch’u Mayaa responds to Frank Lloyd Wright’s Hollyhock House (constructed 1919–21) in Los Angeles, an example of Mayan Revival architecture...
Hako (2006) depicts a mysterious and dystopic landscape where the world becomes flat: distance between different spaces, depth of field and three-dimensional perceptions are canceled...
A residency program in the blazing hot city of Honda, Colombia, inspired artist Nicolás Consuegra to consider the difficulty in understanding the needs of a distant community...
The video Swimming in rivers of Glue is composed of various images of nature, exploring the themes of exploration of space and its colonization...
Pak created New York Public Library Projects (NYPLP) (2008) during a residency in New York, using public libraries as exhibition spaces and the books they house as raw materials...
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
Cinthia Marcelle’s video work Automóvel (2012) re-edits the mundane rhythms of automotive traffic into a highly compelling and seemingly choreographed meditation on sequence, motion, and time...
For Untitled, Caesar encased recycled objects such as scraps of plywood, paper or cloth in resin and then cut and reassembled the pieces into abstract forms...
Masks is a series of abstract paintings by Simon Fujiwara that together form a giant, fragmented portrait of German Chancellor Angela Merkel’s face...
Made in cast bronze, Two Eyes Two Mouths provokes a strong sense of fleshiness as if manipulated by the hand of the artist pushing her fingers into wet clay or plaster to create gouges that represent eyes, mouths and the female reproductive organ...