Barbara Kasten’s Studio Construct 51 depicts an abstract still life: a greyscale photograph of clear translucent panes assembled into geometric forms, the hard lines of their edges converging and bisecting at various points. Light streams from unseen sources and projects rectangular shadows against an adjacent wall. Three-dimensional shapes become suddenly flat as the objects in Kasten’s still life are juxtaposed alongside their ghostly traces. Kasten’s assemblages could be seen as sculptural plays on geometric abstraction, but her sets are deliberately temporary and staged only to be photographed and subsequently dismantled. In shifting focus from the object-as-subject to the document, Studio Construct 51 privileges ephemerality over permanence and suggests that all physical forms are transient and ultimately only recognizable by the artifacts that they leave behind.
Barbara Kasten creates constructions for the camera by building temporary sets out of unidentified materials that she photographs and immediately disassembles. Producing continuously since the 1960s, Kasten’s work is often identified with the California Light and Space Movement, and her photographs deliberately play on perceptual phenomena of light and shadow. Kasten is a self-taught photographer and distances herself from the profession. Regardless, her work continues to influence younger generations of photographers who are inspired by her innovative and experimental compositions.
The application of bright colors and kitsch materials in Flower Tree manifests a playful comment on the influence of popular culture and urban lifestyle...
From the series the Old and the New (XI) by Carlos Garaicoa belongs to the series Lo viejo y lo nuevo / Das Alte und das Neue (The Old and the New) which was first exhibited in 2010 at Barbara Gross Gallery in Germany...
Converting is a piece about the Orang Laut, often called Sea Nomads, that inhabited the Riau archipelago...
The Possibility of the Half by Minouk Lim is a two-channel video projection that begins with a mirror image of a weeping woman kneeling on the ground...
Unlike many of his earlier films which often present poignant critiques of mass media and its deleterious effects on American culture, EASTER MORNING , Conner’s final video work before his death in 2008, constitutes a far more meditative filmic essay in which a limited amount of images turn into compelling, almost hypnotic visual experience...
In 1977, as an already-established artist best known for his films, Bruce Conner began to photograph punk rock shows at Mabuhay Gardens, a San Francisco club and music venue...
Bruce Conner is best known for his experimental films, but throughout his career he also worked with pen, ink, and paper to create drawings ranging from psychedelic patterns to repetitious inkblot compositions...
A Flags-Raising-Lowering Ceremony at my home’s cloths drying rack (2007) was realized in the year of the 10th anniversary of the establishment of The Hong Kong Special Administrative Region of the People’s Republic of China...
Will Rogan’s video Eraser (2014) shows a hearse parked in a clearing amidst leaf barren trees...
Lambri’s careful framing in Untitled (Miller House, #02) redefines our understanding of this iconic mid-century modernist building located in Palm Springs, California...
Physical and mental exploration have been founding elements in Joachim Koester’s research for several years...
Unregistered City is a series of eight photographs depicting different scenes of a vacant, apparently post-apocalyptic city: Some are covered by dust and others are submerged by water...