40 min
The video “Shangri-La” refers to the mythical city of James Hilton’s novel “Lost Horizon” written in 1933 and is exemplified in a film by Frank Capra which speaks of eternal youth in a city of happiness. In 1997, a small town in an agricultural region of central China near the Tibetan border was proclaimed as the place that inspired Shangri-la. Thereafter, a dozen other cities in the same area have claimed to be paradise on earth, prompting a marketing battle without mercy, raging on until the government’s intervention. The mirror used to build the model of the mountain is highly symbolic and often appears in the work of the artist. In literature and art, it represents the transition between reality and the dream world composed of projections and desires. Chang’s work focuses on the reality and fiction inherent in an existing space in both its concrete embodiment and its myth. She explores the idea of a real journey to an imaginary place. This work exposes contradictions: the search for a city’s roots and traditions leads to a falsification of its history, and cultural conflicts inside of touristic and financial goals.
When she arrived in New York in the mid 1990s, Patty Chang became involved in the performance scene. Staging her own body in intensely difficult situations enables her to denounce problems she observes in contemporary society such as various excessive behaviors like eating disorders, as well as the sex trade, gender and cultural stereotypes, identity issues. Soon, she also used video and photography (like the Contortion series 2000-2002) to document her actions and extend her practice. By appropriating cinematic conventions, popular culture, pornography, literature and translation, Chang ceaselessly explores and subverts historical and current relations between East and West. Patty Chang was born in San Leandro, California, in 1972. She lives and works in New York.
Starting with Bruce Nauman’s iconic artwork, The True Artist Helps the World by Revealing Mystic Truths (Window or Wall Sign) , Mungo Thomson’s neon sign is one of a series that replaces Nauman’s quixotic mini-manifesto with aphorisms from ‘recovery’ culture, especially those made popular by alcoholics anonymous...
Lockhart’s film Lunch Break investigates the present state of American labor, through a close look at the everyday life of the workers at the Bath Iron Works shipyard—a private sector of the U...
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
Dutch Emerging: Ruben Janssen X GRA Fashion Bachelor 2023 – A Shaded View on Fashion From the back to the middle and around again — Ria’s wedding dress, Alan’s patterns and John’s model: ‘My project is an investigation into evolution, explored through prisms of biology, computation and a poetic personal narrative, shifting between timescales on an evolutionary timeline...
Untitled (Celestial Motors) is a visual meditation on an icon of modern urban Philippine life—the jeepney...
In his photographic series Périphérique (2005–2008), Mohamed Bourouissa used the composition of classical paintings to stage the portrait of friends and young people in the banlieue s (suburbs)...
Charwai Tsai’s photograph documents her Hermit Crab Project installation upon the construction site of gallery Sora in Tokyo...
Poetry Light Stool evokes the spirit of Fluxus, the intermedia movement that encouraged artmaking to be simple, fun, and address everyday life...
The black-and-white projection, Araf by Didem Pekün, begins, as a lithe man stands high up in the middle of the grand, rebuilt 16th-century Ottoman bridge in Mostar, in Bosnia and Herzegovina...
In “And so it is” shows the image of a faceless man before a microphone, ready to deliver an important message...