40 min
The video “Shangri-La” refers to the mythical city of James Hilton’s novel “Lost Horizon” written in 1933 and is exemplified in a film by Frank Capra which speaks of eternal youth in a city of happiness. In 1997, a small town in an agricultural region of central China near the Tibetan border was proclaimed as the place that inspired Shangri-la. Thereafter, a dozen other cities in the same area have claimed to be paradise on earth, prompting a marketing battle without mercy, raging on until the government’s intervention. The mirror used to build the model of the mountain is highly symbolic and often appears in the work of the artist. In literature and art, it represents the transition between reality and the dream world composed of projections and desires. Chang’s work focuses on the reality and fiction inherent in an existing space in both its concrete embodiment and its myth. She explores the idea of a real journey to an imaginary place. This work exposes contradictions: the search for a city’s roots and traditions leads to a falsification of its history, and cultural conflicts inside of touristic and financial goals.
When she arrived in New York in the mid 1990s, Patty Chang became involved in the performance scene. Staging her own body in intensely difficult situations enables her to denounce problems she observes in contemporary society such as various excessive behaviors like eating disorders, as well as the sex trade, gender and cultural stereotypes, identity issues. Soon, she also used video and photography (like the Contortion series 2000-2002) to document her actions and extend her practice. By appropriating cinematic conventions, popular culture, pornography, literature and translation, Chang ceaselessly explores and subverts historical and current relations between East and West. Patty Chang was born in San Leandro, California, in 1972. She lives and works in New York.
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
Blind Spencer is part of the series “Blind Stars” including hundreds of works in which the artist cut out the eyes of Hollywood stars, in a symbolically violent manner...
Lockhart’s film Lunch Break investigates the present state of American labor through a close look at the everyday life of the workers at the Bath Iron Works shipyard—a private sector of the U...
Wolfgang Tillmans initiated the ongoing series Faltenwurf in 1989, representing compositions of unused clothing, with special attention paid to the ways in which they drape and fold...
For his series of digital collages Excerpt (Sealed)… Rhodes appropriated multiple images from mass media and then sprayed an X on top of their glass and frame...
Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...
Like many of Pascal Shirley’s photographs, Oakland Girls aestheticizes a dingy rooftop and a cloudy sky...
Starting with Bruce Nauman’s iconic artwork, The True Artist Helps the World by Revealing Mystic Truths (Window or Wall Sign) , Mungo Thomson’s neon sign is one of a series that replaces Nauman’s quixotic mini-manifesto with aphorisms from ‘recovery’ culture, especially those made popular by alcoholics anonymous...
In the work titled The Glossies (1980), an affinity for photography manifested itself before McCollum actually began to use photography as a medium...
Douglas Gordon’s single-channel video The Left Hand Can’t See That The Right Hand is Blind, captures an unfolding scene between two hands in leather gloves—at first seemingly comfortable to be entwined, and later, engaged in a struggle...
Lockhart’s film Lunch Break investigates the present state of American labor, through a close look at the everyday life of the workers at the Bath Iron Works shipyard—a private sector of the U...
In Thomson’s Untitled (TIME) , every front cover of TIME magazine is sequentially projected to scale at thirty frames per second...
Ramirez’s The International Sail is the fifth in a series that features an upside-down worn out, mended and fragmented boat sail...