40 min
The video “Shangri-La” refers to the mythical city of James Hilton’s novel “Lost Horizon” written in 1933 and is exemplified in a film by Frank Capra which speaks of eternal youth in a city of happiness. In 1997, a small town in an agricultural region of central China near the Tibetan border was proclaimed as the place that inspired Shangri-la. Thereafter, a dozen other cities in the same area have claimed to be paradise on earth, prompting a marketing battle without mercy, raging on until the government’s intervention. The mirror used to build the model of the mountain is highly symbolic and often appears in the work of the artist. In literature and art, it represents the transition between reality and the dream world composed of projections and desires. Chang’s work focuses on the reality and fiction inherent in an existing space in both its concrete embodiment and its myth. She explores the idea of a real journey to an imaginary place. This work exposes contradictions: the search for a city’s roots and traditions leads to a falsification of its history, and cultural conflicts inside of touristic and financial goals.
When she arrived in New York in the mid 1990s, Patty Chang became involved in the performance scene. Staging her own body in intensely difficult situations enables her to denounce problems she observes in contemporary society such as various excessive behaviors like eating disorders, as well as the sex trade, gender and cultural stereotypes, identity issues. Soon, she also used video and photography (like the Contortion series 2000-2002) to document her actions and extend her practice. By appropriating cinematic conventions, popular culture, pornography, literature and translation, Chang ceaselessly explores and subverts historical and current relations between East and West. Patty Chang was born in San Leandro, California, in 1972. She lives and works in New York.
The three monkeys in Don’t See, Don’t Hear, Don’t Speak are a recurring motif in Gupta’s work and refer to the Japanese pictorial maxim of the “three wise monkeys” in which Mizaru covers his eyes to “see no evil,” Kikazaru covers his ears to “hear no evil,” and Iwazaru covers his mouth to “speak no evil.” For the various performative and photographic works that continue this investigation and critique of the political environment, Gupta stages children and adults holding their own or each other’s eyes, mouths and ears...
A Portrait: Covering and Cleaning is an installation of six black-and-white video projections...
A mesmerizing experience of a vaguely familiar yet remote world, History of Chemistry I follows a group of men as they wander from somewhere beyond the edge of the sea through a vast landscape to an abandoned steel factory...
Gabriel Kuri has created a series of works in which he juxtaposes perennial and ephemeral materials...
Dutch Emerging: Ruben Janssen X GRA Fashion Bachelor 2023 – A Shaded View on Fashion From the back to the middle and around again — Ria’s wedding dress, Alan’s patterns and John’s model: ‘My project is an investigation into evolution, explored through prisms of biology, computation and a poetic personal narrative, shifting between timescales on an evolutionary timeline...
Untitled (Celestial Motors) is a visual meditation on an icon of modern urban Philippine life—the jeepney...
Nina Azoulay — Comme un rond dans un carré — Frac île-de-france, le Plateau — Exhibition — Slash Paris Login Newsletter Twitter Facebook Nina Azoulay — Comme un rond dans un carré — Frac île-de-france, le Plateau — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Nina Azoulay — Comme un rond dans un carré Exhibition Installation, sculpture Closing Nina Azoulay, Olivia, 2024 © Nina Azoulay Nina Azoulay Comme un rond dans un carré Ends in 7 days: January 11 → February 18, 2024 La Project Room est le nouvel espace prospectif et expérimental du Frac qui prend place dans la dernière salle du Plateau...
Gabriel Orozco often documents found situations in the natural or urban landscape...
Charwai Tsai’s photograph documents her Hermit Crab Project installation upon the construction site of gallery Sora in Tokyo...
Poetry Light Stool evokes the spirit of Fluxus, the intermedia movement that encouraged artmaking to be simple, fun, and address everyday life...
In “And so it is” shows the image of a faceless man before a microphone, ready to deliver an important message...