4 panels; 24.5H x 72W inches
To make his series Shadows (1980), Gaines subjected 20 potted plants to a uniform procedure. Each is pictured four times: a photograph of the plant, a photograph of its shadow, a drawing of the plant, and a drawing of its shadow. Instead of lending structure to disparate entities, this system serves a counterintuitive purpose, dissolving the object. Just as meaning can be drained from a word through relentless repetition, Gaines’s thorough application of an invented representational system undermines the thing-ness of the simplest thing. Here, the artist effectively questions a concept as vast as objective truth by presenting an alternate theory of an object as ordinary as a houseplant
Charles Gaines orchestrates opportunities for aesthetic judgments, often turning mundane objects and spaces into newly indeterminate propositions. By adhering to self-defined processes, he explores the structures by which we make meaning, supplanting objective claims with the infinitely interpretable. Gaines is currently based in Los Angeles, where he teaches at California Institute of the Arts. He is influenced by John Cage, and like Cage’s, his work has served as a seminal guidepost for a younger generation of concept-oriented image makers.
In his composition, Chocolate Bars, Eggs, Milk, Lassry’s subjects are mirrored in their surroundings (both figuratively, through the chocolate colored backdrop and the brown frame; and literally, in the milky white, polished surface of the table), as the artist plays with color, shape, and the conventions of representational art both within and outside of the photographic tradition...
In 1977, as an already-established artist best known for his films, Bruce Conner began to photograph punk rock shows at Mabuhay Gardens, a San Francisco club and music venue...
Consuegra’s Colombia is a mirror made in the shape of the artist’s home country—a silhouette that has an important resonance for the artist...
Hill of Poisonous Trees (three men) (2008) exemplifies the artist’s signature photo-weaving technique, in which he collects diverse found photographs—portraits of anonymous people, stills from blockbuster films, or journalistic images—cuts them into strips, and weaves them into new composition...
Untitled (Women) (2011) presents a startlingly succinct history of violently romanticized femininity...
In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form...
In 8 Ball Surfboard (1995),Alexis Smith combines her long-term interests in California culture and conceptual assemblage...
In line with Hernández’s interest in catastrophe, Vulnerabilia (choques) is a collection of images of shipwrecks and Vulnerabilia (naufragios) collects scenes of car crashes...
A residency program in the blazing hot city of Honda, Colombia, inspired artist Nicolás Consuegra to consider the difficulty in understanding the needs of a distant community...
In Monster (1996-97), the artist’s face becomes grotesque through the application of strips of transparent adhesive tape, typical of Gordon’s performance-based films that often depict his own body in action...
In Captain X , Star Trek’s Captain Kirk, played by William Shatner, is limply draped over a large boulder in what looks like a hostile alien environment...
Iron Sorrows (1990) brings together what are for Alexis Smith common motifs and materials such as scavenged and repurposed metal, and street signage...